{"id":119079,"date":"2025-03-26T15:56:48","date_gmt":"2025-03-26T14:56:48","guid":{"rendered":"https:\/\/www.iemj.org\/fonds-michel-heymann\/"},"modified":"2025-03-28T10:31:23","modified_gmt":"2025-03-28T09:31:23","slug":"fonds-michel-heymann","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/fonds-michel-heymann\/","title":{"rendered":"Fondo Michel Heymann"},"content":{"rendered":"

El 7 de diciembre de 2022, Michel Heymann<\/a> entreg\u00f3 al Instituto Europeo de las M\u00fasicas Jud\u00edas una colecci\u00f3n de archivos que abarca casi cincuenta a\u00f1os de actividad como hazzan en Haguenau, Mulhouse y Luxemburgo. La colecci\u00f3n destaca por su riqueza y diversidad, ilustrando la transmisi\u00f3n de la tradici\u00f3n cantoral asquenaz\u00ed en el valle del Rin a lo largo de m\u00e1s de un siglo.<\/p>\n

Consta de varios miles de p\u00e1ginas de partituras, en su mayor\u00eda manuscritas, algunas de ellas in\u00e9ditas, as\u00ed como de varios centenares de horas de grabaciones de audio y v\u00eddeo.<\/p>\n

\"\"
Rabino Isa\u00efe Schwartz<\/strong><\/figcaption><\/figure>\n

Estos documentos atestiguan la vitalidad de la hazzanout alsaciana y el compromiso de Michel Heymann con la preservaci\u00f3n de este patrimonio musical.<\/p>\n

Entre los documentos m\u00e1s destacados figuran una partitura de La Marseillaise<\/em>, (La Marsellesa, el himno nacional franc\u00e9s), publicada en Alsacia-Lorena en 1918, y el programa de una ceremonia en la sinagoga para celebrar la devoluci\u00f3n de Alsacia a Francia. La colecci\u00f3n tambi\u00e9n incluye una rara fotograf\u00eda del rabino Isa\u00efe Schwartz, rabino jefe de Francia, tomada en 1942.<\/p>\n\n\n

<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div><\/div>\n\n\n\n
\n
\"\"<\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n
\n
\n
\"\"<\/figure>\n<\/div><\/div>\n\n\n\n
\n
\"\"<\/figure>\n<\/div><\/div>\n<\/div>\n\n\n

\"\"Varias colecciones de anotaciones musicales manuscritas ilustran la transmisi\u00f3n de este repertorio lit\u00fargico en las comunidades jud\u00edas del valle del Rin. En particular, existe un cuaderno\u00a0de Bertrand Joseph<\/a>, maestro de Michel Heymann, que contiene numerosas melod\u00edas del ciclo festivo, transcritas con precisi\u00f3n. Otro documento digno de menci\u00f3n es el Gesangbuch f\u00fcr Emil Jacob<\/em>, fechado en 1899, notable por la calidad de su escritura y su conservaci\u00f3n.<\/p>\n

La colecci\u00f3n incluye tambi\u00e9n un amplio conjunto de archivos sonoros, grabados principalmente durante los conciertos en los que particip\u00f3 Michel Heymann, a veces en colaboraci\u00f3n con hazzanim de renombre. Estas grabaciones dan testimonio de la precisi\u00f3n, la sensibilidad y la maestr\u00eda necesarias para interpretar el repertorio lit\u00fargico del rito alsaciano. Constituyen un valioso recurso para todo aquel que desee estudiar o conocer el arte cantoral del valle del Rin.<\/p>\n\n\n

<\/div>\n\n\n\n
\"\"
Gesangbuch f\u00fcr Emil Jacob<\/strong><\/figcaption><\/figure>\n\n\n

El descubrimiento m\u00e1s importante de esta colecci\u00f3n es un manuscrito in\u00e9dito de Bernard B\u00f6chner, figura capital de la hazzanout alsaciana. Maestro de coro, B\u00f6chner transcrib\u00eda a menudo las melod\u00edas del rito del valle del Rin para facilitar su interpretaci\u00f3n por los hazzanim. Numerosas partituras manuscritas aisladas de la colecci\u00f3n tambi\u00e9n parecen ser de su mano. Fue el autor de la colecci\u00f3n Schir\u00eb Dovid<\/em>, en la que registr\u00f3 las principales melod\u00edas lit\u00fargicas de esta tradici\u00f3n. El manuscrito encontrado contiene melod\u00edas de Pessa’h que no aparecen en la edici\u00f3n impresa, lo que sugiere la existencia de un borrador in\u00e9dito de un segundo volumen.<\/p>\n\n\n

\n
\n
\"\"
B\u00f6chner – Maariv lil 1 shel Pessah<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"
B\u00f6chner – Shaharit leyom 1 shel Pessah<\/strong><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n

Consultar la colecci\u00f3n Michel Heymann<\/a><\/p>\n

Ver documentos de audio y v\u00eddeo de Michel Heymann<\/a><\/p>\n

M\u00e1s informaci\u00f3n sobre Michel Heymann<\/a><\/p>\n

Vea el v\u00eddeo Michel Heymann y la liturgia asquenaz\u00ed del valle del Rin<\/em><\/a><\/p>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

