{"id":106701,"date":"2015-12-17T15:56:04","date_gmt":"2015-12-17T14:56:04","guid":{"rendered":"https:\/\/www.iemj.org\/la-voix-dans-la-tradition-liturgique-ashkenaze-hector-sabo\/"},"modified":"2025-02-13T15:27:10","modified_gmt":"2025-02-13T14:27:10","slug":"la-voix-dans-la-tradition-liturgique-ashkenaze-hector-sabo","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/la-voix-dans-la-tradition-liturgique-ashkenaze-hector-sabo\/","title":{"rendered":"La voz en la tradici\u00f3n lit\u00fargica asquenaz\u00ed – Hector Sabo"},"content":{"rendered":"

En el marco de la jornada de estudio Vox Aurea-Via Sacra 2014<\/a>, dedicada a la m\u00fasica sacra jud\u00eda, H\u00e9ctor Sabo presenta un estudio sobre la voz en la tradici\u00f3n lit\u00fargica asquenaz\u00ed.<\/strong><\/p>\n

<\/p>\n

Escuchar la conferencia al final de la p\u00e1gina<\/h3>\n

H\u00e9ctor Sabo crece en la tradici\u00f3n del ‘hazanout (el arte del canto sinagogal) transmitida por su abuelo David Sabo. A los nueve a\u00f1os, ingresa en el coro profesional de la Gran Sinagoga de Buenos Aires (calle Paso), cantando junto a su padre…<\/p>\n

La tradici\u00f3n musical de la liturgia asquenaz\u00ed, nombre hebreo de la cultura jud\u00eda germ\u00e1nica, implica el canto sinagogal que se ha desarrollado durante el segundo milenio de la era cristiana en Europa Central y Oriental.<\/p>\n

Esta cultura del valle del Rin se ha desplazado progresivamente hacia el este y se ha impregnado de la cultura eslava. Y a pesar de estas numerosas peregrinaciones, ha sabido conservar sus particularidades originales.<\/p>\n

En t\u00e9rminos m\u00e1s generales, desde la destrucci\u00f3n del Segundo Templo de Jerusal\u00e9n, la voz cantada ha sido el instrumento preferido para expresar la fe en la liturgia jud\u00eda.
En la Europa asquenaz\u00ed, el desarrollo musical del rito sinagogal ha adoptado muchas de las caracter\u00edsticas de la \u00f3pera, al tiempo que incorporaba las de las canciones populares de los pueblos vecinos.<\/p>\n

Hector Sabo escribe art\u00edculos para diversas revistas (diasporic, KKL review, Musique et Culture, etc.) y es autor de dos monograf\u00edas acad\u00e9micas: Isra\u00ebl Lovy, portrait d’une personnalit\u00e9 musicale m\u00e9connue y Les termes H\u00e9bra\u00efques dans le dictionnaire de Walther. Desde hace varios a\u00f1os se dedica a la investigaci\u00f3n de nuevos repertorios de m\u00fasica hebrea y sus correspondencias b\u00edblicas.<\/p>\n

M\u00e1s informaci\u00f3n sobre el programa de conferencias y los conciertos de la 3\u00aa edici\u00f3n de Vox Aurea-Via Sacra dedicada a la m\u00fasica sacra jud\u00eda..<\/a><\/p>\n

\"\"
Escuche a continuaci\u00f3n la grabaci\u00f3n de audio de la conferencia<\/strong><\/figcaption><\/figure>\n\n\n
Colloque Vox Aurea – Hector SABO<\/a><\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

En el marco de la jornada de estudio Vox Aurea-Via Sacra 2014, dedicada a la m\u00fasica sacra jud\u00eda, H\u00e9ctor Sabo presenta un estudio sobre la voz en la tradici\u00f3n lit\u00fargica<\/p>\n","protected":false},"author":1052,"featured_media":106702,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1420],"tags":[3422],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1890],"fonds":[],"tradition":[1982],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-106701","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-clases-conferencias-2-es","tag-eventos-asociados-es","genre-liturgia-es","tradition-rito-ashkenazi-es"],"acf":[],"yoast_head":"\nLa voz en la tradici\u00f3n lit\u00fargica asquenaz\u00ed - Hector Sabo - Institut Europ\u00e9en des 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