{"id":120068,"date":"2025-05-06T14:34:39","date_gmt":"2025-05-06T12:34:39","guid":{"rendered":"https:\/\/www.iemj.org\/la-circoncision-brit-mila\/"},"modified":"2025-05-08T13:37:55","modified_gmt":"2025-05-08T11:37:55","slug":"la-circoncision-brit-mila","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/la-circoncision-brit-mila\/","title":{"rendered":"Circuncisi\u00f3n (Brit-Mila)"},"content":{"rendered":"<p><!--more--><\/p>\n<p><strong>Por Ephra\u00efm Kahn<\/strong><\/p>\n<p>La circuncisi\u00f3n, tambi\u00e9n conocida como <em>Brit-Mila<\/em> (\u05d1\u05b0\u05e8\u05b4\u05d9\u05ea \u05de\u05b4\u05d9\u05dc\u05b8\u05d4), marca la entrada del var\u00f3n reci\u00e9n nacido en la Alianza Abrah\u00e1mica y en el redil del pueblo jud\u00edo<\/p>\n<h3><strong>La ceremonia<\/strong><\/h3>\n<p>Como todas las etapas de la vida jud\u00eda, la ceremonia de la circuncisi\u00f3n sigue un rito codificado. \u00bfC\u00f3mo podr\u00eda ser de otro modo? &#8211; con una comida festiva.<\/p>\n<p>Al octavo d\u00eda de vida, el beb\u00e9 -si est\u00e1 sano- es llevado a la habitaci\u00f3n donde est\u00e1n reunidos familiares y amigos. Cuando la ceremonia tiene lugar en la sinagoga, suele ser un acto comunitario.<\/p>\n<p>El mobiliario est\u00e1 dispuesto con precisi\u00f3n: en el centro, un trono conocido como la <em>silla del profeta El\u00edas<\/em>. Aqu\u00ed es donde se coloca al beb\u00e9, a veces en el regazo del <em>Sandak<\/em><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_120068_1('footnote_plugin_reference_120068_1_1');\" onkeypress=\"footnote_moveToReference_120068_1('footnote_plugin_reference_120068_1_1');\" ><sup id=\"footnote_plugin_tooltip_120068_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_120068_1_1\" class=\"footnote_tooltip\">El Sandak es la persona que sostiene al ni\u00f1o var\u00f3n sobre sus muslos o rodillas durante la circuncisi\u00f3n. Dependiendo de la tradici\u00f3n, esta posici\u00f3n puede ser ocupada por el abuelo o el padre del&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_120068_1('footnote_plugin_reference_120068_1_1');\">Lire la suite<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_120068_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_120068_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>. Una mesa a un lado del camino contiene las pertenencias del <em>Mohel<\/em>, el circuncidador.<\/p>\n<p>A menudo se saluda al ni\u00f1o con un canto de bienvenida: \u00ab<em>Bendita seas, fiel congregaci\u00f3n<\/em>\u00bb (<em>Berukhim Atem<\/em>). Tras la lectura de diversos vers\u00edculos, que var\u00edan de una comunidad a otra, se recitan las bendiciones y se procede a la circuncisi\u00f3n.<\/p>\n<p><strong><em>Berukhim Atem (Djerba &#8211; T\u00fanez)<\/em><\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120068-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/1.Beroukhim-atem-Djerba.mp3?_=1\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/1.Beroukhim-atem-Djerba.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/1.Beroukhim-atem-Djerba.mp3<\/a><\/audio>\n<p><!--more--><\/p>\n<figure id=\"attachment_120029\" aria-describedby=\"caption-attachment-120029\" style=\"width: 360px\" class=\"wp-caption alignright\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-120029\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Herve-Roten-Circoncision-dans-le-Grand-Quartier-Sept.-1994_redim.jpg\" alt=\"\" width=\"360\" height=\"245\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Herve-Roten-Circoncision-dans-le-Grand-Quartier-Sept.-1994_redim.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Herve-Roten-Circoncision-dans-le-Grand-Quartier-Sept.