El 7 de diciembre de 2022, Michel Heymann entreg\u00f3 al Instituto Europeo de las M\u00fasicas Jud\u00edas una colecci\u00f3n de archivos que abarca casi cincuenta a\u00f1os de actividad como hazzan en<\/p>\n","protected":false},"author":5,"featured_media":119025,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1587],"tags":[],"technique":[],"squelettes":[],"sujet":[2101],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[3269],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-119079","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fondos-principales-es","sujet-alsacia-lorena-es","interprete-compositeur-michel-heymann-es"],"acf":[],"yoast_head":"\nFondo Michel Heymann - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/es\/fonds-michel-heymann\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fondo Michel Heymann - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"El 7 de diciembre de 2022, Michel Heymann entreg\u00f3 al Instituto Europeo de las M\u00fasicas Jud\u00edas una colecci\u00f3n de archivos que abarca casi cincuenta a\u00f1os de actividad como hazzan en\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/es\/fonds-michel-heymann\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-03-26T14:56:48+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-03-28T09:31:23+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Logo-Fonds-Heymann.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"500\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jacqueline ROTEN\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jacqueline ROTEN\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/fonds-michel-heymann\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/fonds-michel-heymann\\\/\"},\"author\":{\"name\":\"Jacqueline ROTEN\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\"},\"headline\":\"Fondo Michel Heymann\",\"datePublished\":\"2025-03-26T14:56:48+00:00\",\"dateModified\":\"2025-03-28T09:31:23+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/fonds-michel-heymann\\\/\"},\"wordCount\":525,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/fonds-michel-heymann\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/Logo-Fonds-Heymann.jpg\",\"articleSection\":[\"Fondos principales\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/fonds-michel-heymann\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/fonds-michel-heymann\\\/\",\"name\":\"Fondo Michel Heymann - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/fonds-michel-heymann\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/fonds-michel-heymann\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/Logo-Fonds-Heymann.jpg\",\"datePublished\":\"2025-03-26T14:56:48+00:00\",\"dateModified\":\"2025-03-28T09:31:23+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/fonds-michel-heymann\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/es\\\/fonds-michel-heymann\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/fonds-michel-heymann\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/Logo-Fonds-Heymann.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/03\\\/Logo-Fonds-Heymann.jpg\",\"width\":500,\"height\":500},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/fonds-michel-heymann\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Fondo Michel Heymann\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\",\"name\":\"Jacqueline ROTEN\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"caption\":\"Jacqueline ROTEN\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Fondo Michel Heymann - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/es\/fonds-michel-heymann\/","og_locale":"es_ES","og_type":"article","og_title":"Fondo Michel Heymann - Institut Europ\u00e9en des Musiques Juives","og_description":"El 7 de diciembre de 2022, Michel Heymann entreg\u00f3 al Instituto Europeo de las M\u00fasicas Jud\u00edas una colecci\u00f3n de archivos que abarca casi cincuenta a\u00f1os de actividad como hazzan en","og_url":"https:\/\/www.iemj.org\/es\/fonds-michel-heymann\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2025-03-26T14:56:48+00:00","article_modified_time":"2025-03-28T09:31:23+00:00","og_image":[{"width":500,"height":500,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Logo-Fonds-Heymann.jpg","type":"image\/jpeg"}],"author":"Jacqueline ROTEN","twitter_card":"summary_large_image","twitter_misc":{"Escrito por":"Jacqueline ROTEN","Tiempo de lectura":"5 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/es\/fonds-michel-heymann\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/es\/fonds-michel-heymann\/"},"author":{"name":"Jacqueline ROTEN","@id":"https:\/\/www.iemj.org\/es\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c"},"headline":"Fondo Michel Heymann","datePublished":"2025-03-26T14:56:48+00:00","dateModified":"2025-03-28T09:31:23+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/es\/fonds-michel-heymann\/"},"wordCount":525,"publisher":{"@id":"https:\/\/www.iemj.org\/es\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/es\/fonds-michel-heymann\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Logo-Fonds-Heymann.jpg","articleSection":["Fondos principales"],"inLanguage":"es"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/es\/fonds-michel-heymann\/","url":"https:\/\/www.iemj.org\/es\/fonds-michel-heymann\/","name":"Fondo Michel Heymann - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/es\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/es\/fonds-michel-heymann\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/es\/fonds-michel-heymann\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Logo-Fonds-Heymann.jpg","datePublished":"2025-03-26T14:56:48+00:00","dateModified":"2025-03-28T09:31:23+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/es\/fonds-michel-heymann\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/es\/fonds-michel-heymann\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/www.iemj.org\/es\/fonds-michel-heymann\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Logo-Fonds-Heymann.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/03\/Logo-Fonds-Heymann.jpg","width":500,"height":500},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/es\/fonds-michel-heymann\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/es\/"},{"@type":"ListItem","position":2,"name":"Fondo Michel Heymann"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/es\/#website","url":"https:\/\/www.iemj.org\/es\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/es\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/es\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/www.iemj.org\/es\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/es\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/es\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c","name":"Jacqueline ROTEN","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","caption":"Jacqueline ROTEN"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/posts\/119079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/comments?post=119079"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/posts\/119079\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/media\/119025"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/media?parent=119079"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/categories?post=119079"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/tags?post=119079"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/technique?post=119079"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/squelettes?post=119079"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/sujet?post=119079"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/formation?post=119079"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/genre?post=119079"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/fonds?post=119079"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/tradition?post=119079"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/type-de-contenu?post=119079"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/interprete-compositeur?post=119079"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/frise?post=119079"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/type-devenement?post=119079"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/tableaux-liens-externes?post=119079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}