{"id":72794,"date":"2018-04-25T14:48:27","date_gmt":"2018-04-25T12:48:27","guid":{"rendered":"https:\/\/www.iemj.org\/naftule-brandwein\/"},"modified":"2025-07-07T14:09:46","modified_gmt":"2025-07-07T12:09:46","slug":"naftule-brandwein","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/naftule-brandwein\/","title":{"rendered":"Naftule Brandwein"},"content":{"rendered":"<p><strong>La m\u00fasica del clarinetista Naftule Brandwein<\/strong><\/p>\n<p>Tambi\u00e9n conocido como Naphtule o Naftuly, <a href=\"https:\/\/www.iemj.org\/es\/brandwein-naftule-1889-1963\/\">Naftule Brandwein<\/a> fue un clarinetista jud\u00edo polaco de m\u00fasica klezmer.<\/p>\n<p>Era conocido, no s\u00f3lo por su virtuosismo con el clarinete, sino tambi\u00e9n por su vida impetuosa y sin l\u00edmites. Hizo extravagantes apariciones en el escenario, como llevar un cartel de ne\u00f3n en el que se le\u00eda \u00abLa Orquesta de Naftule Brandwein\u00bb, o vestirse como el T\u00edo Sam con luces de Navidad, lo que estuvo a punto de electrocutarlo.<\/p>\n<p>Muchas de las composiciones de Brandwein se han convertido en est\u00e1ndares y en una fuente de inspiraci\u00f3n en el mundo de la m\u00fasica klezmer. Desde el renacimiento del klezmer durante los a\u00f1os 70, la nueva generaci\u00f3n de klezmorim ha recuperado las obras de Naftule Brandwein.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-19454 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/04\/doc_2_natfule_500px-285x300.jpg\" alt=\"doc_2_natfule_500px.jpg\" width=\"317\" height=\"334\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/04\/doc_2_natfule_500px-285x300.jpg 285w, https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/04\/doc_2_natfule_500px.jpg 309w\" sizes=\"(max-width: 317px) 100vw, 317px\" \/><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110610\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/04\/terkishe_yale_v_yove_tants_-_kapelye.mp3\">Terkishe Yale V\u2019yove Tants &#8211; Kapelye<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/04\/chassidic_dance_extrait_-_nano_peylet_denis_cuniot.mp3\">Chassidic Dance (EXTRAIT) &#8211; Nano Peylet &amp; Denis Cuniot<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/04\/fihren_di_makhetonim_aheim_-_andy_statman.mp3\">Fihren di Makhetonim aheim &#8211; Andy Statman<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/04\/heiser_bulgar_extrait_-_naftule_brandwein.mp3\">Heiser Bulgar (EXTRAIT) &#8211; Naftule Brandwein<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/04\/kalarash_-_naftule_brandwein.mp3\">Kalarash &#8211; Naftule Brandwein<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/04\/naphtaly_s_freilachs_extrait_-_groupe_adama.mp3\">Naphtaly\u2019s Freilachs (EXTRAIT) &#8211; Groupe Adama<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/04\/oy_tate_s_iz_gut_-_naftule_brandwein.mp3\">Oy Tate s\u2019iz Gut &#8211; Naftule Brandwein<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/04\/vi_bist_du_geveyzn_far_prohibition_-_kapelye.mp3\">Vi Bist du Geveyzn far Prohibition &#8211;  Kapelye<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>La m\u00fasica del clarinetista Naftule Brandwein Tambi\u00e9n conocido como Naphtule o Naftuly, Naftule Brandwein fue un clarinetista jud\u00edo polaco de m\u00fasica klezmer. Era conocido, no s\u00f3lo por su virtuosismo con<\/p>\n","protected":false},"author":1052,"featured_media":72795,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1535],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1876],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-72794","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-listas-de-reproduccion-es","genre-klezmer-es"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Naftule Brandwein - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/es\/naftule-brandwein\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Naftule Brandwein - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"La m\u00fasica del clarinetista Naftule Brandwein Tambi\u00e9n conocido como Naphtule o Naftuly, Naftule Brandwein fue un clarinetista jud\u00edo polaco de m\u00fasica klezmer. Era conocido, no s\u00f3lo por su virtuosismo con\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/es\/naftule-brandwein\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-04-25T12:48:27+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-07-07T12:09:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/04\/arton3375.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"470\" \/>\n\t<meta property=\"og:image:height\" content=\"483\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Lea Couderc\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lea Couderc\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/naftule-brandwein\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/naftule-brandwein\\\/\"},\"author\":{\"name\":\"Lea Couderc\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#\\\/schema\\\/person\\\/e2ad57f2c4be119c7ed8ab79036807a9\"},\"headline\":\"Naftule Brandwein\",\"datePublished\":\"2018-04-25T12:48:27+00:00\",\"dateModified\":\"2025-07-07T12:09:46+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/naftule-brandwein\\\/\"},\"wordCount\":197,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/naftule-brandwein\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/arton3375.jpg\",\"articleSection\":[\"Listas de reproducci\u00f3n\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/naftule-brandwein\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/naftule-brandwein\\\/\",\"name\":\"Naftule Brandwein - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/naftule-brandwein\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/naftule-brandwein\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/arton3375.jpg\",\"datePublished\":\"2018-04-25T12:48:27+00:00\",\"dateModified\":\"2025-07-07T12:09:46+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/naftule-brandwein\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/es\\\/naftule-brandwein\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/naftule-brandwein\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/arton3375.