{"id":87677,"date":"2016-06-28T15:54:21","date_gmt":"2016-06-28T13:54:21","guid":{"rendered":"https:\/\/www.iemj.org\/cuniot-denis-1953\/"},"modified":"2022-09-21T15:32:56","modified_gmt":"2022-09-21T13:32:56","slug":"cuniot-denis-1953","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/cuniot-denis-1953\/","title":{"rendered":"Cuniot, Denis (1953)"},"content":{"rendered":"<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">Despu\u00e9s de adquirir una formaci\u00f3n cl\u00e1sica s\u00f3lida, Denis Cuniot sigui\u00f3 una carrera como profesor de m\u00fasica y luego como director de conservatorio, y como pianista en el \u00e1mbito del jazz y de las m\u00fasicas improvisadas.<\/span><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">A partir de 1983, despu\u00e9s de su encuentro amistoso y musical con <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Nano_Peylet\" target=\"_blank\" rel=\"noopener\"><b>Nano Peylet<\/b><\/a> (clarinetista del grupo <b>Bratsh<\/b>), se convirti\u00f3 en uno de los principales fundadores de la renovaci\u00f3n y del reconocimiento de la m\u00fasica Klezmer en Francia.<\/span><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">En efecto, fue gracias a ese encuentro con las melod\u00edas del Free Jazz, que Denis Cuniot pens\u00f3 en la revelaci\u00f3n del klezmer.<\/span><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">El yidis es la lengua materna de su madre, <b>Bluma M\u00e9l\u00e9lat<\/b>, nacida en Varsovia en 1929, pero no le transmiti\u00f3 para que pueda integrarse, y para distanciarse de todos sus dolores, en particular el de haber sido hija ileg\u00edtima y el de la desaparici\u00f3n de la mayor parte de su familia. Se admite cuestionarse sobre la falta de transmisi\u00f3n de la lengua materna en el deseo de Denis Cuniot de dirigirse hacia la m\u00fasica klezmer (\u201cKli-Zemer\u201d, literalmente \u201cinstrumento de canto, de la voz\u201d) a fin de compensar esa carencia. Una m\u00fasica mostrando yidis sin enunciarlo.<\/span><\/p>\n<h4><b><span lang=\"ES\">Principales contribuciones a la m\u00fasica klezmer y a la cultura musical yidis<\/span><\/b><\/h4>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">En 1984, fund\u00f3 con Nano el espect\u00e1culo musical <i>Notes de voyages, Voyages de notes<\/i>, basado en un cuento de <b>Chelm<\/b>: <i>Quand Shlemiel s&#8217;en fut \u00e0 Varsovie<\/i>, tambi\u00e9n conocido bajo el t\u00edtulo <i>Gueitzel le curieux<\/i>. Gracias a ese cuento, descubri\u00f3 el genio de la literatura en yidis y se acerc\u00f3 a diferentes profesores de yidis para obtener una traducci\u00f3n al franc\u00e9s.<\/span><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">Despu\u00e9s de haber grabado tres \u00e1lbumes, en el marco del d\u00fao Peylet-Cuniot: <i>Musique des Klezmorim et de leurs descendants<\/i>, <i>Musique Klezmer d&#8217;hier et de demain<\/i> y <i>L&#8217;Amour des Niguns<\/i>, Denis Cuniot tambi\u00e9n particip\u00f3 en la grabaci\u00f3n del disco: <i>Nano Peylet and friends<\/i>, en 1993, reuniendo diferentes d\u00faos en torno a Nano Peylet.<\/span><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">En 1995,<b> Denis Cuniot <\/b>fund\u00f3 con <b>Philippe Briegh<\/b> el grupo <b>L&#8217;Orient Express Moving Schnorers<\/b>, con el cual grab\u00f3 el primer disco de esa gran creaci\u00f3n:<i> Les lendemains de la veille<\/i>, en 1996.<\/span><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">Despu\u00e9s de haber dejado esa gran formaci\u00f3n en 1998, fund\u00f3<i> Les rendez-vous au m\u00e9tro Saint Paul<\/i>, basado en las novelas de <b>Cyrille Fleischman<\/b>, un espect\u00e1culo como solista en el cual es, al mismo tiempo, cuentista y pianista.<\/span><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">En 2000, con el joven clarinetista virtuoso <b>Yomguih<\/b> (o <b>Yom<\/b>), fund\u00f3 un d\u00fao y grab\u00f3 el disco <i>The Golem on the Moon<\/i>.