{"id":9232,"date":"2011-11-22T19:45:00","date_gmt":"2011-11-22T18:45:00","guid":{"rendered":"https:\/\/www.iemj.org\/2016\/01\/24\/baroque-jewish-music\/"},"modified":"2025-09-23T18:38:16","modified_gmt":"2025-09-23T16:38:16","slug":"baroque-jewish-music","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/en\/baroque-jewish-music\/","title":{"rendered":"Baroque Jewish music"},"content":{"rendered":"

MUSIQUES JUIVES D’HIER ET D’AUJOURD’HUI – TUESDAY NOVEMBER 22 2011, JUDA\u00cfQUES FM, 21h05. Radio program in French<\/strong><\/p>\n

It’s in the 17th century that Jewish music start to be written on score. And it’s usually scholarly compositions, polyphonic, like the 33 choirs for 3 to 8 voices, composed by Salamone Rossi (1570-1630?) and published in Venice in 1622-23. A few years later, this attraction for scholarly polyphonic music reached the Comtat Venaissin (actual Provences-Alpes-C\u00f4te d’Azur region of France), as well as Amsterdam where composers like Abraham Caceres or Cristiano Giuseppe Lidarti wrote pieces of music in a baroque style, for weddings, circumcisions or particuliar shabbat services. Lidarti is, moreover, the author of Esther, a 2 hour long oratorio written for the holiday of Purim, rediscovered by musicologist Israel Adler (1925-2009), to whom a tribute will be given on this program.<\/p>\n

For this occasion, David Klein, choirmaster and conductor of the Ensemble Texto, will make us hear many excerpts from the CD Baroque Jewish Music \u2013 Venice, Mantua, Amsterdam (1623 \u2013 1774)<\/a>, that has been published in the collections \u201cPatrimoines musicaux des Juifs de France\u201d by the Foundation for French Judaism.<\/p>\n

\"herve_photo_retouche_fond_uni_bleu_500px.jpg\"Officer of the Ordre of Arts and letters, PhD in musicology at Paris University Sorbonne, prize-winning graduate from the Conservatoire National Sup\u00e9rieur de Musique et de Danse de Paris, Herv\u00e9 Roten is the director of the European Institute of Jewish Music since its creation in 2006.
Ethnomusicologist, he quickly developed an interest in the safeguard and digitization of archives, subjects he taught for several years in Reims and Marne-La-Vall\u00e9e universities.
Author of many articles, books and recordings related to Jewish music, producer of radio programs, Herv\u00e9 Roten is recognized today as one of the best specialists of Jewish music in the world.<\/em><\/p>\n\n\n

<\/h2>\n\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n
Musiques juives baroques – Herv\u00e9 Roten (Juda\u00efques FM 94.8)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

