{"id":101765,"date":"2016-05-04T10:57:51","date_gmt":"2016-05-04T08:57:51","guid":{"rendered":"https:\/\/www.iemj.org\/melodies-prescience-conscience\/"},"modified":"2025-10-20T17:53:32","modified_gmt":"2025-10-20T15:53:32","slug":"melodies-prescience-conscience","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/melodies-prescience-conscience\/","title":{"rendered":"M\u00e9lodies – Prescience, Conscience"},"content":{"rendered":"

En este 4\u00ba CD de la serie Les musiciens et la Grande Guerre, el bar\u00edtono Marc Maurillon, acompa\u00f1ado por Anne Le Bozec al piano Bechstein, interpreta obras de Halphen, Hahn, Debussy, F\u00e9vrier, J\u00fcrgens…<\/p>\n

Eran j\u00f3venes y su futuro parec\u00eda brillante. Eran belgas (Devaere), alemanes (Stephan, J\u00fcrgens), brit\u00e1nicos (Butterworth, Farrar), australianos (Kelly) o franceses (Debussy, Hahn, Halphen). En v\u00edsperas del conflicto, expresaron en sus melod\u00edas, con un impresionante sentido de la premonici\u00f3n, a la vez la nostalgia de un tiempo feliz pasado, la confrontaci\u00f3n con los temas eternos del olvido y la muerte, y la desolaci\u00f3n de sus vidas a punto de ser asoladas. Los supervivientes, tratando de superar la amargura y la tristeza, encuentran la fuerza para cantar la esperanza o la paz que cre\u00edan haber encontrado.<\/p>\n

