{"id":70616,"date":"2021-11-02T16:12:54","date_gmt":"2021-11-02T15:12:54","guid":{"rendered":"https:\/\/www.iemj.org\/soul-of-yiddish\/"},"modified":"2025-10-19T18:26:18","modified_gmt":"2025-10-19T16:26:18","slug":"soul-of-yiddish","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/soul-of-yiddish\/","title":{"rendered":"Soul of Yiddish"},"content":{"rendered":"<p>Navegando entre su amor por la m\u00fasica cl\u00e1sica y el repertorio popular de Europa del Este, donde tiene sus ra\u00edces, <strong>No\u00ebmi Waysfeld<\/strong> ha concebido un viaje musical que le permite conectar estas dos fuentes. <em>Soul of Yiddish<\/em>, publicado en marzo de 2021 por AWZ, nos adentra en la belleza melanc\u00f3lica de las canciones tradicionales en yiddish, mezcladas con composiciones originales sobre textos de la poeta <strong>Rivka Kope<\/strong> (1910-1995), as\u00ed como una versi\u00f3n de <em>A peine<\/em> in Yiddish de Barbara.<\/p>\n<p>No\u00ebmi Waysfeld ha cantado muchas veces sobre la ausencia y la p\u00e9rdida. Las canciones de los presos rusos en Siberia en <em>Kalyma<\/em> (2012), la melancol\u00eda del fado portugu\u00e9s en <em>Alfama<\/em> (2015) y la soledad de la p\u00e9rdida de un ser querido en <em>Zimlya<\/em> (2019).<\/p>\n<p>En <em>Soul of Yiddish<\/em>, su quinto \u00e1lbum, ya no se trata de un exilio sino de un viaje. No\u00ebmi Waysfeld ofrece un relato \u00edntimo y espiritual de un ser en busca de vuelo. Una exploraci\u00f3n de sus ra\u00edces, para la que se rode\u00f3 de la violinista Sarah Nemtanu, el guitarrista Kevin Seddiki y el contrabajista Antoine Rozenbaum.<\/p>\n<p>Como un cuentacuentos, la voz de No\u00ebmi Waysfeld es arenosa, velada, como el suave brillo de una vela. Y para terminar con esplendor, concluye el \u00e1lbum con una magn\u00edfica interpretaci\u00f3n del <em>Kol Nidrei,<\/em> la oraci\u00f3n que abre las celebraciones de Yom Kippur.<\/p>\n<p>Como nos recuerda la rabina Delphine Horvilleur en la introducci\u00f3n del folleto de <em>Soul of Yiddish<\/em>, la historia de la religi\u00f3n jud\u00eda ha privado a menudo a las mujeres de cantar las oraciones. Este <em>Kol Nidrei<\/em> puede verse como una patada en los pantalones: \u00abEsta liturgia de Yom Kippur afirma que nuestras palabras no son fiables ni cre\u00edbles. Las mujeres, a lo largo de la historia, han sido acusadas de ser poco fiables. Ahora es el momento de que resuenen otras palabras. Cuando se levanta la voz para dirigir la oraci\u00f3n o para revisarla, esta verdad \u00abdesnuda\u00bb aparece de repente.\u201d<\/p>\n<ul>\n<li>No\u00ebmi Waysfeld, canto<\/li>\n<li>Sarah Nemtanu, viol\u00f3n<\/li>\n<li>Antoine Rozenbaum, contrabajo<\/li>\n<li>K\u00e9vin Seddiki, guitarra, arreglos y composiciones<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.qobuz.com\/fr-fr\/album\/soul-of-yiddish-noemi-waysfeld\/j5r984oeb63va\">Comprar el \u00e1lbum<\/a><\/p>\n<p><em>Fuentes:<\/em><\/p>\n<ul>\n<li><a href=\"https:\/\/classiquemaispashasbeen.fr\/2021\/04\/19\/soul-of-yiddish-la-voix-intime\/\" target=\"_blank\" rel=\"noopener\">Classique mais pas has been<\/a><\/li>\n<li><a href=\"http:\/\/www.noemiwaysfeld.com\/?page_id=349\" target=\"_blank\" rel=\"noopener\">http:\/\/www.noemiwaysfeld.com\/?page_id=349<\/a><\/li>\n<\/ul>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-110610 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png\" alt=\"\" width=\"900\" height=\"117\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Navegando entre su amor por la m\u00fasica cl\u00e1sica y el repertorio popular de Europa del Este, donde tiene sus ra\u00edces, No\u00ebmi Waysfeld ha concebido un viaje musical que le permite<\/p>\n","protected":false},"author":5,"featured_media":70913,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1568,1565],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1863],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-70616","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-es","category-ultimas-adquisiciones-es","genre-yiddish-es"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Soul of Yiddish - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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