{"id":62646,"date":"2015-07-29T16:44:20","date_gmt":"2015-07-29T14:44:20","guid":{"rendered":"https:\/\/www.iemj.org\/le-principe-de-la-modulation-dans-le-fragment-babylonien-dur-u-7-80-xviiieme-siecle-av-j-c-a-partir-dun-instrument-de-lepoque-non-identifie-le-gis-za-mi\/"},"modified":"2021-09-09T16:37:11","modified_gmt":"2021-09-09T14:37:11","slug":"le-principe-de-la-modulation-dans-le-fragment-babylonien-dur-u-7-80-xviiieme-siecle-av-j-c-a-partir-dun-instrument-de-lepoque-non-identifie-le-gis-za-mi","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/le-principe-de-la-modulation-dans-le-fragment-babylonien-dur-u-7-80-xviiieme-siecle-av-j-c-a-partir-dun-instrument-de-lepoque-non-identifie-le-gis-za-mi\/","title":{"rendered":"Le principe de la modulation dans le fragment babylonien d\u2019Ur : U.7\/80 (XVIII\u00e8me si\u00e8cle av. J.C.) (\u00e0 partir d\u2019un instrument de l\u2019\u00e9poque non identifi\u00e9 : le \u00ab gis za mi \u00bb)"},"content":{"rendered":"<p class=\"post_excerpt\">All rights reserved, Ajaccio, 1991.<\/p>\n<p><!--more--><\/p>\n<p>From the study of a Babylonian fragment of the 18th century B.C.,\u00a0 this work by Jean-Claude Sillamy, PhD in musicology and specialist of Antique music (Sumer, Babylon, Mesopotamia\u2026), shows clearly the principles of the modulation in Babylonian music.<\/p>\n<p>Babylonian modes are not based on octaves but on fourths and fifths, which can vary the internal notes by moving up or down strings on the zither.<\/p>\n<p><a href=\"https:\/\/www.iemj.org\/en\/sillamy-jean-claude-1932-2016\/\">Learn more about Jean-Claude Sillamy<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/en\/the-sillamy-archives\/\">Browse other books by the author<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>All rights reserved, Ajaccio, 1991.<\/p>\n","protected":false},"author":1045,"featured_media":7716,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1579,1562],"tags":[],"technique":[],"squelettes":[],"sujet":[2116],"formation":[],"genre":[3768],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-62646","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books-articles-en","category-latest-acquisitions-en","sujet-music-of-the-hebrews-en","genre-instruments-de-musique-de-la-bible-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le principe de la modulation dans le fragment babylonien d\u2019Ur : U.7\/80 (XVIII\u00e8me si\u00e8cle av. J.C.) (\u00e0 partir d\u2019un instrument de l\u2019\u00e9poque non identifi\u00e9 : le \u00ab gis za mi \u00bb) - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/le-principe-de-la-modulation-dans-le-fragment-babylonien-dur-u-7-80-xviiieme-siecle-av-j-c-a-partir-dun-instrument-de-lepoque-non-identifie-le-gis-za-mi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le principe de la modulation dans le fragment babylonien d\u2019Ur : U.7\/80 (XVIII\u00e8me si\u00e8cle av. J.C.) (\u00e0 partir d\u2019un instrument de l\u2019\u00e9poque non identifi\u00e9 : le \u00ab gis za mi \u00bb) - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"All rights reserved, Ajaccio, 1991.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/le-principe-de-la-modulation-dans-le-fragment-babylonien-dur-u-7-80-xviiieme-siecle-av-j-c-a-partir-dun-instrument-de-lepoque-non-identifie-le-gis-za-mi\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2015-07-29T14:44:20+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-09-09T14:37:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2015\/07\/arton1063.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"353\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Herv\u00e9 Roten\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Herv\u00e9 Roten\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/le-principe-de-la-modulation-dans-le-fragment-babylonien-dur-u-7-80-xviiieme-siecle-av-j-c-a-partir-dun-instrument-de-lepoque-non-identifie-le-gis-za-mi\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/le-principe-de-la-modulation-dans-le-fragment-babylonien-dur-u-7-80-xviiieme-siecle-av-j-c-a-partir-dun-instrument-de-lepoque-non-identifie-le-gis-za-mi\\\/\"},\"author\":{\"name\":\"Herv\u00e9 Roten\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/906134402c29d5c76e7b726261dd4bbd\"},\"headline\":\"Le principe de la modulation dans le fragment babylonien d\u2019Ur : U.7\\\/80 (XVIII\u00e8me si\u00e8cle av. 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