{"id":63771,"date":"2010-03-26T15:00:09","date_gmt":"2010-03-26T14:00:09","guid":{"rendered":"https:\/\/www.iemj.org\/talila\/"},"modified":"2025-10-16T12:14:00","modified_gmt":"2025-10-16T10:14:00","slug":"talila","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/talila\/","title":{"rendered":"Yiddish blues (2) &#8211; Talila"},"content":{"rendered":"<p>Na\u00efve, 2010<\/p>\n<p><!--more--><\/p>\n<p>On subtle arrangements by Teddy Lasry, Talila sings beautiful songs in Yiddish<\/p>\n<p>In the taylor\u2019s shop, there were smells of the old Jewish Poland, and of strong desires to become French. This is where I had school, close to the sewing machine, one ear hearing Yiddish, the other the excellence of french langage. The Polish Jewish smells seemed too old fashioned.<\/p>\n<p>The challenge of this new record is to be where he is not expected. Those who have a clear idea that Yiddish songs must be performed with the violin, the \u00ab\u00a0klezmer\u00a0\u00bb clarinet, the Slavic accordion, may not be that happy. But why repeat for ever the same things\u00a0?<\/p>\n<p>Irving Berlin understood it well, he who came from this musical culture and became the most prolific composer of American jazz standards. Yiddish songs, its at the same time humour in keys and lyrics, and held back tears : this is what Teddy Lasry, director and arrangor of this album, well understood by adding a bit of jazz rhythm. Maybe this is Yiddish music, the art of mixing genres, from slow rumba to streets laments.<\/p>\n<p>Let\u2019s get lost a little and have a walk in this country which makes the Yiddishland as vast as the world.<\/p>\n<p>Text by Talila<\/p>\n<p><a href=\"http:\/\/www.talila.net\/accueil\/\">Learn more about Talila<\/a><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-39334 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2010\/03\/Yiddish-Blues_-Talila_COUV4-300x270.jpg\" alt=\"\" width=\"451\" height=\"406\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2010\/03\/Yiddish-Blues_-Talila_COUV4-300x270.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2010\/03\/Yiddish-Blues_-Talila_COUV4.jpg 594w\" sizes=\"(max-width: 451px) 100vw, 451px\" \/><\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-110607\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png\" alt=\"\" width=\"1210\" height=\"157\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w\" sizes=\"(max-width: 1210px) 100vw, 1210px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Na\u00efve, 2010<\/p>\n","protected":false},"author":1046,"featured_media":39339,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1570,1562],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1115],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[3305],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-63771","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-latest-acquisition-en","category-latest-acquisitions-en","genre-yiddish-en-2","interprete-compositeur-talila-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Yiddish blues (2) - Talila - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/talila\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Yiddish blues (2) - Talila - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Na\u00efve, 2010\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/talila\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2010-03-26T14:00:09+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-16T10:14:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2010\/03\/Yiddish-Blues_-Talila_COUV.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"350\" \/>\n\t<meta property=\"og:image:height\" content=\"309\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Isabelle Jouve\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Isabelle Jouve\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/talila\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/talila\\\/\"},\"author\":{\"name\":\"Isabelle Jouve\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/94283a7f5a8b28a85fdab0ae54777472\"},\"headline\":\"Yiddish blues (2) &#8211; 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