{"id":58591,"date":"2020-01-21T15:19:51","date_gmt":"2020-01-21T14:19:51","guid":{"rendered":"https:\/\/www.iemj.org\/commando-musik\/"},"modified":"2021-08-24T12:40:02","modified_gmt":"2021-08-24T10:40:02","slug":"commando-musik","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/commando-musik\/","title":{"rendered":"Commando Musik"},"content":{"rendered":"

Ediciones Buchet-Chastel, octubre de 2019, 413 p.<\/p>\n

<\/p>\n

Comment les nazis ont spoli\u00e9 l\u2019Europe musicale (C\u00f3mo los nazis saquearon la Europa musical)<\/strong><\/em><\/p>\n

Nacido en Amsterdam en 1939, Willem de Vries<\/strong> tiene un doctorado en musicolog\u00eda. Fue durante la redacci\u00f3n de su tesis sobre \u00abDarius Milhaud y el jazz\u00bb, entre 1984 y 1991, cuando descubri\u00f3 la existencia del comando \u00abM\u00fasica\u00bb, al que luego dedic\u00f3 su investigaci\u00f3n.<\/em><\/p>\n

El expolio de la propiedad jud\u00eda por parte de los nazis afect\u00f3 tanto a bienes inmuebles como a negocios, obras de arte, libros… La dimensi\u00f3n cultural del saqueo y expoliaci\u00f3n fue implementada por la organizaci\u00f3n Rosenberg (ERR), creada en 1940 con el objetivo de eliminar la vida cultural jud\u00eda en toda Europa.<\/p>\n

La dimensi\u00f3n poco conocida de estos expolios se refiere a la m\u00fasica: de hecho, se cre\u00f3 un comando especial, el Sonderstab Musik<\/em> (comando \u00abM\u00fasica\u00bb), compuesto por eminentes music\u00f3logos alemanes, para localizar instrumentos, partituras y manuscritos, y eliminar a sus due\u00f1os.<\/p>\n

Este es el tema de este libro de Willem de Vries, que requiri\u00f3 m\u00e1s de diez a\u00f1os de investigaci\u00f3n. Revela por primera vez la organizaci\u00f3n de este comando que, entre 1940 y 1944, \u00abtransfiri\u00f3\u00bb a Alemania varios cientos de miles de libros y varias decenas de miles de instrumentos y partituras.<\/p>\n

El compositor Darius Milhaud, los pianistas Wanda Landowska y Arthur Rubinstein, el cr\u00edtico musical Arno Pold\u00e8s y el violonchelista Gregor Piatigorsky fueron algunas de las v\u00edctimas de estos despojos masivos, cuyos protagonistas, procedimientos y escala finalmente salen a la luz.<\/p>\n

Traducci\u00f3n de Laurent Slaars
Prefacio de Sonia Wieder-Atherton
Pr\u00f3logo de Corinne Hershkovitch<\/p>\n

La traducci\u00f3n al franc\u00e9s de esta obra ha recibido el apoyo de la Fondation pour la M\u00e9moire de la Shoah.<\/p>\n

El 31 de enero de 2020, en Sciences-Po de Par\u00eds (75007), se organiza una jornada de estudio sobre \u00abLa musique loot\u00bb, o C\u00f3mo los nazis saquearon la Europa musical<\/em><\/a><\/p>\n

