{"id":73366,"date":"2016-10-25T16:45:47","date_gmt":"2016-10-25T14:45:47","guid":{"rendered":"https:\/\/www.iemj.org\/musiques-des-theatres-et-cabarets-yiddish-2eme-partie\/"},"modified":"2025-06-19T12:07:23","modified_gmt":"2025-06-19T10:07:23","slug":"musiques-des-theatres-et-cabarets-yiddish-2eme-partie","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/musiques-des-theatres-et-cabarets-yiddish-2eme-partie\/","title":{"rendered":"M\u00daSICA DE LOS TEATROS Y CABAR\u00c9S YIDDISH 2a PARTE"},"content":{"rendered":"

Una segunda mirada a las numerosas actividades culturales y musicales en yiddish en Par\u00eds desde principios del siglo XIX<\/strong><\/p>\n

<\/p>\n

Entre estas actividades se encontraban los teatros yiddish, como el Th\u00e9\u00e2tre de la R\u00e9publique, tambi\u00e9n conocido como Th\u00e9\u00e2tre Lancry, el Th\u00e9\u00e2tre de l’Entrep\u00f4t, y cabar\u00e9s como La Riviera de Bernard Potock y Dave Cash, Cabaret Dancing de Sigmunt Berland y Cabaret Yiddish de Dave Cash…<\/p>\n

Durante varias d\u00e9cadas, los caf\u00e9s, teatros y cabar\u00e9s, a menudo de corta duraci\u00f3n, emplearon a actores, cantantes e instrumentistas que atra\u00edan a una clientela predominantemente de habla yiddish. Hab\u00eda teatros en yiddish, como el Th\u00e9\u00e2tre de la R\u00e9publique, tambi\u00e9n llamado Th\u00e9\u00e2tre Lancry, y el Th\u00e9\u00e2tre de l’Entrep\u00f4t, as\u00ed como cabar\u00e9s como La Riviera de Bernard Potock y Dave Cash, Cabaret Dancing de Sigmunt Berland y Cabaret Yiddish de Dave Cash…<\/p>\n

Los cantantes interpretaron canciones populares y parodias. A menudo iban de mesa en mesa y animaban al p\u00fablico a re\u00edr, cantar y bailar, difundiendo el esp\u00edritu de la canci\u00f3n \u00eddish.<\/p>\n

Escuchar la lista de reproducci\u00f3n M\u00fasica de los teatros y cabar\u00e9s yiddish 1a parte<\/a>
Escuchar la emisi\u00f3n de radio: Les cabarets yiddish \u00e0 Paris, de 1948 \u00e0 1970 [Los cabar\u00e9 yiddish en Par\u00eds, de 1948 a 1970]<\/a>
Pedir el estuche de Musiques juives dans le Paris d\u2019apr\u00e8s-guerre \u2013 Elesdisc 1948-1953 [M\u00fasicas jud\u00edas en el Par\u00eds de posguerra\u2013 Elesdisc 1948-1953]<\/a><\/p>\n

\"doc_1_musique_cabaret_2_500px.jpg\"<\/p>\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

<\/h2>\n\n\n\n
Al Capone – Jacques GROBER<\/a><\/div>\n\n\n\n
Bublitchke – Mary SORIANO<\/a><\/div>\n\n\n\n
Der kinderisher sechel – Mary SORIANO<\/a><\/div>\n\n\n\n
Hei! Hei! Caramba – Dave CASH<\/a><\/div>\n\n\n\n
Kleyn Melamedl – Th\u00e9odore BIKEL<\/a><\/div>\n\n\n\n
Lomir zingen un tanzen – TALILA<\/a><\/div>\n\n\n\n
Yosel Ber – Bernard POTOCK<\/a><\/div>\n\n\n\n
Der Yiddischer Boogie-Woogie – Dave CASH<\/a><\/div>\n\n\n\n
Sha, Shtil – Dany DELMIN<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Una segunda mirada a las numerosas actividades culturales y musicales en yiddish en Par\u00eds desde principios del siglo XIX<\/p>\n","protected":false},"author":1052,"featured_media":73367,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1535],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-73366","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-listas-de-reproduccion-es"],"acf":[],"yoast_head":"\nM\u00daSICA DE LOS TEATROS Y CABAR\u00c9S YIDDISH 2a PARTE - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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