{"id":82184,"date":"2020-03-11T17:44:03","date_gmt":"2020-03-11T16:44:03","guid":{"rendered":"https:\/\/www.iemj.org\/beregovski-moisei-iakovlevich-1892-1961\/"},"modified":"2022-04-13T16:48:24","modified_gmt":"2022-04-13T14:48:24","slug":"beregovski-moisei-iakovlevich-1892-1961","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/beregovski-moisei-iakovlevich-1892-1961\/","title":{"rendered":"Beregovski, Moisei Iakovlevich (1892\u20131961)"},"content":{"rendered":"

Nacido en Ucrania en 1892, Moisei Beregovski estuvo inmerso en la m\u00fasica lit\u00fargica desde muy joven, ya que su padre era profesor en la escuela de m\u00fasica jud\u00eda de Kiev y ba’al kore (encargado del cantilado b\u00edblico de la Tor\u00e1) en la sinagoga.<\/strong><\/p>\n

En 1905, a los 13 a\u00f1os, Moisei fue a Kiev para estudiar teor\u00eda musical y violonchelo. Entre 1915 y 1920 empez\u00f3 a estudiar composici\u00f3n en el Conservatorio de Kiev con Boleslav Yavorski<\/strong>, y a partir del 1922 con Maksimilyan Steynberg<\/strong>. Al mismo tiempo, ense\u00f1\u00f3 m\u00fasica en varias escuelas jud\u00edas entre 1916 y 1922, y dirigi\u00f3 el coro de la Sociedad Musical Jud\u00eda de Kiev.<\/p>\n

\"beregovski.jpg\"En 1917 fue contratado para analizar y clasificar las grabaciones sonoras de la segunda expedici\u00f3n etnogr\u00e1fica de Shalom An-ski. En 1919 fund\u00f3 y dirigi\u00f3 la rama musical de la Jewish Kultur-Lige<\/em> (un conjunto de organizaciones culturales y sociales para la promoci\u00f3n de la cultura \u00eddish) en Kiev, hasta su cierre en 1921.<\/p>\n

Seg\u00fan la Enciclopedia Judaica y la p\u00e1gina web de YIVO<\/a>, Beregovski dirigi\u00f3 el gabinete de m\u00fasica folcl\u00f3rica jud\u00eda en la secci\u00f3n etnogr\u00e1fica del Instituto de Cultura Jud\u00eda Proletaria de Kiev entre 1930 y 1948. Sin embargo, esta afirmaci\u00f3n es cuestionada por el music\u00f3logo Joachim Braun<\/strong> en su libro Jews and Jewish Elements in Soviet Music<\/em> (1978). Refiri\u00e9ndose a un manuscrito autobiogr\u00e1fico de Beregovski, Braun afirma que Beregovski hubiera dirigido la pr\u00e1ctica de la m\u00fasica folcl\u00f3rica jud\u00eda hasta 1936, para trabajar luego en el departamento de m\u00fasica folcl\u00f3rica del Conservatorio de Kiev, antes de convertirse en jefe de la divisi\u00f3n de m\u00fasica folcl\u00f3rica del Departamento de Cultura Jud\u00eda de la Academia de Ciencias de Ucrania de 1941 a 1949.<\/p>\n

\"capture_d_ecran_25_.jpg\"
Presidium del Instituto de Cultura Jud\u00eda Proletaria, Kiev, 1934. Moisei Beregovski est\u00e1 en el fondo, la cuarta persona desde la izquierda. (YIVO)<\/strong><\/figcaption><\/figure>\n

\"p_1235_003_280px_vertic.jpg\"<\/p>\n

En cualquier caso, en 1946, Beregovski contaba con una colecci\u00f3n de casi 7.000 documentos etnogr\u00e1ficos, entre los que se encontraban manuscritos y grabaciones realizadas por la Kultur-Lige, An-ski<\/strong>, Engel<\/strong> y Kisselgof<\/strong>, as\u00ed como sus propias grabaciones de campo (habr\u00e1 recopilado m\u00e1s de 2.000 grabaciones en 700 cilindros de cera durante sus expediciones a Kiev, Odessa, Nikolaev, Dnepropetrovsk, Zaporozh’e y Vinnitsa, as\u00ed como en Galicia).<\/p>\n

En 1949, el departamento de cultura jud\u00eda fue cerrado, Beregovski fue detenido y enviado a Tayshet, el centro administrativo del Gulag, donde permaneci\u00f3 desde 1951 hasta 1955.<\/p>\n

En 1956 se \u00abrehabilit\u00f3\u00bb y regres\u00f3 a Kiev, donde muri\u00f3 el 12 de agosto de 1961.<\/p>\n

Entre los a\u00f1os 30 y 50, Beregovski se dedic\u00f3 a publicar una antolog\u00eda de m\u00fasica folcl\u00f3rica jud\u00eda en cinco vol\u00famenes, basada en sus grabaciones de campo.<\/p>\n

\"p_1235_002_500_px.jpg\"El primer volumen, Cantos de los obreros y revolucionarios jud\u00edos<\/em>, se public\u00f3 en 1934; el segundo volumen, Cantos populares jud\u00edos<\/em>, se complet\u00f3 en 1938 pero nunca se public\u00f3. (Los restos de esta colecci\u00f3n se encontraron en el YIVO de Nueva York en 1981). Este volumen incluye una larga introducci\u00f3n de Beregovski, en la que afirma, entre otras cosas, que \u00abno existe una \u00fanica m\u00fasica folcl\u00f3rica jud\u00eda uniforme en t\u00e9rminos de contenido, tema o expresi\u00f3n\u00bb; El tercer volumen, M\u00fasica folcl\u00f3rica jud\u00eda instrumental<\/em>, fue publicado por primera vez en versi\u00f3n ligera en 1987 por Max Goldin, y reeditado en ingl\u00e9s en 2001 por Max Slobin; el cuarto volumen se refiere a las melod\u00edas jud\u00edas sin letra, o niggunim [1999]; el quinto volumen trata de las representaciones teatrales jud\u00edas y los pourim-shpils [versi\u00f3n incompleta, 2001].<\/p>\n

A diferencia de las teor\u00edas de Abraham Zvi Idelsohn<\/strong> y L\u00e1zaro Saminsky<\/strong>, que buscaban una m\u00fasica jud\u00eda original, Beregovski apoya la idea de que los \u00abelementos prestados\u00bb de las culturas de la di\u00e1spora circundante se transforman y se incorporan al folclore jud\u00edo por s\u00ed mismos, y no en su detrimento. Seg\u00fan \u00e9l, la incorporaci\u00f3n de \u00abelementos prestados\u00bb no debe considerarse como adiciones ajenas y ex\u00f3genas, sino m\u00e1s como una evoluci\u00f3n natural que atestigua la adaptabilidad y el desarrollo de la m\u00fasica jud\u00eda.<\/p>\n

Las aportaciones de Beregovski son, a d\u00eda de hoy, un paso imprescindible para cualquier investigaci\u00f3n sobre las tradiciones musicales de Europa del Este.<\/p>\n

Fuentes:
YIVO<\/a>
JMRC<\/a>
Yiddish Lexicon<\/a><\/em><\/p>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Nacido en Ucrania en 1892, Moisei Beregovski estuvo inmerso en la m\u00fasica lit\u00fargica desde muy joven, ya que su padre era profesor en la escuela de m\u00fasica jud\u00eda de Kiev<\/p>\n","protected":false},"author":1048,"featured_media":51433,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"categories":[1417],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-82184","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biografias-es"],"acf":[],"yoast_head":"\nBeregovski, 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