{"id":75187,"date":"2021-12-23T17:26:25","date_gmt":"2021-12-23T16:26:25","guid":{"rendered":"https:\/\/www.iemj.org\/?p=75187"},"modified":"2025-04-07T12:06:36","modified_gmt":"2025-04-07T10:06:36","slug":"melodies-hebraiques-pour-violoncelle-et-piano-volume-2","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\/","title":{"rendered":"Hebrew melodies for cello and piano, 2nd volume"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h3>&nbsp;<\/h3>\n<h3 class=\"post_excerpt\"><strong>RELEASE OF THE 7th CD FROM THE &#8220;CLASSICAL MUSIC&#8221; COLLECTION<\/strong><\/h3>\n<p><!--more--><\/p>\n<p>Beautifully performed by Sarah Iancu, solo cellist of the Orchestre National du Capitole de Toulouse, and virtuoso pianist David Bismuth, this program features 23 instrumental pieces inspired by liturgical music, Chasidic tunes and Yiddish songs.<\/p>\n<p>An opportunity to discover &#8211; or rediscover &#8211; works by Ernest Bloch (<em>Hebrew Meditation, Abodah<\/em>), Mario Castelnuovo-Tedesco (<em>Kol nidre, Hebrew Song<\/em>), Vladimir Dyck (<em>Hebrew Legend<\/em>), <a href=\"https:\/\/www.iemj.org\/en\/halphen-fernand-1872-1917\/\" target=\"_blank\" rel=\"noopener\">Fernand Halphen<\/a> (Prayer), Abraham Goldfaden (<em>Rozinkhes mit mandlen<\/em>), Jack Yellen and Lew Pollack (<em>My Yiddishe Momme<\/em>).<\/p>\n<p>Some parts of this recording also highlights composers of the &#8220;New Jewish School&#8221; of St. Petersburg &#8211; such as <a href=\"https:\/\/www.iemj.org\/en\/engel-joel-1868-1927\/\" target=\"_blank\" rel=\"noopener\">Joel Engel<\/a>, Alexander Krein, Lazare Saminsky, Joachim Stutschewsky, Jacob Weinberg and Leo Zeitlin &#8211; who, under the influence of the Russian folk movement at the turn of the 20th century, set out to create a national Jewish music.<\/p>\n<p>An essential recording, of great sensitivity, accompanied by a richly documented booklet of 36 pages&#8230;<\/p>\n<p>This CD was produced thanks to the support of the&nbsp;<a href=\"https:\/\/www.fondationjudaisme.org\/\" target=\"_blank\" rel=\"noopener\">Fondation du Juda\u00efsme Fran\u00e7ais<\/a>, the&nbsp;<a href=\"http:\/\/www.fondationshoah.org\/\" target=\"_blank\" rel=\"noopener\">Fondation pour la M\u00e9moire de la Shoah<\/a>, the Foundations&nbsp;<a href=\"https:\/\/www.iemj.org\/en\/the-henriette-halphen-foundation\/\" target=\"_blank\" rel=\"noopener\">Henriette Halphen<\/a>&nbsp;and Ir\u00e8ne et Jacques Darmon, under the aegis of the FJF, and the&nbsp;<a href=\"https:\/\/www.aiu.org\/fr\/alliance-israelite-universelle\" target=\"_blank\" rel=\"noopener\">Alliance Isra\u00e9lite Universelle<\/a>.<\/p>\n<h2 class=\"eael-heading-content\"><a href=\"https:\/\/www.iemj.org\/en\/produit\/melodies-hebraiques-volume-2\/\" target=\"_blank\" rel=\"noopener\">Purchase the&nbsp;<strong>CD Hebrew melodies for cello and piano, 2nd volume <\/strong>on the EIJM\u2019s online shop<\/a><\/h2>\n<p><a href=\"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano\/\" target=\"_blank\" rel=\"noopener\">Learn more about the CD Hebrew melodies for cello and piano, 1st volume<\/a><\/p>\n<p><strong>Information\/Order\/Press<\/strong>&nbsp;(+0033) 1 45 82 20 52 or&nbsp;<a href=\"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano\/contact@iemj.org\" target=\"_blank\" rel=\"noopener\">contact@iemj.org<\/a><\/p>\n<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"693\" height=\"589\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/12\/COUV4-CDC7-1.jpg\" alt=\"\" class=\"wp-image-75174\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/12\/COUV4-CDC7-1.jpg 693w, https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/12\/COUV4-CDC7-1-300x255.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/12\/COUV4-CDC7-1-600x510.jpg 600w\" sizes=\"(max-width: 693px) 100vw, 693px\" \/><\/figure>\n<\/div><\/div><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Sarah Iancu \u00e0 l\u2019occasion de la sortie du CD \u00ab M\u00e9lodies H\u00e9bra\u00efques \u00bb - Les invit\u00e9s de Lise Gutmann\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/OBWGhTu6kFA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\"><strong>Watch the interview of Sarah Iancu by Lise Gutmann on Radio J on the occasion of the release of the CD &#8220;Hebrew Melodies, vol. 2 &#8220;<\/strong><\/figcaption><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110607\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>&nbsp; RELEASE OF THE 7th CD FROM THE &#8220;CLASSICAL MUSIC&#8221; COLLECTION &nbsp; RELEASE OF THE 7th CD FROM THE &#8220;CLASSICAL MUSIC&#8221; COLLECTION<\/p>\n","protected":false},"author":5,"featured_media":75145,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1392,2198,1389],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1117,1116],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-75187","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-eijm-en","category-classical-music-collection-en","category-publications-en","genre-classical-music","genre-liturgy"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hebrew melodies for cello and piano, 2nd volume - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hebrew melodies for cello and piano, 2nd volume - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"&nbsp; RELEASE OF THE 7th CD FROM THE &#8220;CLASSICAL MUSIC&#8221; COLLECTION &nbsp; RELEASE OF THE 7th CD FROM THE &#8220;CLASSICAL MUSIC&#8221; COLLECTION\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-12-23T16:26:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-04-07T10:06:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/12\/COUV-CDC7-1-e1640191308323.