{"id":72269,"date":"2016-10-17T15:36:43","date_gmt":"2016-10-17T13:36:43","guid":{"rendered":"https:\/\/www.iemj.org\/musiques-hassidiques-3eme-partie\/"},"modified":"2025-05-27T12:56:55","modified_gmt":"2025-05-27T10:56:55","slug":"musiques-hassidiques-3eme-partie","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/musiques-hassidiques-3eme-partie\/","title":{"rendered":"M\u00fasicas jas\u00eddicas 3a parte"},"content":{"rendered":"<p><strong>La aparici\u00f3n del movimiento jas\u00eddico en Podolia en la segunda mitad del siglo XVIII fue acompa\u00f1ada por la creaci\u00f3n de un nuevo tipo de canci\u00f3n, a medio camino entre la m\u00fasica religiosa y la m\u00fasica popular. Aqu\u00ed os proponemos escuchar una selecci\u00f3n de estos cantos<\/strong><\/p>\n<p>En las canciones jas\u00eddicas predomina el tema mel\u00f3dico, a menudo acompa\u00f1ado de breves onomatopeyas como \u00abdoy doy doy\u00bb o \u00abya-ba-bam\u00bb, que suelen repetirse varias veces. Los movimientos corporales tambi\u00e9n pueden acompa\u00f1ar a los nigunim (lit. \u00abmelod\u00edas\u00bb).<\/p>\n<p><img decoding=\"async\" class=\" alignright  wp-image-11971\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/doc_2_hassidique_3.jpg\" alt=\"doc_2_hassidique_3.jpg\" width=\"159\" height=\"186\" align=\"right\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/doc_2_hassidique_3.jpg 359w, https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/doc_2_hassidique_3-256x300.jpg 256w\" sizes=\"(max-width: 159px) 100vw, 159px\" \/><\/p>\n<p>Seg\u00fan el Baal Shem Tov, no es s\u00f3lo el estudio de los textos sagrados lo que nos acerca a Dios, sino que tambi\u00e9n podemos saborear la esencia divina a trav\u00e9s del canto y la danza.<\/p>\n<p>Los nigunim se interpretan con un estilo vocal expresivo. Es en la kavanah (la intenci\u00f3n) donde reside la esencia del nigun, como atestigua un proverbio jas\u00eddico: \u00abel silencio vale m\u00e1s que la palabra, pero el canto vale m\u00e1s que el silencio\u00bb.<\/p>\n<p><span style=\"font-size: inherit;\"> <a href=\"https:\/\/www.iemj.org\/es\/musiques-hassidiques-1\/\" target=\"_blank\" rel=\"noopener\">Escuchar la lista de reproducci\u00f3n M\u00fasicas Jas\u00eddicas 1<\/a><br \/><a href=\"https:\/\/www.iemj.org\/es\/musiques-hassidiques-2eme-partie\/\" target=\"_blank\" rel=\"noopener\">Escuchar la lista de reproducci\u00f3n M\u00fasicas Jas\u00eddicas 2<\/a><br \/><\/span><\/p>\n<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-11973\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/doc_1_hassidique_3_500px.jpg\" alt=\"doc_1_hassidique_3_500px.jpg\" width=\"500\" height=\"157\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/doc_1_hassidique_3_500px.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/doc_1_hassidique_3_500px-300x94.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110610\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/hallu_hodu_-_ben_zion_shenker.mp3\">Hallu Hodu &#8211; Ben ZION SHENKER<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/hodu_lashem_-_sholosh_r_golim.mp3\">Hodu Lashem &#8211; Sholosh R&#8217;Golim<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/nigun_levavi_-_rabbi_shmuel_betsalel_althaus.mp3\">Nigun Levavi &#8211; Rabbi Shmuel BETSALEL ALTHAUS<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/rabbi_chaim_s_dance_-_giora_feidman.mp3\">Rabbi Chaim&#8217;s Dance &#8211; Giora FEIDMAN<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/samchenu_-_nira_rabinovitz.mp3\">Samchenu &#8211; Nira RABINOVITZ<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/sim_shalom_-_gali_atari.mp3\">Sim Shalom &#8211; Gali ATARI<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/sisu_v_simchu_-_sholosh_r_golim.mp3\">Sisu V&#8217;Simchu &#8211; Sholosh R&#8217;Golim<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/the_thre_ngers_-_vehaer_eyneuinu.mp3\">The Thre&#8217;ngers &#8211; Vehaer EYNEUINU<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2016\/10\/waltz_of_the_modzhitz_hassidim_-_hassidic_tunes_of_dancing_rejoicing.mp3\">Waltz of the Modzhitz Hassidim &#8211; Hassidic tunes of Dancing &amp; Rejoicing<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>La aparici\u00f3n del movimiento jas\u00eddico en Podolia en la segunda mitad del siglo XVIII fue acompa\u00f1ada por la creaci\u00f3n de un nuevo tipo de canci\u00f3n, a medio camino entre la<\/p>\n","protected":false},"author":1052,"featured_media":72270,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1535],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-72269","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-listas-de-reproduccion-es"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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