{"id":52251,"date":"2019-11-26T17:26:03","date_gmt":"2019-11-26T16:26:03","guid":{"rendered":"https:\/\/www.iemj.org\/les-danses-klezmer\/"},"modified":"2025-07-10T18:43:19","modified_gmt":"2025-07-10T16:43:19","slug":"les-danses-klezmer","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/les-danses-klezmer\/","title":{"rendered":"Los bailes klezmer"},"content":{"rendered":"<p><strong>Una selecci\u00f3n de m\u00fasica klezmer para bailar<\/strong><\/p>\n<p><!--more--><\/p>\n<p>El <em>klezmer<\/em> es una m\u00fasica instrumental de fiesta antes practicada en las comunidades jud\u00edas en Europa del Este durante el acompa\u00f1amiento de las bodas o de festividades religiosas alegres. El termino &#8220;klezmer&#8221; se deriva del hebreo &#8220;<em>kli zemer<\/em>&#8221; que significa &#8220;instrumentos del canto&#8221;.<br \/>Desde el siglo XVI, el baile forma parte integrante de las festividades jud\u00edas de Europa del Este. Pero ning\u00fan baile jud\u00eda asquenaz\u00ed no es especifico a una comunidad: la parte m\u00e1s grande del cat\u00e1logo &#8211; baile en l\u00ednea, en c\u00edrculo, en pareja, etc. &#8211; es cosmopolita o inclu\u00eda elementos tomados del entorno no jud\u00edo.<\/p>\n<p>Sin embargo, los jud\u00edos utilizaban un lenguaje corporal que les diferenciaba de los no jud\u00edos practicando los mismos bailes, en particular por movimientos de los brazos y los manos, as\u00ed que el juego de piernas de los hombres j\u00f3venes.<\/p>\n<p>Durante las bodas, un parte importante del ritual consist\u00eda en bailes pretendo a honrar a la casada (<em>mitzve tants<\/em>), los invitados de honor, los suegros, los ancestros, los rab\u00eds presentes&#8230; o mimar sentimientos &#8220;convenidos&#8221; como la c\u00f3lera: <em>broyges tants<\/em> y despu\u00e9s la reconciliaci\u00f3n: <em>sholem tants<\/em>.<\/p>\n<p>La m\u00fasica klezmer acompa\u00f1aba a numerosos estilos de baile. Estos son algunos ejemplos:<\/p>\n<ul>\n<li>El <strong>sher<\/strong> era considerado como &#8220;el&#8221; baile asquenaz\u00ed por excelencia. Los participantes estaban divididos en cuatro parejas mixtos (o entre los ortodoxos, s\u00f3lo de mujeres). El baile empezaba con un &#8220;paseo&#8221; en c\u00edrculos, y despu\u00e9s en parejas. Despu\u00e9s de lo cual, cada bailar\u00edn invitaba de manera sucesiva las cuatros compa\u00f1eras femeninas del grupo para bailar con el en el centro del circulo.<\/li>\n<li>El <em><strong>khosidl<\/strong> <\/em>evoca los<em> jasidim<\/em> aunque su origen es probablemente profano. Es un baile individual sobre un <em>zemerl<\/em> (melod\u00eda con una inspiraci\u00f3n religiosa). Empieza generalmente con un tempo moderado y se acelera poco a poco hasta alcanzar normalmente un entusiasmo est\u00e1tico&#8230;<\/li>\n<li>La <em><strong>hora<\/strong> <\/em>&#8220;lente&#8221; o &#8220;rumana&#8221; es un baile en c\u00edrculo (o en l\u00ednea) sobre una m\u00fasica de tres tiempos, corriente entre los jud\u00edos y los no jud\u00edos en Ruman\u00eda (Moldavia, Besarabia, Bucovina) y entre algunas regiones de Ucrania.<\/li>\n<li>El <em><strong>freylekhs<\/strong> <\/em>(&#8220;contento&#8221;) es un baile jud\u00edo en l\u00ednea o en c\u00edrculo sobre una m\u00fasica de 2 tiempos. Por su sencillez, estaba muy extendida en las comunidades jud\u00edas de Europa del Este. Viva, alegre, est\u00e1 sin embargo impregnada de espiritualidad. Se caracteriza por largos desplazamientos sobre pasos, a veces pasos lentos, a veces pasos hacia los lados y a veces pasos con acompa\u00f1ados con golpes de talones. Estos pasos difieren de un <em>shtetl<\/em>\u00a0a un otro, dejando un largo lugar para la improvisaci\u00f3n.<\/li>\n<li>El <em><strong>bulgar<\/strong> <\/em>es tambi\u00e9n un baile viva en c\u00edrculo, en l\u00ednea, o en parejas, sobre un ritmo parecido al <em>freylekhs<\/em>, aparecida entre los jud\u00edos en Ruman\u00eda y en el sur de Ucrania al fin del siglo XIX. Cogi\u00e9ndose por los manos, los bailarines hacen pasos hacia adelante o hacia atr\u00e1s, pero cada vez m\u00e1s hacia la derecha para que el c\u00edrculo gire.