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/arton3375.jpg\",\"width\":470,\"height\":483},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/naftule-brandwein\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Naftule Brandwein\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#\\\/schema\\\/person\\\/e2ad57f2c4be119c7ed8ab79036807a9\",\"name\":\"Lea Couderc\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g\",\"caption\":\"Lea Couderc\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Naftule Brandwein - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/es\/naftule-brandwein\/","og_locale":"es_ES","og_type":"article","og_title":"Naftule Brandwein - Institut Europ\u00e9en des Musiques Juives","og_description":"La m\u00fasica del clarinetista Naftule Brandwein Tambi\u00e9n conocido como Naphtule o Naftuly, Naftule Brandwein fue un clarinetista jud\u00edo polaco de m\u00fasica klezmer. Era conocido, no s\u00f3lo por su virtuosismo con","og_url":"https:\/\/www.iemj.org\/es\/naftule-brandwein\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2018-04-25T12:48:27+00:00","article_modified_time":"2025-07-07T12:09:46+00:00","og_image":[{"width":470,"height":483,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/04\/arton3375.jpg","type":"image\/jpeg"}],"author":"Lea Couderc","twitter_card":"summary_large_image","twitter_misc":{"Escrito por":"Lea Couderc","Tiempo de lectura":"2 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/es\/naftule-brandwein\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/es\/naftule-brandwein\/"},"author":{"name":"Lea Couderc","@id":"https:\/\/www.iemj.org\/es\/#\/schema\/person\/e2ad57f2c4be119c7ed8ab79036807a9"},"headline":"Naftule Brandwein","datePublished":"2018-04-25T12:48:27+00:00","dateModified":"2025-07-07T12:09:46+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/es\/naftule-brandwein\/"},"wordCount":197,"publisher":{"@id":"https:\/\/www.iemj.org\/es\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/es\/naftule-brandwein\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/04\/arton3375.jpg","articleSection":["Listas de reproducci\u00f3n"],"inLanguage":"es"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/es\/naftule-brandwein\/","url":"https:\/\/www.iemj.org\/es\/naftule-brandwein\/","name":"Naftule Brandwein - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/es\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/es\/naftule-brandwein\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/es\/naftule-brandwein\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/04\/arton3375.jpg","datePublished":"2018-04-25T12:48:27+00:00","dateModified":"2025-07-07T12:09:46+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/es\/naftule-brandwein\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/es\/naftule-brandwein\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/www.iemj.org\/es\/naftule-brandwein\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/04\/arton3375.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/04\/arton3375.jpg","width":470,"height":483},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/es\/naftule-brandwein\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/es\/"},{"@type":"ListItem","position":2,"name":"Naftule Brandwein"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/es\/#website","url":"https:\/\/www.iemj.org\/es\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/es\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/es\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/www.iemj.org\/es\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/es\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/es\/#\/schema\/person\/e2ad57f2c4be119c7ed8ab79036807a9","name":"Lea Couderc","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/46ee021475d60aeff17a7e490b79dea5a5684bb392ab7fd1494027411df8ba23?s=96&d=mm&r=g","caption":"Lea Couderc"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/posts\/72794","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/users\/1052"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/comments?post=72794"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/posts\/72794\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/media\/72795"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/media?parent=72794"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/categories?post=72794"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/tags?post=72794"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/technique?post=72794"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/squelettes?post=72794"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/sujet?post=72794"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/formation?post=72794"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/genre?post=72794"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/fonds?post=72794"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/tradition?post=72794"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/type-de-contenu?post=72794"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/interprete-compositeur?post=72794"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/frise?post=72794"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/type-devenement?post=72794"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/tableaux-liens-externes?post=72794"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}