{"id":85207,"date":"2022-05-24T16:07:56","date_gmt":"2022-05-24T14:07:56","guid":{"rendered":"https:\/\/www.iemj.org\/fonds-peyrotte\/"},"modified":"2022-05-31T10:18:34","modified_gmt":"2022-05-31T08:18:34","slug":"fonds-peyrotte","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/fonds-peyrotte\/","title":{"rendered":"Fondo Peyrotte"},"content":{"rendered":"<p><strong>Llegado misteriosamente por correo el 24 de enero de 2022, esta colecci\u00f3n de 42 partituras manuscritas de los a\u00f1os 1920 procedente de la antigua URSS, es \u00fanica en su g\u00e9nero<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><!--more--><\/p>\n<p>Estas partituras, escritas por la mano de un copista ruso (como lo demuestra el uso del cir\u00edlico en distintos t\u00edtulos de piezas), contienen principalmente canciones folcl\u00f3ricas en yiddish, compuestas entre otros por Joel Engel o Moshe Milner (<em>Main harz tsugeiht in mir, A dudke\u2026<\/em>) y cantos hebreos (<em>Ani hadal, Modeh ani\u2026<\/em>). Tambi\u00e9n encontramos un arreglo original del himno sionista <em>Hatikva<\/em>, firmado por Alberto Hemsi en persona indicando el lugar y la fecha de composici\u00f3n: Esmirna, 1919.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-84765 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/1.Main-harz-tsugeiht-in-mir-300x148.jpg\" alt=\"\" width=\"768\" height=\"379\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/1.Main-harz-tsugeiht-in-mir-300x148.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/1.Main-harz-tsugeiht-in-mir-600x296.jpg 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/1.Main-harz-tsugeiht-in-mir.jpg 710w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/p>\n<p><img decoding=\"async\" class=\"wp-image-84639 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/signature-J.-Engel-300x120.jpg\" alt=\"\" width=\"758\" height=\"303\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/signature-J.-Engel-300x120.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/signature-J.-Engel-600x240.jpg 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/signature-J.-Engel.jpg 626w\" sizes=\"(max-width: 758px) 100vw, 758px\" \/><\/p>\n<p class=\"Standard\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\" style=\"color: #171717;\">M\u00e1s all\u00e1 de la calidad excepcional de estas partituras que perduraron durante el siglo 20 y que viajaron miles de kil\u00f3metros antes de llegar al Institut Europ\u00e9en des Musiques Juives, fue la manera cuyos documentos nos fueron entregados que nos sorprendi\u00f3 m\u00e1s. En efecto, un d\u00eda de \u00e9stos hemos descubierto, abriendo nuestro buz\u00f3n, un cart\u00f3n que conten\u00eda decenas de p\u00e1ginas de partituras manuscritas. Escritas en caracteres latinos y en cir\u00edlico, hemos observado que se trataba en gran medida de canciones yiddish. En muchas p\u00e1ginas, un nombre que suena eslavo aparec\u00eda regularmente. Pero al mismo tiempo, no hab\u00eda nada, ni papel ni un mensaje deseando buena recepci\u00f3n, o explic\u00e1ndonos de d\u00f3nde vienen las partituras. S\u00f3lo aparec\u00edan una inicial, un nombre y la direcci\u00f3n del emisor. As\u00ed que pusimos nuestro gorro de detective, salimos la lupa y la pipa, y empezamos nuestra investigaci\u00f3n. \u00bfDe d\u00f3nde ven\u00edan estas partituras?<\/span><\/p>\n<p><img decoding=\"async\" class=\"alignnone  wp-image-84651\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/editeur-300x31.jpg\" alt=\"\" width=\"648\" height=\"67\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/editeur-300x31.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/editeur-600x62.jpg 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/editeur.jpg 750w\" sizes=\"(max-width: 648px) 100vw, 648px\" \/><\/p>\n<p class=\"Standard\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\" style=\"color: #171717;\">Tenemos la suerte de estar conectado hoy en d\u00eda con el mundo entero, y gracias a las redes sociales, pudimos encontrar nuestro misterioso emisor. Un tal Bernard Peyrotte, responsable de la librer\u00eda musical Arioso situada calle de Roma en Par\u00eds. Cuando orden\u00f3 su s\u00f3tano, lleno de partituras, encontr\u00f3 un cart\u00f3n conteniendo nuestros hermosos manuscritos. Dotado de sentido com\u00fan y conociendo el Institut Europ\u00e9en des Musiques Juives, nos envi\u00f3 los documentos, sabiendo que era sin duda el mejor lugar para conservarlos y hacerlos accesibles.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-84656 alignright\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/date-lieu-hebreu-300x286.jpg\" alt=\"\" width=\"300\" height=\"286\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/date-lieu-hebreu-300x286.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/date-lieu-hebreu-600x572.jpg 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/date-lieu-hebreu.jpg 626w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Contactado por tel\u00e9fono, nos cont\u00f3 que por desgracia no sab\u00eda nada de estas partituras y que una persona se las hab\u00eda dado hace 10 o 20 a\u00f1os.<\/p>\n<p>As\u00ed que sigui\u00f3 la investigaci\u00f3n\u2026<\/p>\n<p>Gracias a las redes sociales, pudimos hablar con los mejores conocedores del folclore jud\u00edo, y asquenaz\u00ed en particular, de los Estados Unidos. Despu\u00e9s de numerosos intercambios y env\u00edos de fragmentos de partituras, pudimos deducir que la mayor parte de las partituras eran obras no aut\u00f3grafas de Jo\u00ebl Engel, llamado tambi\u00e9n \u00abel verdadero padre fundador del renacimiento moderno de la m\u00fasica jud\u00eda\u00bb.<\/p>\n<p class=\"Textbody\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\" style=\"color: #171717;\">La investigaci\u00f3n est\u00e1 muy avanzada, pero no terminada. En efecto, muchas preguntas quedan sin resolver hasta ahora. \u00bfQui\u00e9n transcribi\u00f3 estas partituras? Datan sin duda de la \u00e9poca de Jo\u00ebl Engel, pero la escritura no parece suya. \u00bfQuiz\u00e1s era uno de sus amigos o colegas, un admirador o m\u00fasico? \u00bfY c\u00f3mo llegaron a Par\u00eds? \u00bfQui\u00e9n las deposit\u00f3 en esa biblioteca de m\u00fasica? \u00bfEl misterio permanece intacto. Pero por ahora, estas partituras est\u00e1n a salvo, digitalizadas, ordenadas y accesibles en nuestro cat\u00e1logo en l\u00ednea.