{"id":58300,"date":"2019-05-14T17:45:03","date_gmt":"2019-05-14T15:45:03","guid":{"rendered":"https:\/\/www.iemj.org\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/"},"modified":"2025-09-09T17:33:16","modified_gmt":"2025-09-09T15:33:16","slug":"the-yiddish-cabaret-korngold-schulhoff-desyatnikov","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/","title":{"rendered":"The yiddish cabaret – Korngold \/ Schulhoff \/ Desyatnikov"},"content":{"rendered":"

Harmonia Mundi, 2019<\/p>\n

<\/p>\n

The disc\u2019s program is the result of a work by the Jerusalem\u2019s Quartet around the music of Yiddish cabarets in Poland between the two world wars. For nearly two years, the four musicians, assisted by the musicologist Gila Flam<\/a>, began research in the archives of Jerusalem\u2019s National Library. After a long task of selection, they retained five Yiddish songs that were sung in the Jewish cabarets of Warsaw and \u0141\u00f3d\u017a between 1919 and 1939. The first is a nostalgic song about Warsaw (Varshe<\/em>), the second a parody of an American song which tells about the fate of a Jewish prostitute (In a hoyz vu men veynt un men lakht<\/em>). The third (Ikh ganve in der nakht<\/em>) and fifth songs (Ikh vel shoyn mer nit ganvenen<\/em>) come from the repertoire of Yiddish \u00ab thieves songs \u00bb of the Jewish mob. The fourth song (Yosl und Sore-Dvoshe<\/em>) is a duet between a man and a woman who live in poverty but dream of having a big family and living happily in a big town.
These five songs served as the “raw material” for a creation by Israeli composer Leonid Desyatnikov<\/strong> (1955) who made an adaptation for vocals (performed here in Yiddish by the Israeli soprano Hila Baggio) and string quartet. As it is described by Desyatnikov in the booklet of the disc written by Gila Flam : “This cycle is a series of free transcriptions for this music, commonly considered “low value”. It\u2019s the eclectic culture of the proletarian and foreign, the culture of the cheap and posh, and, at the same time \u2013 in its best ways \u2013 an insolent and talented culture, full of self-irony and of imminent despair.” Gila Flam adds that “the Jewish musicians and performers played a leading role in Poland\u2019s popular music, contributing to help enlarge the repertoire of Polish and Yiddish songs. With this, they influenced all the European cabaret\u2019s music as well as Hollywood\u2019s film music, and the music of theatres on Broadway in America.”<\/p>\n

And it is precisely in Hollywood that the Jewish composer Erich Wolfgang Korngold<\/strong> (1897-1957) enjoyed most of his career. Born in Brno in Austria-Hungaria on the 29th of May 1897, a child prodigy, sometimes compared to Mozart, he is one of the last representatives of Viennese romantism. In 1925, he was the most frequently played composer after Richard Strauss in the German speaking countries. In 1934, he made his first trip to the USA, where he wrote essentially film music for Warner Bros. After a brief return to Vienna in 1937, he settled down definitively in 1938. Over a period of twelve years, he wrote eighteen film music, two of them (Anthony Adverse and Robin Hood) awarded with Oscars.
His string quartet n\u00b0 2 op. 26, in four movements, was composed in 1933 and debuted in Vienna by the Rose Quartet on March 16, 1934, just before the composer left for the USA. According to Jerusalem\u2019s string quartet, this work by Korngold expresses his deep nostalgia for Central Europe\u2019s musical traditions.<\/p>\n

The last piece of music of this disc \u2013 slightly eclectic \u2013 is from the Czech composer Erwin Schulhoff<\/strong> (1894-1942). Born in Prague in 1894 in a Jewish family, Schulhoff was noticed very early on and encouraged by Dvo\u0159\u00e1k. His style is characterized by a mix of atonality, surrealism and popular repertoire. Arrested by the Nazis on June 22nd 1941, he was interned in the W\u00fclzburg\u2019s fortress, in Bavaria, where he died of tuberculosis on the 28th of August 1942.
His Five pieces for string quartet (1923), dedicated to Darius Milhaud, were performed for the first time in Salzburg on the 8th of August 1924. They consist of a series of dances (waltz, tango, tarentella\u2026) which take their inspiration from popular music of the time.<\/p>\n