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"538\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jacqueline ROTEN\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jacqueline ROTEN\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\\\/\"},\"author\":{\"name\":\"Jacqueline ROTEN\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\"},\"headline\":\"Hebrew melodies for cello and piano, 2nd volume\",\"datePublished\":\"2021-12-23T16:26:25+00:00\",\"dateModified\":\"2025-04-07T10:06:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\\\/\"},\"wordCount\":286,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/COUV-CDC7-1-e1640191308323.jpg\",\"articleSection\":[\"CD EIJM\",\"Classical music Collection\",\"Publications\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\\\/\",\"name\":\"Hebrew melodies for cello and piano, 2nd volume - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/COUV-CDC7-1-e1640191308323.jpg\",\"datePublished\":\"2021-12-23T16:26:25+00:00\",\"dateModified\":\"2025-04-07T10:06:36+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/en\\\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/COUV-CDC7-1-e1640191308323.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/COUV-CDC7-1-e1640191308323.jpg\",\"width\":600,\"height\":538},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Hebrew melodies for cello and piano, 2nd volume\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\",\"name\":\"Jacqueline ROTEN\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"caption\":\"Jacqueline ROTEN\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Hebrew melodies for cello and piano, 2nd volume - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\/","og_locale":"en_US","og_type":"article","og_title":"Hebrew melodies for cello and piano, 2nd volume - Institut Europ\u00e9en des Musiques Juives","og_description":"&nbsp; RELEASE OF THE 7th CD FROM THE &#8220;CLASSICAL MUSIC&#8221; COLLECTION &nbsp; RELEASE OF THE 7th CD FROM THE &#8220;CLASSICAL MUSIC&#8221; COLLECTION","og_url":"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2021-12-23T16:26:25+00:00","article_modified_time":"2025-04-07T10:06:36+00:00","og_image":[{"width":600,"height":538,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/12\/COUV-CDC7-1-e1640191308323.jpg","type":"image\/jpeg"}],"author":"Jacqueline ROTEN","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Jacqueline ROTEN","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\/"},"author":{"name":"Jacqueline ROTEN","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c"},"headline":"Hebrew melodies for cello and piano, 2nd volume","datePublished":"2021-12-23T16:26:25+00:00","dateModified":"2025-04-07T10:06:36+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\/"},"wordCount":286,"publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/12\/COUV-CDC7-1-e1640191308323.jpg","articleSection":["CD EIJM","Classical music Collection","Publications"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\/","url":"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\/","name":"Hebrew melodies for cello and piano, 2nd volume - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/12\/COUV-CDC7-1-e1640191308323.jpg","datePublished":"2021-12-23T16:26:25+00:00","dateModified":"2025-04-07T10:06:36+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/12\/COUV-CDC7-1-e1640191308323.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/12\/COUV-CDC7-1-e1640191308323.jpg","width":600,"height":538},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/en\/melodies-hebraiques-pour-violoncelle-et-piano-volume-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/en\/"},{"@type":"ListItem","position":2,"name":"Hebrew melodies for cello and piano, 2nd volume"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/en\/#website","url":"https:\/\/www.iemj.org\/en\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/en\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c","name":"Jacqueline ROTEN","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","caption":"Jacqueline ROTEN"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/75187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/comments?post=75187"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/75187\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media\/75145"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media?parent=75187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/categories?post=75187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tags?post=75187"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/technique?post=75187"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/squelettes?post=75187"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/sujet?post=75187"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/formation?post=75187"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/genre?post=75187"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/fonds?post=75187"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tradition?post=75187"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-de-contenu?post=75187"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/interprete-compositeur?post=75187"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/frise?post=75187"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-devenement?post=75187"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tableaux-liens-externes?post=75187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}