{"id":55823,"date":"2010-03-30T18:14:09","date_gmt":"2010-03-30T16:14:09","guid":{"rendered":"https:\/\/www.iemj.org\/david-samuel-1836-1895\/"},"modified":"2025-01-28T13:02:07","modified_gmt":"2025-01-28T12:02:07","slug":"david-samuel-1836-1895","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/david-samuel-1836-1895\/","title":{"rendered":"David, Samuel (1836-1895)"},"content":{"rendered":"

Naci\u00f3 en Par\u00eds el 12 de noviembre de 1836, Samuel David fue aceptado muy joven en el conservatorio de m\u00fasica, donde obtuvo a la edad de 13 a\u00f1os un primer precio de solfeo (1850) pues de armon\u00eda y de acompa\u00f1amiento (1854). Alumno de Hal\u00e9vy<\/a> (contrapunto, fuga, composici\u00f3n), obtuvo un primer precio de fuga en 1855, antes de ganar el primer precio de Roma tres a\u00f1os despu\u00e9s. Interno de la Villa M\u00e9dici en Roma entre 1859 y 1860, se vuelve en Par\u00eds el a\u00f1o siguiente.<\/p>\n

Mientras tanto, se vuelve jefe de canto en 1856 al Th\u00e9\u00e2tre-Lyrique, y en la misma \u00e9poca, sucede hacer tocar al Th\u00e9\u00e2tre des Folies-Nouvelles, una opereta en un acto de su composici\u00f3n, intitulado La peau de l’ours <\/em>(la Piel del oso). Samuel David no par\u00f3 componer durante su vida. Es el autor de 4 sinfon\u00edas y de numerosas obras vocales, pero es sobre todo la m\u00fasica de escena que le atra\u00eda. Tambi\u00e9n le debemos as\u00ed diversas operetas, \u00f3peras, o \u00f3pera c\u00f3mica, cuya la mayor\u00eda han quedado en el estado de manuscrito nunca tocadas. Sola la opera c\u00f3mica Mademoiselle Sylvia<\/em> (Se\u00f1orita Sylvia) fue representada, el 17 de abril de 1868. A pesar de una buena acogida del publico, nunca fue tocada de nuevo.<\/p>\n

Maestro, Samuel David es el autor de la obra intitulada L’art de jouer en mesure<\/em> (El arte de tocar en comp\u00e1s) (1862).<\/p>\n

Pero es a partir de su nombramiento como \u00abdirector de la m\u00fasica de los templos consistoriales\u00bb en 1870 que Samuel David dio su comp\u00e1s completa. Esta funci\u00f3n, creada recientemente por el consistorio durante la construcci\u00f3n de la gran sinagoga de la rue de la Victoire, era destinada a unificar los cat\u00e1logos lit\u00fargicos.<\/p>\n

L\u00e9on Algazi escribi en 1953 que \u00abSamuel David se entreg\u00f3 a su tarea con un celo ejemplar y como a una alta misi\u00f3n religiosa.<\/em>\u00bb En efecto, se esmer\u00f3 a renovar los cantos tradicionales recuperando su forma primitiva. El Kol Nidr\u00e9, cantado cada a\u00f1o en Yom Kipur, ilustra perfectamente esta observaci\u00f3n.<\/p>\n

Tambi\u00e9n, David a armonizado un gran n\u00famero de piezas seg\u00fan las exigencias modales, conservando, cuando era necesario, las melod\u00edas tristes originales \u00abque no suportan ninguna especia de armon\u00eda o que no se conforman bien de nuestras barras de comp\u00e1s.\u00bb En diversas piezas, inicia tambi\u00e9n de melod\u00edas conocidas de Beethoven, Rossini, ou Mendelssohn.<\/p>\n","protected":false},"excerpt":{"rendered":"

Naci\u00f3 en Par\u00eds el 12 de noviembre de 1836, Samuel David fue aceptado muy joven en el conservatorio de m\u00fasica, donde obtuvo a la edad de 13 a\u00f1os un primer<\/p>\n","protected":false},"author":1046,"featured_media":51627,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1417],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-55823","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biografias-es"],"acf":[],"yoast_head":"\nDavid, Samuel (1836-1895) - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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