<\/span><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">Cabe destacar que en 2005, particip\u00f3 en el nacimiento de la <b>Fanfare Klezmer d&#8217;\u00cele-de-France<\/b> reuniendo a m\u00e1s de cuarenta m\u00fasicos aficionados y profesionales de la regi\u00f3n \u00cele-de-France. El repertorio consta de melod\u00edas klezmer y de canciones en yidis.<\/span><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">En 2007, su disco <i>Confidentiel Klezmer<\/i> conoci\u00f3 un amplio reconocimiento entre la prensa y el gran p\u00fablico.<\/span><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">De 2008 a 2011, particip\u00f3 en el proyecto de <b>Yom<\/b>, <i>New King of Klezmer Clarinet<\/i>.<\/span><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">Con Bruno Girard, en 2008, fund\u00f3 el d\u00fao <b>YAT<\/b>, <b>Yiddish Atmospheric Touch<\/b>, que se centra en la canci\u00f3n en yidis. Su primer disco <i>Mir Geyen<\/i> incluyendo la canci\u00f3n <i>Brooklyn by the sea<\/i> de <b>Mort Shuman<\/b>, traducida al yidis, fue publicada en 2011.<\/span><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">En 2012, public\u00f3 su segundo disco como solista, <i>Perpetuel Klezmer<\/i>.<\/span><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">En 2013, fund\u00f3 un d\u00fao con <b>David Konopnicki<\/b> tocando guitarra el\u00e9ctrica, que rinde homenaje a los compositores actuales de m\u00fasica klezmer, en particular los m\u00fasicos estadounidenses y franceses.<\/span><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">En 2014, para celebrar los 30 a\u00f1os de participaci\u00f3n en la cultura yidis y en la m\u00fasica klezmer, propuso un concierto de m\u00e1s de 6 horas: El <i>R\u00e2ga Klezmer <\/i>en un repertorio reuniendo dos siglos de m\u00fasica klezmer.<\/span><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">En 2016, obtuvo el <b>Premio Max Cukierman<\/b> por su aporte a la cultura yidis.<\/span><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><span lang=\"ES\">En 2017, con ocasi\u00f3n de la 3era edici\u00f3n del concierto de gala del Institut Europ\u00e9en des Musiques Juives, cre\u00f3 el espect\u00e1culo <a href=\"https:\/\/www.iemj.org\/en\/gala-concert-of-the-european-institute-for-jewish-music-3rd-edition\/\" target=\"_blank\" rel=\"noopener\">Klezmer Trans&#8217;Africaine<\/a> que relaciona las m\u00fasicas africanas con las m\u00fasicas klezmer, ambas basadas en el baile, la espiritualidad y el trance.<\/span><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><a href=\"http:\/\/www.deniscuniot.fr\/\" target=\"_blank\" rel=\"noopener\"><span lang=\"ES\" style=\"color: #0066ff;\">P\u00e1gina web de Denis Cuniot<\/span><\/a><\/p>\n<p class=\"TableContents\" style=\"text-align: justify; text-justify: inter-ideograph;\"><a href=\"http:\/\/www.rachelnet.net\/F\/?func=find-c&amp;ccl_term=WRD+%3D+Denis+Cuniot&amp;local_base=iemcg\" target=\"_blank\" rel=\"noopener\"><span lang=\"ES\" style=\"color: #0066ff;\">Consultar nuestros archivos sobre Denis Cuniot<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Despu\u00e9s de adquirir una formaci\u00f3n cl\u00e1sica s\u00f3lida, Denis Cuniot sigui\u00f3 una carrera como profesor de m\u00fasica y luego como director de conservatorio, y como pianista en el \u00e1mbito del jazz<\/p>\n","protected":false},"author":5,"featured_media":87678,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1417],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1876],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[3136],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-87677","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biografias-es","genre-klezmer-es","interprete-compositeur-denis-cuniot-es"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cuniot, Denis (1953) - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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