{"id":56238,"date":"2016-01-20T13:00:12","date_gmt":"2016-01-20T12:00:12","guid":{"rendered":"https:\/\/www.iemj.org\/musique-et-shoah-1\/"},"modified":"2025-04-16T12:59:40","modified_gmt":"2025-04-16T10:59:40","slug":"musique-et-shoah-1","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/musique-et-shoah-1\/","title":{"rendered":"Music and the Holocaust 1st part"},"content":{"rendered":"<p><strong>After the war, the Holocaust inspired many composers who wished to pay tribute to an assassinated Jewish culture<\/strong><\/p>\n<p><!--more-->The extermination of the Jews, planned by the Nazis, did not succeed in destroying their songs of revolt and hope. Music has survived in ghettos and camps despite inhuman conditions.<\/p>\n<p>Since Hitler came to power in 1933, a central office for music was created, directed by Richard Strauss, to survey and control the music in Germany. Very quickly, it is forbidden to play works by Jewish composers, and these works are considered \u201cdegenerated\u201d. Many Jewish musicians will be sent to working camps first, and then to concentration and extermination camps during the war.<\/p>\n<p>In the camps, music and songs played an important role in the social organization, as a mean of hope, propaganda, and call for resistance. Music to survive.<br \/>\u201cPeat Bog Soldiers\u201d, also called \u201cDie Moorsoldaten\u201d is a symbol of this fight against nazi invaders. It\u2019s a prisoner\u2019s protest song that was sang all over Europe.<\/p>\n<p>Music also plays a particular role in the ghetto of Terezin, 50 km north of Prague. For propaganda means, the nazis gathered many Jewish intellectuals and artists that tried to continue as much as possible their creative activities. Most of these composers (Viktor Ullmann, Hans Kr\u00e1sa, Pavel Haas&#8230;) will die from hunger or will be sent to gas chambers, leaving behind a very modern work that music researchers from the last 20 years allowed to relive.<\/p>\n<p>After the war, the genocide of European Jews inspired many works, such as Schoenberg\u2019s \u201cA Survivor from Warsaw\u201d.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.iemj.org\/en\/survive-and-die-with-music-in-nazi-camps\/\" target=\"_blank\" rel=\"noopener\">Listen to the radio show : <em>Survive and die with music in nazi camps<\/em>.<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/en\/music-and-musicians-forbidden-under-the-third-reich\/\" target=\"_blank\" rel=\"noopener\">Listen to the radio show : <em>Forbidden musicians and music under third Reich<\/em>.<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/en\/musique-et-shoah-2\/\" target=\"_blank\" rel=\"noopener\">Listen to the playlist : <em>Music and the Holocaut 2nd part<\/em><\/a><\/li>\n<\/ul>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-9087\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/shoah_document_500px.jpg\" alt=\"shoah_document_500px.jpg\" width=\"500\" height=\"500\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/shoah_document_500px.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/shoah_document_500px-300x300.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/shoah_document_500px-150x150.jpg 150w, https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/shoah_document_500px-100x100.jpg 100w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>\u00a0<\/p>\n<p><img decoding=\"async\" class=\"wp-image-110607 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png\" alt=\"\" width=\"715\" height=\"93\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 715px) 100vw, 715px\" \/><\/p>\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/cheder_yorn_-_abraham_brun.mp3\">Cheder Yorn &#8211; Abraham BRUN<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/dos_ingele_ligt_farbrent_-_sarah_gorby.mp3\">Dos ingele ligt farbrent &#8211; Sarah GORBY<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/moide_ani_-_sarah_gorby.mp3\">Moide ani &#8211; Sarah GORBY<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/motele_fun_vaeshever_geto_-_jacques_grober.mp3\">Motele fun Varshever Geto &#8211; Jacques GROBER<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/shtil_di_nacht_iz_oysgeshternt_-_norbert_horowitz.mp3\">Shtil, di Nacht iz oysgeshternt &#8211; Norbert HOROWITZ<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/oy_a_nacht_a_sheyne_-_norbert_horowitz.mp3\">Oy, a Nacht a sheyne &#8211; Norbert HOROWITZ<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/anni_ma_amim_-_dorit_reuveni.mp3\">Anni Ma\u2019amim &#8211; Dorit REUVENI<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/freeling_-_chava_alberstein.mp3\">Freeling &#8211; Chava ALBERSTEIN<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/oyb_nit_kayn_anume_-_abraham_brun.mp3\">Oyb Nit kayn Anume &#8211; Abraham BRUN<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/farvos_iz_der_himmel_-_chava_alberstein.mp3\">Farvos iz der Himl &#8211; Chava ALBERSTEIN<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/ghetto_lid_-_pinchos_borenstein.mp3\">Ghetto lid &#8211; Pinchos BORENSTEIN<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/jetz_habe_leute_aufgepasst_-_krasa_brundibar.mp3\">Jetz habe Leute, aufgepasst &#8211; KRASA_BRUNDIBAR<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/die_moorsoldaten-theodore_bikel.mp3\">Die Moorsoldaten-Theodore BIKEL<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/k7_1231_08.mp3\">Souviens toi d&#8217;Auschwitz &#8211; Emile Ka\u00e7mann<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>After the war, the Holocaust inspired many composers who wished to pay tribute to an assassinated Jewish culture<\/p>\n","protected":false},"author":1052,"featured_media":9085,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1317],"tags":[],"technique":[],"squelettes":[],"sujet":[1802],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[3311],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-56238","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlists-en","sujet-shoah-en","interprete-compositeur-viktor-ullmann-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Music and the Holocaust 1st part - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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