<\/li>\n<li>El terkisher, un baile jas\u00eddico sobre un ritmo &#8220;a la manera turca&#8221; (parecido al tango o al sirtos)<\/li>\n<li>La <strong><em>patsh tants <\/em><\/strong>es un contra-baile en c\u00edrculo de los jud\u00edos polacos. La m\u00fasica es muy t\u00edpica de ella, ya que requiere, en momentos puntuales, aplaudir o dar golpes con los pies.<\/li>\n<\/ul>\n<p><strong>Fuente<\/strong>: &#8220;Bailes yiddish, klezmer, asquenaz\u00ed o de shtetl&#8221; en el <a href=\"http:\/\/borzykowski.users.ch\/\">sitio dedicado a la m\u00fasica klezmer de Michel Borzykowski<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/es\/le-klezmer-musique-dhier-et-daujourdhui\/\" target=\"_blank\" rel=\"noopener\">Leer el articulo &#8220;El klezmer: m\u00fasica de ayer y de hoy&#8221;<\/a><br \/><a href=\"https:\/\/www.iemj.org\/es\/la-danse-traditionnelle-juive-ashkenaze\/\" target=\"_blank\" rel=\"noopener\">M\u00e1s informaci\u00f3n sobre el libro El baile tradicional jud\u00eda Asquenaz\u00ed de Danielle Bailly &amp; Michel Borzykowski<\/a><\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Zev Feldman. Khosidl (instructional video) || \u0417\u0435\u0432 \u0424\u0435\u043b\u0434\u043c\u0430\u043d. \u0425\u043e\u0441\u0438\u0434\u043b\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/OH9kCqrLPXI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\"><strong>Zev Feldman dirige un baile &#8220;bulgar&#8221; durante un taller de bailes klezmer, Yiddish Summer Weimar, 2009.<\/strong><\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110610\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_11_03.mp3\">Doina and Hora &#8211; Jacob Hoffman with Kandel&#8217;s Orchestra<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_1059_07.mp3\">Der Shtiler Bulgar &#8212; Shpil Es Nokh a Mol &#8211; Kapelye<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_1065_01.mp3\">Bulgar &#8211; Marty Levitt<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_9_02.mp3\">Frailachs &#8211; Sam Musiker<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_636_06.mp3\">The Bride\u2019s Waltz &#8211; Zev Feldman, Andy Statman<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_327_03.mp3\">Der Skyliner Khosid &#8211; The Andy Statman Klezmer Orchestra<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_11_06.mp3\">Terkisher Yale-ve-yove Tants &#8211; Naftule Brandwein<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/k7_565_01_bis.mp3\">Lebedik un freylech &#8211; The Klezmer Conservatory Band<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_1059_09-2.mp3\">Moldavian Hora &#8211; Kapelye<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_677_03.mp3\">Traditional Dances &#8211; Sam Musiker<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_327_06-2.mp3\">Scotchna &#8211; The Andy Statman Klezmer Orchestra<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/d33-30_29_05.mp3\">Litvak Square Dance &#8211; Mickey Katz<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/cd_12_11.mp3\">Honga Ciganesta &#8211; Naftule Brandwein&#8217;s Orchestra<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2019\/11\/cd_935_07.mp3\">Kolomeykes &#8211; Di Galitzyaner Klezmorim<\/a><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una selecci\u00f3n de m\u00fasica klezmer para 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This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Los bailes klezmer - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/es\/les-danses-klezmer\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Los bailes klezmer - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Una selecci\u00f3n de m\u00fasica klezmer para bailar\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/es\/les-danses-klezmer\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" 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