{"id":43205,"date":"2017-01-11T11:51:09","date_gmt":"2017-01-11T10:51:09","guid":{"rendered":"https:\/\/www.iemj.org\/la-musique-juive-baroque\/"},"modified":"2021-12-09T10:59:58","modified_gmt":"2021-12-09T09:59:58","slug":"la-musique-juive-baroque","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/la-musique-juive-baroque\/","title":{"rendered":"M\u00fasica jud\u00eda barroca"},"content":{"rendered":"<p>Contrariamente a ciertos estereotipos, los jud\u00edos italianos, provenzales y de \u00c1msterdam ten\u00edan un conocimiento perfecto de la m\u00fasica culta del mundo cristiano. Los j\u00f3venes jud\u00edos italianos del siglo XV asist\u00edan a escuelas de m\u00fasica y danza.<\/p>\n<p>En el siglo XVI y principios del XVII, la Corte Ducal de Gonzaga de Mantua acogi\u00f3 a m\u00fasicos jud\u00edos, entre ellos <a href=\"https:\/\/www.iemj.org\/es\/rossi-salomone-vers-1570-vers-1630\/\" target=\"_blank\" rel=\"noopener\">Salomone Rossi<\/a> (ca 1570 &#8211; ca 1630), quien public\u00f3 en 1622-23 una primera colecci\u00f3n de 33 coros en hebreo para la sinagoga de Mantua.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" alignright  wp-image-12679\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_1_baroque_45.jpg\" alt=\"doc_1_baroque_45.jpg\" width=\"180\" height=\"365\" align=\"right\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_1_baroque_45.jpg 192w, https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_1_baroque_45-148x300.jpg 148w\" sizes=\"(max-width: 180px) 100vw, 180px\" \/><\/p>\n<p>Alrededor de 1680, Carlo Grossi escribi\u00f3 una cantata para una hermandad jud\u00eda en M\u00f3dena o Venecia. En 1732, 1733 y 1735, se crearon tres cantatas en la peque\u00f1a sinagoga de Casale Monferrato.<\/p>\n<p>Hacia finales del siglo XVII, un notable jud\u00edo del Condado Venaissin, con la firme esperanza de la llegada de un heredero var\u00f3n, encarg\u00f3 al compositor cristiano Louis Saladin que produjera un <em>\u00abEntretenimiento para una circuncisi\u00f3n\u00bb<\/em> para solistas, coro a cuatro voces y orquesta. En Burdeos y \u00c1msterdam, los jud\u00edos portugueses apreciaban y tocaban la m\u00fasica de su tiempo.<\/p>\n<p>En el siglo XVIII, en \u00c1msterdam, los suntuosos salones de acaudaladas familias jud\u00edas portuguesas albergaron conciertos de \u00f3peras y cantatas, g\u00e9neros que penetraron incluso en la sinagoga con las obras de Abraham Caceres y <a href=\"https:\/\/www.iemj.org\/es\/lidarti-cristiano-giuseppe-1730-apres-1793\/\" target=\"_blank\" rel=\"noopener\">Cristiano Giuseppe Lidarti<\/a>, quien escribi\u00f3 en 1774 el <a href=\"https:\/\/www.iemj.org\/es\/ester-un-oratorio-de-pourim-du-compositeur-lidarti-1730-ap-1793\/\" target=\"_blank\" rel=\"noopener\">oratorio Ester<\/a>, la obra m\u00e1s larga (\u00a1dos horas!) en la historia de la m\u00fasica jud\u00eda barroca.<\/p>\n<p><img decoding=\"async\" class=\" aligncenter size-full wp-image-12681\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_3_baroque500px.jpg\" alt=\"doc_3_baroque500px.jpg\" width=\"500\" height=\"445\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_3_baroque500px.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_3_baroque500px-300x267.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/es\/musiques-juives-baroques\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"wp-image-6881 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2014\/04\/emission_de_radio_55_.jpg\" alt=\"emission_de_radio_55_.jpg\" width=\"50\" height=\"44\" align=\"left\" \/>Escuche el programa de radio: M\u00fasica jud\u00eda barroca, presentado por Herv\u00e9 Roten<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/es\/les-faces-cachees-de-la-musique-juive-musiques-juives-baroques\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"wp-image-6881 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2014\/04\/emission_de_radio_55_.jpg\" alt=\"emission_de_radio_55_.jpg\" width=\"50\" height=\"44\" align=\"left\" \/>Escuche el programa de radio: Los rostros ocultos de la m\u00fasica jud\u00eda: m\u00fasica jud\u00eda barroca, presentado por H\u00e9l\u00e8ne Engel<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/es\/la-musique-juive-baroque-1\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2939 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2014\/11\/playlist_30_.jpg\" alt=\"playlist_30_.jpg\" width=\"21\" height=\"46\" align=\"left\" \/>Escuche la lista de reproducci\u00f3n: m\u00fasica jud\u00eda barroca (parte 1)<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/la-musique-juive-baroque-1\/\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2939 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2014\/11\/playlist_30_.jpg\" alt=\"playlist_30_.jpg\" width=\"21\" height=\"46\" align=\"left\" \/><\/a><a href=\"https:\/\/www.iemj.org\/es\/la-musique-juive-baroque-2eme-partie\/\" target=\"_blank\" rel=\"noopener\">Escuche la lista de reproducci\u00f3n: m\u00fasica jud\u00eda barroca (parte 2)<\/a><\/p>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Contrariamente a ciertos estereotipos, los jud\u00edos italianos, provenzales y de \u00c1msterdam ten\u00edan un conocimiento perfecto de la m\u00fasica culta del mundo cristiano. Los j\u00f3venes jud\u00edos italianos del siglo XV asist\u00edan<\/p>\n","protected":false},"author":1052,"featured_media":43206,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"categories":[1408,1411,1412],"tags":[2092],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1890,1894],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-43205","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos-de-fondo-es","category-musica-liturgica-es","category-musica-secular-es","tag-italia-es","genre-liturgia-es","genre-musica-barroca-es"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>M\u00fasica jud\u00eda barroca - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/es\/la-musique-juive-baroque\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M\u00fasica jud\u00eda barroca - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Contrariamente a ciertos estereotipos, los jud\u00edos italianos, provenzales y de \u00c1msterdam ten\u00edan un conocimiento perfecto de la m\u00fasica culta del mundo cristiano. 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