{"id":118529,"date":"2025-03-04T12:04:45","date_gmt":"2025-03-04T11:04:45","guid":{"rendered":"https:\/\/www.iemj.org\/farewell-to-the-homeland-polyn-fleyt-musik-in-kontsert\/"},"modified":"2025-03-18T10:02:08","modified_gmt":"2025-03-18T09:02:08","slug":"farewell-to-the-homeland-polyn-fleyt-musik-in-kontsert","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/farewell-to-the-homeland-polyn-fleyt-musik-in-kontsert\/","title":{"rendered":"Farewell to the Homeland Poyln &amp; FleytMusik in Kontsert"},"content":{"rendered":"<h2>2 CD de la flautista klezmer estadounidense Adrianne Greenbaum<\/h2>\n<p><!--more--><\/p>\n<p>En julio de 2023, la flautista estadounidense Adrianne Greenbaum present\u00f3 al IEMJ dos de sus CD &#8211; <em>Farewell to the Homeland Poyln <\/em>y\u00a0<em>FleytMusik in Kontsert<\/em> &#8211; que dan testimonio de la importancia de la flauta en los peque\u00f1os conjuntos klezmer tradicionales.<\/p>\n<p><!--more--><\/p>\n<figure id=\"attachment_118406\" aria-describedby=\"caption-attachment-118406\" style=\"width: 116px\" class=\"wp-caption alignright\"><img decoding=\"async\" class=\"wp-image-118406\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Adrianne-Greenbaum-249x300.png\" alt=\"\" width=\"116\" height=\"139\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Adrianne-Greenbaum-249x300.png 249w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Adrianne-Greenbaum.png 407w\" sizes=\"(max-width: 116px) 100vw, 116px\" \/><figcaption id=\"caption-attachment-118406\" class=\"wp-caption-text\"><strong>Adrianne Greenbaum<\/strong><\/figcaption><\/figure>\n<p><a href=\"https:\/\/klezmerflute.com\/press\" target=\"_blank\" rel=\"noopener\">Adrianne Greenbaum<\/a> es profesora de flauta en el Mount Holyoke College (Massachusetts &#8211; EE.UU.). Toca tanto flautas modernas como antiguas, lo que le ha permitido abordar un amplio repertorio que abarca desde la m\u00fasica barroca hasta la klezmer. Es invitada regularmente a tocar y dirigir klezKamps en muchos pa\u00edses, y ha publicado cuatro CD y dos partituras dedicados al repertorio de flauta klezmer.<\/p>\n<p>Seg\u00fan Adrianne Greenbaum, \u00abantes de que existieran las grandes orquestas klezmer (o kapelye), que inclu\u00edan instrumentos de metal y clarinetes, la flauta formaba parte de peque\u00f1os grupos klezmer. Las primeras fotos de los grandes conjuntos muestran una o varias flautas. Estas flautas eran de madera y sol\u00edan tener varias llaves.\u00bb<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_118529_1('footnote_plugin_reference_118529_1_1');\" onkeypress=\"footnote_moveToReference_118529_1('footnote_plugin_reference_118529_1_1');\" ><sup id=\"footnote_plugin_tooltip_118529_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_118529_1_1\" class=\"footnote_tooltip\"><a href=\"https:\/\/klezmerflute.com\/klezmer-flute\"><span class=\"footnote_url_wrap\">https:\/\/klezmerflute.com\/klezmer-flute<\/span><\/a><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_118529_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_118529_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p>\n\n\n<div class=\"wp-block-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"338\" height=\"340\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD2.jpg\" alt=\"\" class=\"wp-image-118412\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD2.jpg 338w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD2-298x300.jpg 298w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD2-150x150.jpg 150w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD2-100x100.jpg 100w\" sizes=\"(max-width: 338px) 100vw, 338px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"335\" height=\"339\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD3.jpg\" alt=\"\" class=\"wp-image-118417\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD3.jpg 335w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD3-296x300.jpg 296w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD3-100x100.jpg 100w\" sizes=\"(max-width: 335px) 100vw, 335px\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"280\" height=\"384\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-partition1.jpg\" alt=\"\" class=\"wp-image-118422\" style=\"width:279px;height:auto\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-partition1.jpg 280w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-partition1-219x300.jpg 219w\" sizes=\"(max-width: 280px) 100vw, 280px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"266\" height=\"363\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-partition-2.jpg\" alt=\"\" class=\"wp-image-118427\" style=\"width:280px;height:auto\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-partition-2.jpg 266w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-partition-2-220x300.jpg 220w\" sizes=\"(max-width: 266px) 100vw, 266px\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-118434 alignleft\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD4-300x298.jpg\" alt=\"\" width=\"300\" height=\"298\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD4-300x298.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD4-150x150.jpg 150w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD4-100x100.jpg 100w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD4.jpg 341w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Farewell to the Homeland Poyln<\/h2>\n<p>Los int\u00e9rpretes de este CD, publicado en 2016, son m\u00fasicos klezmer de renombre internacional. Adrianne Greenbaum (flauta de madera antigua, flaut\u00edn), Michael Alpert (badkhn, viol\u00edn, percusi\u00f3n), Pete Rushefsky (c\u00edmbalo), Jake Shulman-Ment (viol\u00edn), Brian Glassman (contrabajo) se han reunido para revivir el repertorio musical de la familia Frand, que tocaba en una orquesta klezmer en Dubiecko, Polonia, en la d\u00e9cada de 1930. Un miembro de esta familia, Michel Dovid (que m\u00e1s tarde se convertir\u00eda en Milton Frant) emigr\u00f3 a los Estados Unidos y grab\u00f3 unas cincuenta melod\u00edas de este conjunto klezmer. En 2009, su hija, Sharon Frant Brooks, encontr\u00f3 el manuscrito musical en el que se grabaron estas melod\u00edas y decidi\u00f3 recurrir a m\u00fasicos klezmer contempor\u00e1neos para revivir este repertorio. La orquesta klezmer de la familia Frand estaba formada por instrumentos de cuerda y una flauta. As\u00ed que Adrianne Greenbaum respondi\u00f3 a la llamada y, con su conjunto <a href=\"https:\/\/klezmerflute.com\/performing#fleytmuzik\" target=\"_blank\" rel=\"noopener\">FleytMusik<\/a>, ofreci\u00f3 un miniconcierto en Nueva Jersey (EE.UU.), seguido poco despu\u00e9s por otro concierto en el cementerio de Dubiecko (Polonia).