<\/span><\/p>\n<p><a href=\"http:\/\/www.rachelnet.net\/F\/?func=find-c&amp;ccl_term=WHOL+%3D+Peyrotte&amp;local_base=iemcg\" target=\"_blank\" rel=\"noopener\">Acceder al fondo Peyrotte<\/a><\/p>\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"467\" data-id=\"84809\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_006-2.jpg\" alt=\"\" class=\"wp-image-84809\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_006-2.jpg 350w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_006-2-225x300.jpg 225w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"269\" height=\"360\" data-id=\"84808\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_010-2.jpg\" alt=\"\" class=\"wp-image-84808\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_010-2.jpg 269w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_010-2-224x300.jpg 224w\" sizes=\"(max-width: 269px) 100vw, 269px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"476\" data-id=\"84806\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_018-2.jpg\" alt=\"\" class=\"wp-image-84806\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_018-2.jpg 350w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_018-2-221x300.jpg 221w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"542\" data-id=\"84817\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_022-2.jpg\" alt=\"\" class=\"wp-image-84817\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_022-2.jpg 350w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_022-2-194x300.jpg 194w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"450\" data-id=\"84818\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_024-2.jpg\" alt=\"\" class=\"wp-image-84818\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_024-2.jpg 350w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_024-2-233x300.jpg 233w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"350\" height=\"472\" data-id=\"84823\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_041-2.jpg\" alt=\"\" class=\"wp-image-84823\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_041-2.jpg 350w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/P_peyrotte_041-2-222x300.jpg 222w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"577\" height=\"350\" data-id=\"84843\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/heb-yid-shlonsky-1.jpg\" alt=\"\" class=\"wp-image-84843\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/heb-yid-shlonsky-1.jpg 577w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/heb-yid-shlonsky-1-300x182.jpg 300w\" sizes=\"(max-width: 577px) 100vw, 577px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"870\" height=\"250\" data-id=\"84841\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/joel-heb-1.jpg\" alt=\"\" class=\"wp-image-84841\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/joel-heb-1.jpg 870w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/joel-heb-1-300x86.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/joel-heb-1-768x221.jpg 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/joel-heb-1-600x172.jpg 600w\" sizes=\"(max-width: 870px) 100vw, 870px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"631\" height=\"350\" data-id=\"84858\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/orientale-1.jpg\" alt=\"\" class=\"wp-image-84858\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/orientale-1.jpg 631w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/orientale-1-300x166.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/orientale-1-600x333.jpg 600w\" sizes=\"(max-width: 631px) 100vw, 631px\" \/><\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"774\" height=\"203\" data-id=\"84863\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-signature.jpg\" alt=\"\" class=\"wp-image-84863\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-signature.jpg 774w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-signature-300x79.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-signature-768x201.jpg 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-signature-600x157.jpg 600w\" sizes=\"(max-width: 774px) 100vw, 774px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"483\" height=\"152\" data-id=\"84864\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-1-1.jpg\" alt=\"\" class=\"wp-image-84864\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-1-1.jpg 483w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-1-1-300x94.jpg 300w\" sizes=\"(max-width: 483px) 100vw, 483px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"607\" height=\"330\" data-id=\"84862\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-2-1.jpg\" alt=\"\" class=\"wp-image-84862\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-2-1.jpg 607w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-2-1-300x163.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-2-1-600x326.jpg 600w\" sizes=\"(max-width: 607px) 100vw, 607px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"720\" height=\"356\" data-id=\"84872\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-3.jpg\" alt=\"\" class=\"wp-image-84872\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-3.jpg 720w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-3-300x148.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-3-600x297.jpg 600w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"859\" height=\"362\" data-id=\"84860\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-4.jpg\" alt=\"\" class=\"wp-image-84860\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-4.jpg 859w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-4-300x126.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-4-768x324.jpg 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-4-600x253.jpg 600w\" sizes=\"(max-width: 859px) 100vw, 859px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"956\" height=\"271\" data-id=\"84873\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-5.jpg\" alt=\"\" class=\"wp-image-84873\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-5.jpg 956w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-5-300x85.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-5-768x218.jpg 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-5-600x170.jpg 600w\" sizes=\"(max-width: 956px) 100vw, 956px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"958\" height=\"326\" data-id=\"84878\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-6.jpg\" alt=\"\" class=\"wp-image-84878\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-6.jpg 958w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-6-300x102.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-6-768x261.jpg 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/05\/titre-auteur-6-600x204.jpg 600w\" sizes=\"(max-width: 958px) 100vw, 958px\" \/><\/figure>\n<\/figure>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Llegado misteriosamente por correo el 24 de enero de 2022, esta colecci\u00f3n de 42 partituras manuscritas de los a\u00f1os 1920 procedente de la antigua URSS, es \u00fanica en su g\u00e9nero<\/p>\n","protected":false},"author":5,"featured_media":84646,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1587],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-85207","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fondos-principales-es"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Fondo Peyrotte - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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