M\u00e1s informaci\u00f3n<\/a><\/p>\n

Comprar el libro<\/a><\/p>\n

Consultar la cr\u00f3nica de Philippe Velay sobre el libro \u00abCommando Musik\u00bb de Willem De Vries<\/a><\/p>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Ediciones Buchet-Chastel, octubre de 2019, 413 p.<\/p>\n","protected":false},"author":5,"featured_media":58592,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1577],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-58591","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-libros-articulos-es"],"acf":[],"yoast_head":"\nCommando Musik - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/es\/commando-musik\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Commando Musik - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Ediciones Buchet-Chastel, octubre de 2019, 413 p.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/es\/commando-musik\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-01-21T14:19:51+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-08-24T10:40:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4487-e1619022710931.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"350\" \/>\n\t<meta property=\"og:image:height\" content=\"539\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jacqueline ROTEN\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jacqueline ROTEN\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/commando-musik\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/commando-musik\\\/\"},\"author\":{\"name\":\"Jacqueline ROTEN\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\"},\"headline\":\"Commando Musik\",\"datePublished\":\"2020-01-21T14:19:51+00:00\",\"dateModified\":\"2021-08-24T10:40:02+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/commando-musik\\\/\"},\"wordCount\":350,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/commando-musik\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/arton4487-e1619022710931.jpg\",\"articleSection\":[\"Libros, art\u00edculos\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/commando-musik\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/commando-musik\\\/\",\"name\":\"Commando Musik - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/commando-musik\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/commando-musik\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/arton4487-e1619022710931.jpg\",\"datePublished\":\"2020-01-21T14:19:51+00:00\",\"dateModified\":\"2021-08-24T10:40:02+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/commando-musik\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/es\\\/commando-musik\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/commando-musik\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/arton4487-e1619022710931.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/arton4487-e1619022710931.jpg\",\"width\":350,\"height\":539},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/commando-musik\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Commando Musik\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\",\"name\":\"Jacqueline ROTEN\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"caption\":\"Jacqueline ROTEN\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Commando Musik - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/es\/commando-musik\/","og_locale":"es_ES","og_type":"article","og_title":"Commando Musik - Institut Europ\u00e9en des Musiques Juives","og_description":"Ediciones Buchet-Chastel, octubre de 2019, 413 p.","og_url":"https:\/\/www.iemj.org\/es\/commando-musik\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2020-01-21T14:19:51+00:00","article_modified_time":"2021-08-24T10:40:02+00:00","og_image":[{"width":350,"height":539,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4487-e1619022710931.jpg","type":"image\/jpeg"}],"author":"Jacqueline ROTEN","twitter_card":"summary_large_image","twitter_misc":{"Escrito por":"Jacqueline ROTEN","Tiempo de lectura":"2 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/es\/commando-musik\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/es\/commando-musik\/"},"author":{"name":"Jacqueline ROTEN","@id":"https:\/\/www.iemj.org\/es\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c"},"headline":"Commando Musik","datePublished":"2020-01-21T14:19:51+00:00","dateModified":"2021-08-24T10:40:02+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/es\/commando-musik\/"},"wordCount":350,"publisher":{"@id":"https:\/\/www.iemj.org\/es\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/es\/commando-musik\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4487-e1619022710931.jpg","articleSection":["Libros, art\u00edculos"],"inLanguage":"es"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/es\/commando-musik\/","url":"https:\/\/www.iemj.org\/es\/commando-musik\/","name":"Commando Musik - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/es\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/es\/commando-musik\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/es\/commando-musik\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4487-e1619022710931.jpg","datePublished":"2020-01-21T14:19:51+00:00","dateModified":"2021-08-24T10:40:02+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/es\/commando-musik\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/es\/commando-musik\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/www.iemj.org\/es\/commando-musik\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4487-e1619022710931.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/arton4487-e1619022710931.jpg","width":350,"height":539},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/es\/commando-musik\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/es\/"},{"@type":"ListItem","position":2,"name":"Commando Musik"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/es\/#website","url":"https:\/\/www.iemj.org\/es\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/es\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/es\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/www.iemj.org\/es\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/es\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/es\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c","name":"Jacqueline ROTEN","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","caption":"Jacqueline ROTEN"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/posts\/58591","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/comments?post=58591"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/posts\/58591\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/media\/58592"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/media?parent=58591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/categories?post=58591"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/tags?post=58591"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/technique?post=58591"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/squelettes?post=58591"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/sujet?post=58591"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/formation?post=58591"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/genre?post=58591"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/fonds?post=58591"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/tradition?post=58591"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/type-de-contenu?post=58591"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/interprete-compositeur?post=58591"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/frise?post=58591"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/type-devenement?post=58591"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/tableaux-liens-externes?post=58591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}