{"id":49629,"date":"2020-02-26T12:09:06","date_gmt":"2020-02-26T11:09:06","guid":{"rendered":"https:\/\/www.iemj.org\/yahudice\/"},"modified":"2025-09-10T12:31:12","modified_gmt":"2025-09-10T10:31:12","slug":"yahudice","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/yahudice\/","title":{"rendered":"Yahudice"},"content":{"rendered":"<p><em>Yahudice<\/em> &#8211; t\u00e9rmino pronunciado <em>Yahudije<\/em> y que significa \u00abjud\u00edo\u00bb en turco &#8211; es el nombre que ha sido utilizado por los turcos musulmanes para se\u00f1alar la poblaci\u00f3n jud\u00eda hablando el judeo-espa\u00f1ol durante la \u00e9poca otomana.<\/p>\n<p>Este \u00e1lbum presenta el cat\u00e1logo judeo-espa\u00f1ol cantado en Estambul, Esmirna, Sal\u00f3nica y Jerusal\u00e9n. Su originalidad reside en la combinaci\u00f3n de tres principales caracter\u00edsticas, a saber el cat\u00e1logo de canciones, la interpretaci\u00f3n musical y la importancia dada a la documentaci\u00f3n relativa a estas canciones. Constituye un verdadero joya para los aficionados a m\u00fasica tradicional, para todos aquellos qui\u00e9n, nost\u00e1lgicos de esta cultura y de este periodo, se interesan de cerca a este cat\u00e1logo poco conocido pero muy rico en historias y recuerdos.<\/p>\n<p>La investigadora y cantante israel\u00ed en judeo-espa\u00f1ol Hadass Pal-Yarden ha sacado, en su \u00e1lbum, su inspiraci\u00f3n tan delante de fuentes sefard\u00edes encontrados en el mismo lugar, a discreci\u00f3n de sus diferentes andanzas efectuadas en las tierras del antiguo imperio otomano (Sal\u00f3nica, Jerusal\u00e9n, Estambul, Esmirna&#8230;) como gracias a archivos de grabaciones de terreno a los que tuvo acceso.<\/p>\n<p>El libreta del CD ricamente documentado provee, adem\u00e1s del fuente documental de cada t\u00edtulo propuesto, una luz hist\u00f3rica, ling\u00fc\u00edstica, y tambi\u00e9n geogr\u00e1fica sobre los jud\u00edos espa\u00f1oles dichos sefard\u00edes. Nos informa tambi\u00e9n sobre el contexto m\u00e1s actual de la ejecuci\u00f3n de la m\u00fasica judeo-espa\u00f1ola, qu\u00e9 no ha dejado evolucionar desde el siglo XX, perdiendo poco a poco su funci\u00f3n inicial inscrita en los rituales tradicionales del ciclo de la vida en el seno de la comunidad, para transformarse progresivamente en m\u00fasica m\u00e1s comercial, implicando m\u00e1s intercambios entre los pa\u00edses de origen e incluso pr\u00e9stamos a la m\u00fasica occidental.<\/p>\n<p>Int\u00e9rpretes :<br \/>Hadass PAL-YARDEN: Voz; Yurdal TOKCAN: Voz, la\u00fad \u00e1rabe; G\u00f6ksel BAKTAGIR: Rainsticks, Kanoun; Selim G\u00dcLER: Voz, Kemence (viol\u00edn turco); Emrullah SENG\u00dcLLER: Violoncelo; Yinon MUALLEM: Riq (tambor de marco), Bodhr\u00e1n, Daire, Bendir, Campanas, C\u00edmbalos, Tombak, Dumbek, Udu; Orhan OSMAN: Cura, Buzuki; Stelyo BERBER: Voz; Izzet BANA: Voz; Yaakov TARAGANO: Voz; B\u00e2ki KEMANCI: Viol\u00edn<\/p>\n<p><a href=\"https:\/\/www.amazon.com\/Yahudice-Hadass-Pal-Yarden\/dp\/B00013K9WA\">Comprar el CD.<\/a><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-27208\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/02\/couv4_yahudice_pour_article_site_600px_larg.jpg\" alt=\"couv4_yahudice_pour_article_site_600px_larg.jpg\" width=\"600\" height=\"567\" align=\"center\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/02\/couv4_yahudice_pour_article_site_600px_larg.jpg 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/02\/couv4_yahudice_pour_article_site_600px_larg-300x284.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110610\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/02\/yahudice-01-piste_1.mp3\">Landariko (Extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/02\/yahudice-02-piste_2.mp3\"> Mi chika flor (Extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/02\/yahudice-03-piste_3.mp3\">Adon Haselihot (Extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/02\/yahudice-04-piste_4.mp3\"> En la prision (Extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/02\/yahudice-05-piste_5.mp3\">Al Dio Alto (Extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/02\/yahudice-06-piste_6.mp3\">Ven Chika Nazlia (Extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/02\/yahudice-07-piste_7.mp3\">Ir me kero Madre a Yerushalayim (Extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/02\/yahudice-08-piste_8.mp3\"> Triste esta el Rey David (Extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/02\/yahudice-09-piste_9.mp3\">Mama yo no tengo visto (Extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/02\/yahudice-10-piste_10.mp3\">Sinko Anyos de Amistad (Extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/02\/yahudice-11-piste_11.mp3\">Kante Katife (Extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/02\/yahudice-12-piste_12.mp3\"> Nani Nani (Extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/02\/yahudice-13-piste_13.mp3\">D&#8217;en Dia en Dia (Extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/02\/yahudice-14-piste_14.mp3\">Mansevo Dobro (Extrait)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Yahudice &#8211; t\u00e9rmino pronunciado Yahudije y que significa \u00abjud\u00edo\u00bb en turco &#8211; es el nombre que ha sido utilizado por los turcos musulmanes para se\u00f1alar la poblaci\u00f3n jud\u00eda hablando el<\/p>\n","protected":false},"author":5,"featured_media":130140,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1568,1565],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1889],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-49629","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-es","category-ultimas-adquisiciones-es","genre-judeo-espanol-es"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Yahudice - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta 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