-1994_redim-300x204.jpg 300w\" sizes=\"(max-width: 360px) 100vw, 360px\" \/><figcaption id=\"caption-attachment-120029\" class=\"wp-caption-text\"><strong>Herve Roten, Circuncisi\u00f3n, Grand Quartier Yerba &#8211; Sept. 1994<\/strong><\/figcaption><\/figure>\n<p data-wp-editing=\"1\"><span style=\"font-size: revert;\">Las palabras de <em>Berukhim Atem<\/em> proceden de un poema muy difundido cuyo autor se desconoce. En 1994, Herv\u00e9 Roten lo grab\u00f3 sobre el terreno durante una misi\u00f3n a Yerba con Israel Adler y Simha Arom. Marcado por la recitaci\u00f3n dirigida por el cantor de la comunidad, relata la experiencia en su libro <\/span><a href=\"https:\/\/www.iemj.org\/es\/musiques-liturgiques-juives\/\" target=\"_blank\" rel=\"noopener\"><em style=\"font-size: revert;\">Musiques liturgiques juives, Parcours et escales<\/em><\/a><span style=\"font-size: revert;\"> :<\/span><\/p>\n<p>\u00ab <em>Ya&#8217;aqov B&#8217;shiri est\u00e1 sentado en una silla. Profundas arrugas marcan su frente como las cuerdas de su \u00fbd. Con voz gastada por la edad, entona un <\/em>piyyut <em>que los hombres repiten a voz en cuello. Hace ocho d\u00edas naci\u00f3 un ni\u00f1o en la familia Zaken. Este d\u00eda de la circuncisi\u00f3n marca su entrada en la comunidad de los jud\u00edos de Yerba, y las canciones que le dan la bienvenida le seguir\u00e1n durante toda su vida<\/em>. \u00bb<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_120068_1('footnote_plugin_reference_120068_1_2');\" onkeypress=\"footnote_moveToReference_120068_1('footnote_plugin_reference_120068_1_2');\" ><sup id=\"footnote_plugin_tooltip_120068_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_120068_1_2\" class=\"footnote_tooltip\"><em>Musiques liturgiques juives, Parcours et escales<\/em>, Ed. Cit\u00e9 de la musique \/ Actes Sud, 1998, p. 95<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_120068_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_120068_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p>\n<p><!--more--><\/p>\n<figure id=\"attachment_120036\" aria-describedby=\"caption-attachment-120036\" style=\"width: 371px\" class=\"wp-caption alignleft\"><img decoding=\"async\" class=\" wp-image-120036\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Beroukhim-atem-Djerba_Transcription-by-Robert-Lachmann-ca.-1929.jpg\" alt=\"\" width=\"371\" height=\"206\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Beroukhim-atem-Djerba_Transcription-by-Robert-Lachmann-ca.-1929.jpg 576w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Beroukhim-atem-Djerba_Transcription-by-Robert-Lachmann-ca.-1929-300x167.jpg 300w\" sizes=\"(max-width: 371px) 100vw, 371px\" \/><figcaption id=\"caption-attachment-120036\" class=\"wp-caption-text\"><strong>Berukhim atem (Djerba) &#8211; Transcription by Robert Lachmann ca. 1929<\/strong><\/figcaption><\/figure>\n<p>En cuanto se da la bienvenida al beb\u00e9, e incluso antes, los asistentes suelen entonar una canci\u00f3n a la gloria del profeta El\u00edas. Dos figuras b\u00edblicas est\u00e1n asociadas a esta ceremonia: el patriarca Abraham y el profeta El\u00edas. El primero recibi\u00f3 la orden divina de entrar en la Alianza circuncid\u00e1ndose a s\u00ed mismo y a sus descendientes varones. El segundo, seg\u00fan una ense\u00f1anza de los antiguos Sabios, visita las asambleas de circuncisi\u00f3n de todas las generaciones, dando testimonio de la fidelidad de su pueblo a la Alianza.<\/p>\n<p data-wp-editing=\"1\"><!--more--><\/p>\n<p><strong><em>Eliyahou Hanavi &#8211;<\/em>\u00a0Ensemble vocal de la synagogue de Versailles<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120068-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/2.Eliyahou-Hanavi-Ensemble-vocal-de-la-synagogue-de-Versailles.mp3?_=2\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/2.Eliyahou-Hanavi-Ensemble-vocal-de-la-synagogue-de-Versailles.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/2.Eliyahou-Hanavi-Ensemble-vocal-de-la-synagogue-de-Versailles.mp3<\/a><\/audio>\n<p><strong><em>Eli Eliyahou Hanavi<\/em> &#8211; Haim Harboun<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120068-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/3.