Learn more about the Jerusalem\u2019s Quartet<\/a>
Order the CD<\/a><\/p>\n\n\n

<\/h2>\n\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n
Korngold – Intermezzo (Quatuor \u00e0 cordes n\u00b0 2) (Extrait)<\/a><\/div>\n\n\n\n
Schulhoff – Alla Tarantella (Cinq pi\u00e8ces pour quatuor \u00e0 cordes) (Extrait)<\/a><\/div>\n\n\n\n
Desyatnikov – Varshe (5 chansons de cabaret yiddish pour voix et quatuor \u00e0 cordes) (Extrait)<\/a><\/div>\n\n\n\n
Desyatnikov – In a hoyz (5 chansons de cabaret yiddish pour voix et quatuor \u00e0 cordes) (Extrait)<\/a><\/div>\n\n\n\n
Desyatnikov – Ikh ganve in der nakht (5 chansons de cabaret yiddish pour voix et quatuor \u00e0 cordes) (Extrait)<\/a><\/div>\n\n\n\n
Desyatnikov – Yosl und Sore, Dvoshe (5 chansons de cabaret yiddish pour voix et quatuor \u00e0 cordes) (Extrait)<\/a><\/div>\n\n\n\n
Desyatnikov – Ikh vel shoyn mer nit ganvenen (5 chansons de cabaret yiddish pour voix et quatuor \u00e0 cordes) (Extrait)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Harmonia Mundi, 2019<\/p>\n","protected":false},"author":1045,"featured_media":23919,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1570,1562],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1117,1115],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-58300","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-latest-acquisition-en","category-latest-acquisitions-en","genre-classical-music","genre-yiddish-en-2"],"acf":[],"yoast_head":"\nThe yiddish cabaret - Korngold \/ Schulhoff \/ Desyatnikov - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The yiddish cabaret - Korngold \/ Schulhoff \/ Desyatnikov - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Harmonia Mundi, 2019\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-05-14T15:45:03+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-09T15:33:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/05\/arton4152-e1619097026872.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"400\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Herv\u00e9 Roten\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Herv\u00e9 Roten\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\\\/\"},\"author\":{\"name\":\"Herv\u00e9 Roten\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/906134402c29d5c76e7b726261dd4bbd\"},\"headline\":\"The yiddish cabaret – Korngold \\\/ Schulhoff \\\/ Desyatnikov\",\"datePublished\":\"2019-05-14T15:45:03+00:00\",\"dateModified\":\"2025-09-09T15:33:16+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\\\/\"},\"wordCount\":730,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/arton4152-e1619097026872.jpg\",\"articleSection\":[\"CD\",\"Latest Acquisitions\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\\\/\",\"name\":\"The yiddish cabaret - Korngold \\\/ Schulhoff \\\/ Desyatnikov - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/arton4152-e1619097026872.jpg\",\"datePublished\":\"2019-05-14T15:45:03+00:00\",\"dateModified\":\"2025-09-09T15:33:16+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/arton4152-e1619097026872.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/arton4152-e1619097026872.jpg\",\"width\":400,\"height\":400},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The yiddish cabaret – Korngold \\\/ Schulhoff \\\/ Desyatnikov\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/906134402c29d5c76e7b726261dd4bbd\",\"name\":\"Herv\u00e9 Roten\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g\",\"caption\":\"Herv\u00e9 Roten\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The yiddish cabaret - Korngold \/ Schulhoff \/ Desyatnikov - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/en\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/","og_locale":"en_US","og_type":"article","og_title":"The yiddish cabaret - Korngold \/ Schulhoff \/ Desyatnikov - Institut Europ\u00e9en des Musiques Juives","og_description":"Harmonia Mundi, 2019","og_url":"https:\/\/www.iemj.org\/en\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2019-05-14T15:45:03+00:00","article_modified_time":"2025-09-09T15:33:16+00:00","og_image":[{"width":400,"height":400,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/05\/arton4152-e1619097026872.jpg","type":"image\/jpeg"}],"author":"Herv\u00e9 Roten","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Herv\u00e9 Roten","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/en\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/"},"author":{"name":"Herv\u00e9 Roten","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/906134402c29d5c76e7b726261dd4bbd"},"headline":"The yiddish cabaret – Korngold \/ Schulhoff \/ Desyatnikov","datePublished":"2019-05-14T15:45:03+00:00","dateModified":"2025-09-09T15:33:16+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/en\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/"},"wordCount":730,"publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/en\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/05\/arton4152-e1619097026872.jpg","articleSection":["CD","Latest Acquisitions"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/en\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/","url":"https:\/\/www.iemj.org\/en\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/","name":"The yiddish cabaret - Korngold \/ Schulhoff \/ Desyatnikov - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/en\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/en\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/05\/arton4152-e1619097026872.jpg","datePublished":"2019-05-14T15:45:03+00:00","dateModified":"2025-09-09T15:33:16+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/en\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/en\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/05\/arton4152-e1619097026872.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/05\/arton4152-e1619097026872.jpg","width":400,"height":400},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/en\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/en\/"},{"@type":"ListItem","position":2,"name":"The yiddish cabaret – Korngold \/ Schulhoff \/ Desyatnikov"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/en\/#website","url":"https:\/\/www.iemj.org\/en\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/en\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/906134402c29d5c76e7b726261dd4bbd","name":"Herv\u00e9 Roten","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g","caption":"Herv\u00e9 Roten"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/58300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/users\/1045"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/comments?post=58300"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/58300\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media\/23919"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media?parent=58300"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/categories?post=58300"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tags?post=58300"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/technique?post=58300"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/squelettes?post=58300"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/sujet?post=58300"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/formation?post=58300"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/genre?post=58300"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/fonds?post=58300"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tradition?post=58300"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-de-contenu?post=58300"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/interprete-compositeur?post=58300"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/frise?post=58300"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-devenement?post=58300"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tableaux-liens-externes?post=58300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}