{"id":62568,"date":"2015-10-18T16:26:00","date_gmt":"2015-10-18T14:26:00","guid":{"rendered":"https:\/\/www.iemj.org\/waks-yiddish-voices\/"},"modified":"2025-10-21T17:07:55","modified_gmt":"2025-10-21T15:07:55","slug":"waks-yiddish-voices","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/waks-yiddish-voices\/","title":{"rendered":"Waks &#8211; Yiddish Voices"},"content":{"rendered":"<p>Drawing from sounds recorded on wax cylinders between 1928 and 1941 by Sofia Magid (1892-1954) and Moishe Beregovsky (1892-1961) and left forgotten in archives for decades, the musicians Inge Mandos (vocals), Klemens Kaatz (piano, accordion, harmonium) and Hans-Christian Jaenicke (violin) start a dialogue defying time with voices from the past .<\/p>\n<p>The voices of Nadyeshda, Khaim, Yeshaya, Fanya, Manya, Keyle, Fayvel, Basya, Rachmiel, Lifshe and Beyle, thanks to subtle arrangements, take part in the band, which achieves with sensitivity and creativity to a musical unity with these recordings that they had to restore like treasures. We feel an immense tenderness for this fragile material, and a true expressive freedom. The singer Efim Chorny also appears on one song.<\/p>\n<p>The booklet, featuring contributions from the folklorist Itzik Gottesman and the ethnomusicologist Diana Matut, presents the lyrics of the songs, and their translations in German and English.<\/p>\n<p><a href=\"https:\/\/www.amazon.fr\/Mandos-Klemens-Kaatz-Hans-Christian-Jaenicke\/dp\/B0178E3WRI\">Purchase the CD<\/a><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-8109\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2015\/10\/cd_676_couv4.jpg\" alt=\"cd_676_couv4.jpg\" width=\"1126\" height=\"987\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2015\/10\/cd_676_couv4.jpg 1126w, https:\/\/www.iemj.org\/wp-content\/uploads\/2015\/10\/cd_676_couv4-300x263.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2015\/10\/cd_676_couv4-1024x898.jpg 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2015\/10\/cd_676_couv4-768x673.jpg 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2015\/10\/cd_676_couv4-600x526.jpg 600w\" sizes=\"(max-width: 1126px) 100vw, 1126px\" \/><\/p>\n<p>Watch a video presenting the project :<\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"WAKS - yiddish voices\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Urvckb5JDyE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110608\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Drawing from sounds recorded on wax cylinders between 1928 and 1941 by Sofia Magid (1892-1954) and Moishe Beregovsky (1892-1961) and left forgotten in archives for decades, the musicians Inge Mandos<\/p>\n","protected":false},"author":1051,"featured_media":8107,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1570,1562],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1115],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-62568","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-latest-acquisition-en","category-latest-acquisitions-en","genre-yiddish-en-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Waks - Yiddish Voices - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/waks-yiddish-voices\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Waks - Yiddish Voices - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Drawing from sounds recorded on wax cylinders between 1928 and 1941 by Sofia Magid (1892-1954) and Moishe Beregovsky (1892-1961) and left forgotten in archives for decades, the musicians Inge Mandos\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/waks-yiddish-voices\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-10-18T14:26:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-21T15:07:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2015\/10\/arton1171-e1619451243168.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1141\" \/>\n\t<meta property=\"og:image:height\" content=\"982\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Eleonore Biezunski\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Eleonore Biezunski\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/waks-yiddish-voices\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/waks-yiddish-voices\\\/\"},\"author\":{\"name\":\"Eleonore Biezunski\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/b642ef6ac700534beb3a478a1044fc58\"},\"headline\":\"Waks &#8211; 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