{"id":58991,"date":"2014-12-11T11:38:34","date_gmt":"2014-12-11T10:38:34","guid":{"rendered":"https:\/\/www.iemj.org\/cordoue-21\/"},"modified":"2025-10-21T16:26:17","modified_gmt":"2025-10-21T14:26:17","slug":"cordoue-21","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/cordoue-21\/","title":{"rendered":"Cordoue 21"},"content":{"rendered":"<p>The spirit of Cordoba ? This Cordoba has not existed for more than nine or ten centuries. And what about it in the beginning of this 21st century ?<br \/>This is the question asked by Sandra Bessis and Rachid Brahim-Djelloul in this new recording dedicated to the music of those expelled from Spain.<\/p>\n<p>If the Judeo-Spanish songs are a starting point, they stroll with Arabo-Andalusian or Judeo-Arab pieces, improvisations and Oriental instrumental melodies. <br \/>Music of the Mediterranean, this CD is a tribute to these emblematic towns where coexistence between communities, where one might take imaginary walks, from Cordoba or Granada, to Salonica and Istanbul, Tetuan and Constantine. A celebration, in our way, of the marriage between East and West, between the divine and profane, between popular and scholarly traditions, of yesterday, and of today\u2026<\/p>\n<p>Six evocative ballads &#8211; from Granada to Cordoba, passing through the Balkans, Salonica, Istanbul and even Tunis, Algiers and Paris &#8211; construct this album, with the voice of Sandra Bessis, recognized singer of the Sefardi repertoire for more than 25 years, and the voice of Rachid Brahim-Djelloul.<\/p>\n<p>Sometimes together and sometimes one after the other, their voices take the routes that border the Mediterranean Sea. With the accordion player Jasko Ramic, with his two-part musical background, classical music that he learned in Moscow\u2019s music conservatory, and traditional music with his attachment to the Gypsy tradition of Serbia, the ud player Noureddine Aliane and the percussionnist Yousef Zayed, they revisit the repertoire, far from all fantasy of reconstitution. Because we talk here of &#8221; re-creation &#8221; : the choice of songs, the association from one to another, that go back several centuries, or contemporary compositions, the interconnection of traditional melodies with Arabic poetry of the Medieval era, the arrangements and instrumentation, follow their eras. Languages stroll together, rhythms, emotions, a way to perpetuate this antique tradition, between sharing and moving.<\/p>\n<p>With Sandra Bessis (conception and artistic directing, vocals), Rachid Brahim-Djelloul (music directing, vocals, violin, viola), Jasko Ramic (accordion, participation to arrangements), Noureddine Aliane (ud, mandola), Yousef Zayed (percussions, buzuki)<br \/>Guest musicians : Ara\u00efk Bartikian (doudouk) and Th\u00e9o Girard (double bass)<br \/>Recording, mixing and mastering : Patrick Jauneaud<\/p>\n<p><a href=\"http:\/\/sandra-bessis.com\/\" target=\"_blank\" rel=\"noopener\">Learn more<\/a><br \/><a href=\"https:\/\/www.iemj.org\/en\/sandra-bessis-on-the-traces-of-sefardi-music\/\" target=\"_blank\" rel=\"noopener\">Listen to the radio broadcast: Sandra Bessis, on the traces of Sefardi music<\/a><\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"La SERENA  ( Sandra Bessis et Rachid Brahim-djelloul )\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/pww3BfLDOts?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110610\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-8ad5c98e-b682-4b53-8065-85fcdf0cb8c9\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2014\/01\/cd_519_13_site_iemj.mp3\">Aman Minush<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-2105ea38-af06-4a51-8af7-161485ca8daa\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2014\/01\/cd_519_09_site_iemj.mp3\">Yedi Kul\u00e9<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-2ab24876-c018-4ce0-bd28-a27c624d4738\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2014\/01\/cd_519_06_site_iemj.mp3\">Bre Sabrika bre<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-64977401-2df4-4a78-96e1-2317f1b942f9\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2014\/01\/cd_519_02_site_iemj.mp3\">La serena<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The spirit of Cordoba ? This Cordoba has not existed for more than nine or ten centuries. And what about it in the beginning of this 21st century ?This is<\/p>\n","protected":false},"author":1045,"featured_media":6589,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1570,1562],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1114,1112],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-58991","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-latest-acquisition-en","category-latest-acquisitions-en","genre-ladino","genre-oriental-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cordoue 21 - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/cordoue-21\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cordoue 21 - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"The spirit of Cordoba ? This Cordoba has not existed for more than nine or ten centuries. 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