MUSIQUES JUIVES D’HIER ET D’AUJOURD’HUI – TUESDAY NOVEMBER 22 2011, JUDA\u00cfQUES FM, 21h05. Radio program in French It’s in the 17th century that Jewish music start to be written on<\/p>\n","protected":false},"author":1048,"featured_media":9230,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2162,899],"tags":[2089,2210],"technique":[],"squelettes":[],"sujet":[2125],"formation":[],"genre":[1111],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-9232","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-herve-rotens-programs-en","category-radio-programs-en","tag-italy-en","tag-radio-shows-from-the-eijm-en","sujet-provence-and-comtat-venaissin-en","genre-baroque-music"],"acf":[],"yoast_head":"\nBaroque Jewish music - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/en\/baroque-jewish-music\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Baroque Jewish music - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"MUSIQUES JUIVES D’HIER ET D’AUJOURD’HUI – TUESDAY NOVEMBER 22 2011, JUDA\u00cfQUES FM, 21h05. Radio program in French It’s in the 17th century that Jewish music start to be written on\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/en\/baroque-jewish-music\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2011-11-22T18:45:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-23T16:38:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/arton1448.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"136\" \/>\n\t<meta property=\"og:image:height\" content=\"136\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jean-Gabriel Davis\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jean-Gabriel Davis\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/baroque-jewish-music\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/baroque-jewish-music\\\/\"},\"author\":{\"name\":\"Jean-Gabriel Davis\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\"},\"headline\":\"Baroque Jewish music\",\"datePublished\":\"2011-11-22T18:45:00+00:00\",\"dateModified\":\"2025-09-23T16:38:16+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/baroque-jewish-music\\\/\"},\"wordCount\":302,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/baroque-jewish-music\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2016\\\/01\\\/arton1448.jpg\",\"keywords\":[\"Italy\",\"Radio programs from the EIJM\"],\"articleSection\":[\"Herv\u00e9 Roten's Programs\",\"Radio programs\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/baroque-jewish-music\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/baroque-jewish-music\\\/\",\"name\":\"Baroque Jewish music - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/baroque-jewish-music\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/baroque-jewish-music\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2016\\\/01\\\/arton1448.jpg\",\"datePublished\":\"2011-11-22T18:45:00+00:00\",\"dateModified\":\"2025-09-23T16:38:16+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/baroque-jewish-music\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/en\\\/baroque-jewish-music\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/baroque-jewish-music\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2016\\\/01\\\/arton1448.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2016\\\/01\\\/arton1448.jpg\",\"width\":136,\"height\":136},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/baroque-jewish-music\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Baroque Jewish music\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/en\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\",\"name\":\"Jean-Gabriel Davis\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"caption\":\"Jean-Gabriel Davis\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Baroque Jewish music - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/en\/baroque-jewish-music\/","og_locale":"en_US","og_type":"article","og_title":"Baroque Jewish music - Institut Europ\u00e9en des Musiques Juives","og_description":"MUSIQUES JUIVES D’HIER ET D’AUJOURD’HUI – TUESDAY NOVEMBER 22 2011, JUDA\u00cfQUES FM, 21h05. Radio program in French It’s in the 17th century that Jewish music start to be written on","og_url":"https:\/\/www.iemj.org\/en\/baroque-jewish-music\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2011-11-22T18:45:00+00:00","article_modified_time":"2025-09-23T16:38:16+00:00","og_image":[{"width":136,"height":136,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/arton1448.jpg","type":"image\/jpeg"}],"author":"Jean-Gabriel Davis","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Jean-Gabriel Davis","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/en\/baroque-jewish-music\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/baroque-jewish-music\/"},"author":{"name":"Jean-Gabriel Davis","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666"},"headline":"Baroque Jewish music","datePublished":"2011-11-22T18:45:00+00:00","dateModified":"2025-09-23T16:38:16+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/en\/baroque-jewish-music\/"},"wordCount":302,"publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/en\/baroque-jewish-music\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/arton1448.jpg","keywords":["Italy","Radio programs from the EIJM"],"articleSection":["Herv\u00e9 Roten's Programs","Radio programs"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/en\/baroque-jewish-music\/","url":"https:\/\/www.iemj.org\/en\/baroque-jewish-music\/","name":"Baroque Jewish music - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/en\/baroque-jewish-music\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/en\/baroque-jewish-music\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/arton1448.jpg","datePublished":"2011-11-22T18:45:00+00:00","dateModified":"2025-09-23T16:38:16+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/en\/baroque-jewish-music\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/en\/baroque-jewish-music\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/baroque-jewish-music\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/arton1448.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/01\/arton1448.jpg","width":136,"height":136},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/en\/baroque-jewish-music\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/en\/"},{"@type":"ListItem","position":2,"name":"Baroque Jewish music"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/en\/#website","url":"https:\/\/www.iemj.org\/en\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/en\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/en\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666","name":"Jean-Gabriel Davis","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","caption":"Jean-Gabriel Davis"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/9232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/users\/1048"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/comments?post=9232"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/posts\/9232\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media\/9230"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/media?parent=9232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/categories?post=9232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tags?post=9232"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/technique?post=9232"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/squelettes?post=9232"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/sujet?post=9232"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/formation?post=9232"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/genre?post=9232"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/fonds?post=9232"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tradition?post=9232"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-de-contenu?post=9232"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/interprete-compositeur?post=9232"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/frise?post=9232"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/type-devenement?post=9232"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/en\/wp-json\/wp\/v2\/tableaux-liens-externes?post=9232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}