{"id":65198,"date":"2017-01-17T11:02:30","date_gmt":"2017-01-17T10:02:30","guid":{"rendered":"https:\/\/www.iemj.org\/la-musique-juive-baroque-2eme-partie\/"},"modified":"2025-06-19T12:31:21","modified_gmt":"2025-06-19T10:31:21","slug":"la-musique-juive-baroque-2eme-partie","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/la-musique-juive-baroque-2eme-partie\/","title":{"rendered":"M\u00fasica jud\u00eda barroca 2"},"content":{"rendered":"<p><strong>Escuche una nueva selecci\u00f3n de m\u00fasica barroca jud\u00eda con obras de Rossi, Grossi, Saladino, C\u00e1ceres y Lidarti<\/strong><\/p>\n<p><!--more-->Desde los albores de los tiempos, la m\u00fasica jud\u00eda se ha transmitido de forma oral, con la excepci\u00f3n de tres fragmentos manuscritos de Ovadia el Pros\u00e9lito en el siglo XII<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_65198_1('footnote_plugin_reference_65198_1_1');\" onkeypress=\"footnote_moveToReference_65198_1('footnote_plugin_reference_65198_1_1');\" ><sup id=\"footnote_plugin_tooltip_65198_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_65198_1_1\" class=\"footnote_tooltip\">Cf. Israel Adler, \u00abLes chants synagogaux not\u00e9s au XIIe si\u00e8cle (ca 1102-1150) par Abdias le pros\u00e9lyte normand\u00bb, Revue de Musicologie, 51, 1965, pp. 19-51.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_65198_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_65198_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script> y algunas cantilaciones b\u00edblicas de los siglos XV y XVI<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_65198_1('footnote_plugin_reference_65198_1_2');\" onkeypress=\"footnote_moveToReference_65198_1('footnote_plugin_reference_65198_1_2');\" ><sup id=\"footnote_plugin_tooltip_65198_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_65198_1_2\" class=\"footnote_tooltip\">Estos incluyen cantilaciones b\u00edblicas se\u00f1aladas por humanistas cristianos ansiosos por estudiar los textos b\u00edblicos en su versi\u00f3n original. V\u00e9ase J. B\u00f6schenstein (Codex hebraicus, Munich, circa&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_65198_1('footnote_plugin_reference_65198_1_2');\">Lire la suite<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_65198_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_65198_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>.<\/p>\n<p>No fue hasta el siglo XVII que aparecieron las primeras notaciones musicales tocadas en el contexto de una comunidad jud\u00eda en Italia, \u00c1msterdam y el Condado Venesino. Y estas obras son decididamente modernas, ya que toman prestado el lenguaje musical de la \u00e9poca: \u00a1el barroco!<\/p>\n<ul>\n<li><a href=\"https:\/\/www.iemj.org\/es\/la-musique-juive-baroque\/\" target=\"_blank\" rel=\"noopener\">Lea el art\u00edculo sobre la m\u00fasica jud\u00eda barroca<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/es\/baroque-jewish-music\/\" target=\"_blank\" rel=\"noopener\">Escuche el programa de radio: M\u00fasica jud\u00eda barroca, presentado por Herv\u00e9 Roten<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/es\/the-hidden-sides-of-jewish-music-baroque-jewish-music\/\" target=\"_blank\" rel=\"noopener\">Escuche el programa de radio: Los rostros ocultos de la m\u00fasica jud\u00eda: m\u00fasica jud\u00eda barroca, presentado por H\u00e9l\u00e8ne Engel<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/es\/la-musique-juive-baroque-1\/\" target=\"_blank\" rel=\"noopener\">Escuche la lista de reproducci\u00f3n: m\u00fasica jud\u00eda barroca, parte 1<\/a><\/li>\n<\/ul>\n<p><!--more--><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-12712\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_4_baroque500px.jpg\" alt=\"doc_4_baroque500px.jpg\" width=\"500\" height=\"445\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_4_baroque500px.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_4_baroque500px-300x267.