-Eli-Eliyahou-Hanavi-\u2013-Haim-Harboun.mp3?_=3\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/3.-Eli-Eliyahou-Hanavi-\u2013-Haim-Harboun.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/3.-Eli-Eliyahou-Hanavi-\u2013-Haim-Harboun.mp3<\/a><\/audio>\n<p>Tambi\u00e9n se escribieron otros poemas lit\u00fargicos para la circuncisi\u00f3n. Dos de ellos, <em>Efta&#8217;h sefatay berinah<\/em><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_120068_1('footnote_plugin_reference_120068_1_3');\" onkeypress=\"footnote_moveToReference_120068_1('footnote_plugin_reference_120068_1_3');\" ><sup id=\"footnote_plugin_tooltip_120068_1_3\" class=\"footnote_plugin_tooltip_text\">[3]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_120068_1_3\" class=\"footnote_tooltip\">versos alternados en hebreo y provenzal<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_120068_1_3').tooltip({ tip: '#footnote_plugin_tooltip_text_120068_1_3', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script> y <em>Messi\u00e8s qu&#8217;entendes<\/em><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_120068_1('footnote_plugin_reference_120068_1_4');\" onkeypress=\"footnote_moveToReference_120068_1('footnote_plugin_reference_120068_1_4');\" ><sup id=\"footnote_plugin_tooltip_120068_1_4\" class=\"footnote_plugin_tooltip_text\">[4]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_120068_1_4\" class=\"footnote_tooltip\">poema enteramente en provenzal<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_120068_1_4').tooltip({ tip: '#footnote_plugin_tooltip_text_120068_1_4', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>, han sido publicados por el IEMJ en el \u00e1lbum <a href=\"https:\/\/www.iemj.org\/es\/musiques-judeo-francaises-des-xviiie-et-xixe-siecles\/\"><em>Musiques Jud\u00e9o-Fran\u00e7aises des XVIIIe et XIXe Si\u00e8cles<\/em><\/a>.<\/p>\n<p><strong><em>Efta&#8217;h sefatay berinah<\/em> &#8211; Adolphe Attia<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120068-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/4.Eftah-sefatay-berinah-Adolphe-Attia.mp3?_=4\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/4.Eftah-sefatay-berinah-Adolphe-Attia.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/4.Eftah-sefatay-berinah-Adolphe-Attia.mp3<\/a><\/audio>\n<p><strong><em>Messi\u00e8s qu&#8217;entendes<\/em> &#8211; Adolphe Attia<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120068-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/5.Messies-quentendes-Adolphe-Attia.mp3?_=5\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/5.Messies-quentendes-Adolphe-Attia.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/5.Messies-quentendes-Adolphe-Attia.mp3<\/a><\/audio>\n<p><!--more--><\/p>\n<h3>\u00a0<\/h3>\n<h3><strong><em>Zeved ha-Bat<\/em><\/strong><strong>, celebraci\u00f3n del nacimiento de una hija<\/strong><\/h3>\n<p data-wp-editing=\"1\"><img decoding=\"async\" class=\"alignright wp-image-120051\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Presentation-fille-e1746528841281.jpg\" alt=\"\" width=\"312\" height=\"280\" \/>En la tradici\u00f3n jud\u00eda, no existe un equivalente femenino a la circuncisi\u00f3n. Sin embargo, la celebraci\u00f3n del nacimiento de una ni\u00f1a est\u00e1 muy extendida. Adem\u00e1s del nombramiento de la ni\u00f1a por su padre en la sinagoga -durante una subida a la Tor\u00e1 a la que sigue una oraci\u00f3n por la salud de la madre y el beb\u00e9-, se organiza una fiesta para la familia y los amigos.<\/p>\n<p>El t\u00e9rmino <em>Zeved ha-Bat<\/em>, que puede traducirse como \u00abregalo de una chica\u00bb, ha llegado a utilizarse hoy en d\u00eda para describir tanto la cita como la celebraci\u00f3n. No se menciona espec\u00edficamente ninguna canci\u00f3n tradicional. En el siglo XX, el principal poeta del juda\u00edsmo marroqu\u00ed, el rabino David Bouzaglo, escribi\u00f3 el primer <em>piyut<\/em> (canto po\u00e9tico lit\u00fargico) para la ocasi\u00f3n: <em>Qiryatenu melea nehora<\/em> (Nuestra ciudad se llena de luz), con una melod\u00eda de Farid El Atrache, <em>Ya ritni tir<\/em>.