{"id":72512,"date":"2010-03-11T15:29:06","date_gmt":"2010-03-11T14:29:06","guid":{"rendered":"https:\/\/www.iemj.org\/reflexions-sur-la-thora-cantilee\/"},"modified":"2021-11-25T10:44:09","modified_gmt":"2021-11-25T09:44:09","slug":"reflexions-sur-la-thora-cantilee","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/reflexions-sur-la-thora-cantilee\/","title":{"rendered":"Reflexiones sobre la Tor\u00e1 cantada"},"content":{"rendered":"<p class=\"post_excerpt\"><strong>Jean-Philippe Amar es estudiante de doctorado en la Universidad de Par\u00eds IV Sorbona y prepara una tesis sobre la cantilaci\u00f3n de la Tor\u00e1 en las comunidades jud\u00edas parisinas.<\/strong><\/p>\n<p><!--more--><\/p>\n<p>La lectura de la Tor\u00e1, el Pentateuco, pr\u00e1ctica que se remontar\u00eda a Mois\u00e9s, se convirti\u00f3 a partir de Esdras el Escriba (siglo V a.C.) en el momento esencial del culto sinagogal. En el servicio semanal del s\u00e1bado por la ma\u00f1ana se canta una per\u00edcopa, siguiendo un ciclo anual de lectura que divide el texto en cincuenta y cuatro partes (parash\u00e1).<\/p>\n<p>Esta lectura cantada, a pesar de la variedad de los ritos de interpretaci\u00f3n, se basa en el mismo sistema de teamim, desarrollado por los massorets en Tiber\u00edades durante la Edad Media. Se trata de un conjunto de signos diacr\u00edticos que indican, no estrictamente, una forma de cantar las palabras y de dividir los versos. Cada taam propone una f\u00f3rmula mel\u00f3dica, poco precisa, que entonces deja al int\u00e9rprete un relativo margen de libertad, respetando el texto que debe transmitirse a los fieles.<\/p>\n<p>Este art\u00edculo es una reflexi\u00f3n sobre los principios de la cantilaci\u00f3n jud\u00eda a trav\u00e9s de las nociones de transmisi\u00f3n del mensaje divino, su interpretaci\u00f3n y, finalmente, la creaci\u00f3n de significado en un enfoque hermen\u00e9utico de la pr\u00e1ctica de la lectura ritual cantada.<\/p>\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/10\/reflexions_sur_la_thora_cantilee_jean-ph_amar.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">\u00abReflexiones sobre la Tor\u00e1 cantada, Jean-Philippe Amar <\/a><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/10\/reflexions_sur_la_thora_cantilee_jean-ph_amar.pdf\" class=\"wp-block-file__button\" download>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jean-Philippe Amar es estudiante de doctorado en la Universidad de Par\u00eds IV Sorbona y prepara una tesis sobre la cantilaci\u00f3n de la Tor\u00e1 en las comunidades jud\u00edas parisinas.<\/p>\n","protected":false},"author":1045,"featured_media":72513,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1408,1411],"tags":[],"technique":[],"squelettes":[],"sujet":[2094],"formation":[],"genre":[1890],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-72512","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos-de-fondo-es","category-musica-liturgica-es","sujet-acentos-biblicos-teamim-es","genre-liturgia-es"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Reflexiones sobre la Tor\u00e1 cantada - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, 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