{"id":58632,"date":"2018-07-17T17:33:47","date_gmt":"2018-07-17T15:33:47","guid":{"rendered":"https:\/\/www.iemj.org\/en-chemin\/"},"modified":"2025-10-20T11:38:39","modified_gmt":"2025-10-20T09:38:39","slug":"en-chemin","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/en-chemin\/","title":{"rendered":"En Chemin"},"content":{"rendered":"<p>The <strong>Ch\u0153ur de Chambre des Deux-S\u00e8vres<\/strong> has always wished to open itself to music from other cultures and to promote it. The meeting with <strong>Jean Golgevit<\/strong>, and the discovering of his harmonisations of popular Yiddish songs led the Ch\u0153ur de Chambre to appropriate a new repertoire, in order to answer to the particularities of the various harmonisations (mixed voices, male and female choir). The <strong>Dames de Ch\u0153ur<\/strong> and the male choir <strong>Les Entonneurs<\/strong> were invited to share the adventure.<\/p>\n<p><strong>Jean Golgevit<\/strong><br \/>Violonist, composer, trainer for choirmasters, he is himself a choirmaster. He created musical pedagogies for adults, conceptualized the Musical Language, an approach which gives keys for understanding a musical score with the voice as the prefered instrument. He then created and brought tools to define and develop the attitude of the choirmaster during the action. He created a new form of polyphonic expression, they are the groups called \u00ab Balads \u00bb (vocal bands without direction, with an important work of listening), which gives to the singer the full richness of interpretation inside the group.<\/p>\n<p><strong>Les Dames de Ch\u0153ur<\/strong><br \/>Created 20 years ago in the Conservatoire du Bocage Bressuirais, this choir gathers around 30 women.<br \/>Amateur singers open to any discoveries, they had the opportunity to practice together, along with professionals (artists, choirmasters, composers, guests\u2026), the joys and requirements of improvisation, of traditional French songs, world music, romantic programs, contemporary compositions and rare repertoires.<\/p>\n<p><strong>Les Entonneurs<\/strong><br \/>Created in spring 2008, under the impulse of the Ch\u0153ur de Chambre des Deux-S\u00e8vres, the male choir &#8220;Les Entonneurs\u201d gathers around 20 singers. They sing drinking songs and a repertoire that goes from Romantic to traditional songs.<\/p>\n<p><strong>Yiddish songs<\/strong><br \/>The musical repertoire got inspired by secular songs as well as popular dances, simple melodies, with or without lyrics. Mixed by various influences, Slavic, Greek, Turkish, and later by jazz, this music acquired a characteristical diversity and sonority.<br \/>These songs are harmonized by Jean Golgevit, who brings an originality to the whole : instead of being accompanied by instruments, they are performed a cappella. Two CD&#8217;s (with the Isajoan trio and quintet) and a score collection were edited with the support of the Fondation pour la M\u00e9moire de la Shoah.<\/p>\n<h2><a href=\"https:\/\/www.iemj.org\/en\/product\/en-chemin-yiddish-folk-songs\/\" target=\"_blank\" rel=\"noopener\"><strong>Purchase the CD on the EIJM&#8217;s online shop<\/strong><\/a><\/h2>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-20610\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/en_chemin_-_couv4_500px.jpg\" alt=\"en_chemin_-_couv4_500px.jpg\" width=\"500\" height=\"452\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/en_chemin_-_couv4_500px.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/en_chemin_-_couv4_500px-300x271.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110607\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-c2168156-eab3-4d61-ac4c-b676d61527cc\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/dem_milners_trern.mp3\">Dem milners trern &#8211; EXTRAIT<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-74ae711a-c7c7-40e7-8f7f-ce1a35d42789\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/gloyb_mamenyu.mp3\">Gloyb mamenyu &#8211; EXTRAIT<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-b0dba0d3-486f-4a22-9fb6-7b4fd5b3f698\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/shtiler_ovnt.mp3\">Shtiler ovnt &#8211; EXTRAIT<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-f45491a4-73b7-4925-a8ae-9ea4c32d9c8d\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/ze_dos_kleydl_tateshi.mp3\">Ze dos kleydl, tateshi &#8211; EXTRAIT<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The Ch\u0153ur de Chambre des Deux-S\u00e8vres has always wished to open itself to music from other cultures and to promote it. The meeting with Jean Golgevit, and the discovering of<\/p>\n","protected":false},"author":5,"featured_media":20608,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1570,1562],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1115],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-58632","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-latest-acquisition-en","category-latest-acquisitions-en","genre-yiddish-en-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>En Chemin - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/en-chemin\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"En Chemin - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"The Ch\u0153ur de Chambre des Deux-S\u00e8vres has always wished to open itself to music from other cultures and to promote it. The meeting with Jean Golgevit, and the discovering of\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/en-chemin\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-07-17T15:33:47+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-20T09:38:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/arton3584-e1619183266405.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"500\" \/>\n\t<meta property=\"og:image:height\" content=\"450\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jacqueline ROTEN\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jacqueline ROTEN\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/en-chemin\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/en-chemin\\\/\"},\"author\":{\"name\":\"Jacqueline ROTEN\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\"},\"headline\":\"En Chemin\",\"datePublished\":\"2018-07-17T15:33:47+00:00\",\"dateModified\":\"2025-10-20T09:38:39+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/en-chemin\\\/\"},\"wordCount\":397,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/en-chemin\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2018\\\/07\\\/arton3584-e1619183266405.jpg\",\"articleSection\":[\"CD\",\"Latest Acquisitions\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/en-chemin\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/en-chemin\\\/\",\"name\":\"En Chemin - 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