{"id":58094,"date":"2015-12-17T15:56:04","date_gmt":"2015-12-17T14:56:04","guid":{"rendered":"https:\/\/www.iemj.org\/la-voix-dans-la-tradition-liturgique-ashkenaze-hector-sabo\/"},"modified":"2025-02-13T15:19:58","modified_gmt":"2025-02-13T14:19:58","slug":"la-voix-dans-la-tradition-liturgique-ashkenaze-hector-sabo","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/la-voix-dans-la-tradition-liturgique-ashkenaze-hector-sabo\/","title":{"rendered":"The voice in the Ashkenazi liturgical tradition &#8211; Hector Sabo"},"content":{"rendered":"<p class=\"post_excerpt\"><strong>As part of the <a href=\"https:\/\/www.iemj.org\/en\/symposium-and-concerts-vox-aurea-via-sacra-2014-sacred-jewish-music\/\">Day of study Vox Aurea-Via Sacra 2014<\/a>, dedicated to Jewish sacred music, Hector Sabo offers us a lecture on the voice in the Ashkenazi liturgical tradition<\/strong><\/p>\n<p><!--more--><\/p>\n<h3>Listen to the lecture below<\/h3>\n<p>Hector Sabo grew up in the chazanut tradition (the cantorial art) transmited by his grand-father David Sabo. When he was 9 years old, he entered the professional choir of the Great Synagogue of Buenos Aires (rue Paso) and sang along with his father \u2026<\/p>\n<p>The musical tradition in the Ashkenazi liturgy, the Hebraic designation of Germanic Jewish culture, implies the synagogal chanting that developed during the second millenium of the Christian era in Central and Eastern Europe.<\/p>\n<p>This culture from the Rhine valley, progressively moved towards the East, and got slowly impregnated by Slavic culture. And despite its many peregrinations, it kept its original particularities.<\/p>\n<p>More generally, the sung voice was, since the destruction of the second temple of Jerusalem, the preferred instrument to express faith in the Jewish liturgy.<br \/>In the Ashkenazic Europe, the musical development of the synagogal ritual adopted many features from the opera, but still integrating those from the folkloric songs of the environing people.<\/p>\n<p>Hector Sabo wrote articles in various magazines (diasporique, revue of the KKL, Musique et Culture, etc.) and two scholarly books : Isra\u00ebl Lovy, portrait d\u2019une personnalit\u00e9 musicale m\u00e9connue and Les termes H\u00e9bra\u00efque dans le dictionnaire de Walther. Since several years he dedicated himself to research on new repertoires of Hebrew music and its corresponances of Biblical origins.<\/p>\n<p><a href=\"https:\/\/www.iemj.org\/en\/symposium-and-concerts-vox-aurea-via-sacra-2014-sacred-jewish-music\/\">Learn more on the program of the colloquium and concerts of the 3rd edition of Vox Aurea-Via Sacra dedicated to sacred Jewish music.<\/a><\/p>\n<figure id=\"attachment_110607\" aria-describedby=\"caption-attachment-110607\" style=\"width: 900px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-110607\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png\" alt=\"\" width=\"900\" height=\"117\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><figcaption id=\"caption-attachment-110607\" class=\"wp-caption-text\"><strong>Listen to the lecture&#8217;s audio recording below<\/strong><\/figcaption><\/figure>\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-45eaa61b-be1e-4ea6-ac0e-53614f16e683\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2015\/12\/4_hector_sabo.mp3\">Colloque Vox Aurea &#8211; Hector SABO<\/a><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As part of the Day of study Vox Aurea-Via Sacra 2014, dedicated to Jewish sacred music, Hector Sabo offers us a lecture on the voice in the Ashkenazi liturgical tradition<\/p>\n","protected":false},"author":1052,"featured_media":8715,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1366],"tags":[3416],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1116],"fonds":[],"tradition":[1141],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-58094","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lectures-conferences-discover-en","tag-partners-events-en","genre-liturgy","tradition-ashkenazi-rite-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The voice in the Ashkenazi liturgical tradition - Hector Sabo - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/la-voix-dans-la-tradition-liturgique-ashkenaze-hector-sabo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The voice in the Ashkenazi liturgical tradition - Hector Sabo - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"As part of the Day of study Vox Aurea-Via Sacra 2014, dedicated to Jewish sacred music, Hector Sabo offers us a lecture on the voice in the Ashkenazi liturgical tradition\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/la-voix-dans-la-tradition-liturgique-ashkenaze-hector-sabo\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-12-17T14:56:04+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-13T14:19:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2015\/12\/arton1323.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"500\" \/>\n\t<meta property=\"og:image:height\" content=\"657\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Lea Couderc\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lea Couderc\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/la-voix-dans-la-tradition-liturgique-ashkenaze-hector-sabo\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/la-voix-dans-la-tradition-liturgique-ashkenaze-hector-sabo\\\/\"},\"author\":{\"name\":\"Lea Couderc\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/e2ad57f2c4be119c7ed8ab79036807a9\"},\"headline\":\"The voice in the Ashkenazi liturgical tradition &#8211; 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