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110610\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/1_kaddish_rossi_extrait_-_ensemble_apollo.mp3\">Kaddish (Rossi) (EXTRAIT) &#8211; Ensemble Apollo<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/2_al_naharot_bavel_psaume_37_rossi_-_ensemble_texto.mp3\">Al naharot Bavel psaume 37 (Rossi) &#8211; Ensemble Texto<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/3chant_en_echo_pour_un_mariage_rossi_extrait_-_avner_itai.mp3\">Chant en echo pour un mariage (Rossi) (EXTRAIT) &#8211; Avner Itai<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/4_cantata_ebraica_in_dialogo_grossi_extrait_-_joel_cohen.mp3\">Cantata Ebraica in Dialogo (Grossi) &#8211; Jo\u00ebl Cohen<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/5_aria_allegra_casale_monferato_hoshaana_raba_extrait_.mp3\">H\u00f4sha&#8217;na Raba in Casale Monferrato (EXTRAIT)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/6_canticum_hebraicum_saladin_extrait_-_avner_itai_couper_vers_2_55.mp3\">Canticum hebraicum (Saladin) (EXTRAIT) &#8211; Avner Itai<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/7_leel_elim_caceres_-_ensemble_texto.mp3\">Leel elim (Caceres) &#8211; Ensemble Texto<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/8_hishki_hizki_caceres_-_ensemble_texto.mp3\">Hishki Hizki (Caceres) &#8211; Ensemble Texto<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/9_befi_yesharim_lidarti_-_ensemble_apollo.mp3\">Befi yesharim (Lidarti) &#8211; Ensemble Apollo<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/10_oratorio_ester_zed_yahir_lidarti_-_ensemble_texto.mp3\">Oratorio Ester_Zed Yahir (Lidarti) &#8211; Ensemble Texto<\/a><\/div>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_65198_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_65198_1();\">[<a id=\"footnote_reference_container_collapse_button_65198_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_65198_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_65198_1('footnote_plugin_tooltip_65198_1_1');\"><a id=\"footnote_plugin_reference_65198_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\">Cf. Israel Adler, \u00abLes chants synagogaux not\u00e9s au XIIe si\u00e8cle (ca 1102-1150) par Abdias le pros\u00e9lyte normand\u00bb, Revue de Musicologie, 51, 1965, pp. 19-51.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_65198_1('footnote_plugin_tooltip_65198_1_2');\"><a id=\"footnote_plugin_reference_65198_1_2\" class=\"footnote_backlink\">2<\/a><\/th> <td class=\"footnote_plugin_text\">Estos incluyen cantilaciones b\u00edblicas se\u00f1aladas por humanistas cristianos ansiosos por estudiar los textos b\u00edblicos en su versi\u00f3n original. V\u00e9ase J. B\u00f6schenstein (<em>Codex hebraicus<\/em>, Munich, circa 1500), Johannes Reuchlin (<em>De accentibus et orthographia linguae hebraicae<\/em>, Haguenau, 1518), o incluso Sebastian M\u00fcnster (<em>Institutiones grammaticae in hebream linguam<\/em>, Basilea, 1524). <\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_65198_1() { jQuery('#footnote_references_container_65198_1').show(); jQuery('#footnote_reference_container_collapse_button_65198_1').text('\u2212'); } function footnote_collapse_reference_container_65198_1() { jQuery('#footnote_references_container_65198_1').hide(); jQuery('#footnote_reference_container_collapse_button_65198_1').text('+'); } function footnote_expand_collapse_reference_container_65198_1() { if (jQuery('#footnote_references_container_65198_1').is(':hidden')) { footnote_expand_reference_container_65198_1(); } else { footnote_collapse_reference_container_65198_1(); } } function footnote_moveToReference_65198_1(p_str_TargetID) { footnote_expand_reference_container_65198_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_65198_1(p_str_TargetID) { footnote_expand_reference_container_65198_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>Escuche una nueva selecci\u00f3n de m\u00fasica barroca jud\u00eda con obras de Rossi, Grossi, Saladino, C\u00e1ceres y Lidarti<\/p>\n","protected":false},"author":1052,"featured_media":65199,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1535],"tags":[2092],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1890,1894],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-65198","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-listas-de-reproduccion-es","tag-italia-es","genre-liturgia-es","genre-musica-barroca-es"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>M\u00fasica jud\u00eda barroca 2 - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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