<\/p>\n<p>M\u00e1s recientemente, el poeta israel\u00ed Almog Behar le dedic\u00f3 un poema, en el marco del proyecto <em>Bo-ou legani<\/em>, bajo la direcci\u00f3n musical de Ya\u00efr Harel. El poema, titulado <em>Yalda yulda lanu<\/em>, est\u00e1 ambientado en una melod\u00eda nupcial del ladino, <em>Seniora novia<\/em>.<\/p>\n<p><strong><em>Zeved Habbat<\/em> &#8211; Jo Amar<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120068-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Zeved-Habbat-Jo-Amar.mp3?_=6\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Zeved-Habbat-Jo-Amar.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Zeved-Habbat-Jo-Amar.mp3<\/a><\/audio>\n<p><strong><em>Yalda yulda lanu <\/em>(Seniora novia)<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120068-7\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Yalda-youlda-lanou-Seniora-novia.mp3?_=7\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Yalda-youlda-lanou-Seniora-novia.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Yalda-youlda-lanou-Seniora-novia.mp3<\/a><\/audio>\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<h3>\u21d2 <a href=\"http:\/\/www.rachelnet.net\/F\/?func=find-c&amp;ccl_term=WRD+%3D+Circoncision+OU+WRD+%3D+Brit+Mila+OU+WRD+%3D+Brith+Mila+OU+WRD+%3D+Berit+Mila&amp;local_base=iemcg\" target=\"_blank\" rel=\"noopener\">Ver otros documentos sobre el Brit-Mila en nuestras colecciones<\/a><\/h3>\n<h3>\u21d2 <a href=\"https:\/\/www.iemj.org\/es\/produit\/musiques-judeo-francaises-des-xviiie-et-xixe-siecles\/\" target=\"_blank\" rel=\"noopener\">Encargar el \u00e1lbum <em>Musiques Jud\u00e9o-Fran\u00e7aises des XVIIIe et XIXe Si\u00e8cles<\/em> producido por el IEMJ<\/a><\/h3>\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Chansons de Brit Mila (circoncision) \/ Brit Mila playlist\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/iNtayMbw2-Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_120068_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_120068_1();\">[<a id=\"footnote_reference_container_collapse_button_120068_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_120068_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_120068_1('footnote_plugin_tooltip_120068_1_1');\"><a id=\"footnote_plugin_reference_120068_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\">El <em>Sandak<\/em> es la persona que sostiene al ni\u00f1o var\u00f3n sobre sus muslos o rodillas durante la circuncisi\u00f3n. Dependiendo de la tradici\u00f3n, esta posici\u00f3n puede ser ocupada por el abuelo o el padre del beb\u00e9, o incluso por un l\u00edder religioso o una persona a la que hay que honrar<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_120068_1('footnote_plugin_tooltip_120068_1_2');\"><a id=\"footnote_plugin_reference_120068_1_2\" class=\"footnote_backlink\">2<\/a><\/th> <td class=\"footnote_plugin_text\"><em>Musiques liturgiques juives, Parcours et escales<\/em>, Ed. Cit\u00e9 de la musique \/ Actes Sud, 1998, p. 95<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_120068_1('footnote_plugin_tooltip_120068_1_3');\"><a id=\"footnote_plugin_reference_120068_1_3\" class=\"footnote_backlink\">3<\/a><\/th> <td class=\"footnote_plugin_text\">versos alternados en hebreo y provenzal<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_120068_1('footnote_plugin_tooltip_120068_1_4');\"><a id=\"footnote_plugin_reference_120068_1_4\" class=\"footnote_backlink\">4<\/a><\/th> <td class=\"footnote_plugin_text\">poema enteramente en provenzal<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_120068_1() { jQuery('#footnote_references_container_120068_1').show(); 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