<\/p>\n<p>El grupo klezmer de la familia Frand tocaba regularmente en bodas, festivales, circos y <a href=\"https:\/\/www.iemj.org\/es\/le-pourim-shpil-2\/\" target=\"_blank\" rel=\"noopener\">Purim Shpil<\/a> en Dubiecko, Dynow y otros pueblos de los alrededores. Cuando se enteraban de que se celebraba una boda en la rynek, la plaza del mercado, se presentaban y tocaban, compartiendo el dinero que les daban. Tambi\u00e9n actuaban en la finca de Kr\u00e1snick y, lo que es m\u00e1s importante, tocaban para el Rebe cuando ven\u00eda a la ciudad y lo escoltaban de vuelta a Dyn\u00f3w. Su repertorio nos muestra que gran parte de la m\u00fasica que tocaban y deb\u00edan conocer no era jud\u00eda, de ah\u00ed el car\u00e1cter ecl\u00e9ctico de las melod\u00edas seleccionadas para este disco (vals, polca, cuadrilla, aire polaco, jas\u00eddico, etc.).<\/p>\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-118412 alignleft\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD2-298x300.jpg\" alt=\"\" width=\"298\" height=\"300\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD2-298x300.jpg 298w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD2-150x150.jpg 150w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD2-100x100.jpg 100w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Capture-CD2.jpg 338w\" sizes=\"(max-width: 298px) 100vw, 298px\" \/>FleytMusik in Kontsert<\/h2>\n<p>Este CD se grab\u00f3 en directo y se public\u00f3 en 2008. Adrianne Greenbaum (flauta antigua y moderna), acompa\u00f1ada por Jake Shulman-Ment (viol\u00edn), Pete Rushefsky (c\u00edmbalo), Brian Glassman (contrabajo) y Max Yassky (bombo), interpreta un repertorio variado (danzas klezmer, melod\u00edas de teatro yiddish, melod\u00edas de oraci\u00f3n y niggunim, etc.) de or\u00edgenes diversos. Incluye melod\u00edas tradicionales anotadas por <a href=\"https:\/\/www.iemj.org\/es\/beregovski-moisei-iakovlevich-1892-1961\/\" target=\"_blank\" rel=\"noopener\">Moshe Beregovski<\/a>, as\u00ed como melod\u00edas ucranianas, rusas y de Besarabia, incluidas dos piezas de <a href=\"https:\/\/www.iemj.org\/es\/goldenshteyn-german-1934-2006\/\" target=\"_blank\" rel=\"noopener\">German Goldenshteyn<\/a>. El disco termina con una serie de comentarios de Adrianne Greenbaum sobre la concepci\u00f3n y el contenido del \u00e1lbum.<\/p>\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><a href=\"https:\/\/klezmerflute.com\/home\" target=\"_blank\" rel=\"noreferrer noopener\">Visite el sitio FleytMusik de Adrianne Greenbaum<\/a><\/h3>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Adrianne Greenbaum, FleytMuzik at Eldridge Synagogue: Farewell to the Homeland Poyln\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/jL6Um26fhgg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\"><strong>Adrianne Greenbaum, FleytMuzik at Eldridge Synagogue: Farewell to the Homeland Poyln<\/strong><\/figcaption><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110608\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div><div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_118529_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_118529_1();\">[<a id=\"footnote_reference_container_collapse_button_118529_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_118529_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_118529_1('footnote_plugin_tooltip_118529_1_1');\"><a id=\"footnote_plugin_reference_118529_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\"><a href=\"https:\/\/klezmerflute.com\/klezmer-flute\"><span class=\"footnote_url_wrap\">https:\/\/klezmerflute.com\/klezmer-flute<\/span><\/a><\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_118529_1() { jQuery('#footnote_references_container_118529_1').show(); 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if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>2 CD de la flautista klezmer estadounidense Adrianne Greenbaum<\/p>\n","protected":false},"author":5,"featured_media":118449,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1568,1565],"tags":[4032],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1876],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-118529","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-es","category-ultimas-adquisiciones-es","tag-polonia","genre-klezmer-es"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Farewell to the Homeland Poyln &amp; FleytMusik in Kontsert - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/es\/farewell-to-the-homeland-polyn-fleyt-musik-in-kontsert\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Farewell to the Homeland Poyln &amp; FleytMusik in Kontsert - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"2 CD de la flautista klezmer estadounidense Adrianne Greenbaum\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/es\/farewell-to-the-homeland-polyn-fleyt-musik-in-kontsert\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-03-04T11:04:45+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-03-18T09:02:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Logo-article-A-Greenbaum.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"500\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jacqueline ROTEN\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jacqueline ROTEN\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/farewell-to-the-homeland-polyn-fleyt-musik-in-kontsert\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/farewell-to-the-homeland-polyn-fleyt-musik-in-kontsert\\\/\"},\"author\":{\"name\":\"Jacqueline ROTEN\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\"},\"headline\":\"Farewell to the Homeland Poyln &amp; 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