M\u00e1s informaci\u00f3n y pedir el CD<\/a><\/strong><\/p>\n

PROGRAMA DETALLADO DEL CD<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
HORTUS 704 | CD DDD \u2117 Hortus 2014 | T.T. 69’49<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\nFernand Halphen (1872-1917)<\/td>\n<\/tr>\n
1.<\/td>\nPour Cyth\u00e8re<\/td>\n1’15<\/td>\n<\/tr>\n
\u00a0<\/td>\nHenry F\u00e9vrier (1875-1957)<\/td>\n<\/tr>\n
2.<\/td>\nLa derni\u00e8re chanson<\/td>\n4’57<\/td>\n<\/tr>\n
\u00a0<\/td>\nJ\u00fcrgens (1888-1915)<\/td>\n<\/tr>\n
3.<\/td>\nDas Treue Paar<\/td>\n2’21<\/td>\n<\/tr>\n
4.<\/td>\nDer Geworbene<\/td>\n2’22<\/td>\n<\/tr>\n
5.<\/td>\nDeh Nicht<\/td>\n1’40<\/td>\n<\/tr>\n
6.<\/td>\nFrom<\/td>\n2’46<\/td>\n<\/tr>\n
\u00a0<\/td>\nMaurice Ravel (1875-1937)<\/td>\n<\/tr>\n
\u00a0<\/td>\nTrois chansons<\/td>\n\u00a0<\/td>\n<\/tr>\n
7.<\/td>\nNicolette<\/td>\n2’04<\/td>\n<\/tr>\n
8.<\/td>\nTrois beaux oiseaux du paradis<\/td>\n3’04<\/td>\n<\/tr>\n
\u00a0<\/td>\nGeorge Butterworth (1885-1916)<\/td>\n<\/tr>\n
9.<\/td>\nOn the idle hill of summer<\/td>\n3’26<\/td>\n<\/tr>\n
10.<\/td>\nLoveliest of trees<\/td>\n2’33<\/td>\n<\/tr>\n
\u00a0<\/td>\nFrederick Septimus Kelly (1881-1916)<\/td>\n<\/tr>\n
11.<\/td>\nShall I compare Thee ?<\/td>\n3’02<\/td>\n<\/tr>\n
\u00a0<\/td>\nGabriel Faur\u00e9 (1845-1924)<\/td>\n<\/tr>\n
12.<\/td>\nC’est la paix op.114 op. 114<\/td>\n1’17<\/td>\n<\/tr>\n
\u00a0<\/td>\nErnest Farrar (1885-1918)<\/td>\n<\/tr>\n
\u00a0<\/td>\n3 pi\u00e8ces pour piano op. 23<\/td>\n\u00a0<\/td>\n<\/tr>\n
13.<\/td>\nMenuet<\/td>\n1’11<\/td>\n<\/tr>\n
14.<\/td>\nLullaby<\/td>\n3’13<\/td>\n<\/tr>\n
15.<\/td>\nCaprice<\/td>\n1’24<\/td>\n<\/tr>\n
\u00a0<\/td>\nAndr\u00e9 Devaere (1890-1914)<\/td>\n<\/tr>\n
16.<\/td>\nLa fl\u00fbte am\u00e8re de l’automne op. 1<\/td>\n2’08<\/td>\n<\/tr>\n
\u00a0<\/td>\nRudi Stephan (1887-1915)<\/td>\n<\/tr>\n
17.<\/td>\nPappel im Strahl<\/td>\n1’44<\/td>\n<\/tr>\n
18.<\/td>\nHeimat<\/td>\n3’23<\/td>\n<\/tr>\n
\u00a0<\/td>\nClaude Debussy (1862-1918)<\/td>\n<\/tr>\n
19.<\/td>\nNo\u00ebl des enfants qui n’ont plus de maison<\/td>\n2’32<\/td>\n<\/tr>\n
\u00a0<\/td>\nReynaldo Hahn (1874-1947)<\/td>\n<\/tr>\n
20.<\/td>\nLe plus beau pr\u00e9sent<\/td>\n3’11<\/td>\n<\/tr>\n
\u00a0<\/td>\nErwin Schulhoff (1894-1942)<\/td>\n<\/tr>\n
\u00a0<\/td>\n5 Ges\u00e4nge op. 39<\/td>\n\u00a0<\/td>\n<\/tr>\n
21.<\/td>\nLangsam wandle Ich<\/td>\n4’33<\/td>\n<\/tr>\n
22.<\/td>\nLass Mich<\/td>\n1’03<\/td>\n<\/tr>\n
23.<\/td>\nNun versank der Abend<\/td>\n3’00<\/td>\n<\/tr>\n
\u00a0<\/td>\nAndr\u00e9 Devaere (1890-1914)<\/td>\n<\/tr>\n
24.<\/td>\nGrave et poignant, pour piano<\/td>\n5’37<\/td>\n<\/tr>\n
\u00a0<\/td>\nRudi Stephan (1887-1915)<\/td>\n<\/tr>\n
25.<\/td>\nAbendfrieden<\/td>\n3’40<\/td>\n<\/tr>\n
\u00a0<\/td>\nGeorge Butterworth (1885-1916)<\/td>\n<\/tr>\n
26.<\/td>\nThe lads in their hundreds<\/td>\n2’10<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n
F. Halphen, Pour Cyth\u00e8re<\/a><\/div>\n\n\n\n
F.S. Kelly, Shall I compare thee?<\/a><\/div>\n\n\n\n
E. Farrar, Lullaby<\/a><\/div>\n\n\n\n
R. Hahn, Le plus beau pr\u00e9sent<\/a><\/div>\n\n\n\n
E. Schulhoff, Nun versank der Abend<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

En este 4\u00ba CD de la serie Les musiciens et la Grande Guerre, el bar\u00edtono Marc Maurillon, acompa\u00f1ado por Anne Le Bozec al piano Bechstein, interpreta obras de Halphen, Hahn,<\/p>\n","protected":false},"author":1048,"featured_media":101766,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1568,1565],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1899],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-101765","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-es","category-ultimas-adquisiciones-es","genre-musica-clasica-es"],"acf":[],"yoast_head":"\nM\u00e9lodies - Prescience, Conscience - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, 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