{"id":89733,"date":"2022-11-09T16:35:28","date_gmt":"2022-11-09T15:35:28","guid":{"rendered":"https:\/\/www.iemj.org\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/"},"modified":"2022-11-16T10:45:53","modified_gmt":"2022-11-16T09:45:53","slug":"la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/","title":{"rendered":"La m\u00fasica jud\u00eda en Par\u00eds en la \u00e9poca de la primera sinagoga consistorial (1822-1874)"},"content":{"rendered":"\n<p><\/p>\n\n\n<p>Texto de presentaci\u00f3n y versi\u00f3n digitalizada de la tesis doctoral de <strong>G\u00e9rard Ganvert<\/strong><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_89733_1('footnote_plugin_reference_89733_1_1');\" onkeypress=\"footnote_moveToReference_89733_1('footnote_plugin_reference_89733_1_1');\" ><sup id=\"footnote_plugin_tooltip_89733_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_89733_1_1\" class=\"footnote_tooltip\">Doctor en historia de la m\u00fasica y musicolog\u00eda, habilitado para dirigir investigaciones, antiguo profesor asociado de la UFR (Unidad de Formaci\u00f3n e Investigaci\u00f3n) de M\u00fasica y Musicolog\u00eda de la&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_89733_1('footnote_plugin_reference_89733_1_1');\">Lire la suite<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_89733_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_89733_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>, defendida en junio de 1984, en la Universidad de la Sorbona (Par\u00eds-IV).<\/p>\n<h3>Los or\u00edgenes del tema<\/h3>\n<p>El tema de la presente obra, estudiado a finales de los a\u00f1os 1970, resulta de intercambios previos entre su autor y el famoso music\u00f3logo <a href=\"https:\/\/www.iemj.org\/es\/adler-israel-1925-2009\/\">Isra\u00ebl Adler (1925-2009)<\/a>. Seg\u00fan \u00e9l, a\u00fan era necesario y \u00fatil estudiar un per\u00edodo poco o insuficientemente analizado: el que, tras la acci\u00f3n de Napole\u00f3n I, vio la implementaci\u00f3n de una m\u00fasica jud\u00eda parisina, expresi\u00f3n lit\u00fargica contempor\u00e1nea de la primera sinagoga parisina consistorial, que sigui\u00f3 siendo la primera y la \u00fanica sinagoga oficial de 1822 a 1874.<\/p>\n<figure id=\"attachment_89717\" aria-describedby=\"caption-attachment-89717\" style=\"width: 665px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-89717\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/p-34_Vue-interieure-du-premier-Temple-consistorial-de-Paris-1822-1852-300x212.jpg\" alt=\"\" width=\"665\" height=\"470\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/p-34_Vue-interieure-du-premier-Temple-consistorial-de-Paris-1822-1852-300x212.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/p-34_Vue-interieure-du-premier-Temple-consistorial-de-Paris-1822-1852.jpg 500w\" sizes=\"(max-width: 665px) 100vw, 665px\" \/><figcaption id=\"caption-attachment-89717\" class=\"wp-caption-text\"><strong>Vista interior del primer Templo Consistorial de Par\u00eds (1822-1852). <br>[Archivos Consistoriales, serie 5G1]<\/strong><\/figcaption><\/figure>\n<p>Tal estudio tambi\u00e9n deb\u00eda permitir la restituci\u00f3n de la acci\u00f3n de las dos principales figuras de esa reforma cultural: el \u1e25azz\u00e1n <a href=\"https:\/\/www.iemj.org\/es\/lovy-israel-1773-1832\/\">Isra\u00ebl Lovy (1773-1832)<\/a>, persona poco conocida, y su lejano sucesor <a href=\"https:\/\/www.iemj.org\/es\/naumbourg-samuel-1817-1880\/\">Samuel Naumbourg (1817-1880)<\/a>.<\/p>\n<h3>El procedimiento seguido<\/h3>\n<p>Efectuado a principios de los a\u00f1os 1980, el presente estudio se bas\u00f3 en un an\u00e1lisis ciudadoso del fondo de los <em>Archivos Consistoriales<\/em> y un examen a fondo de muchos peri\u00f3dicos y documentos musicales post-revolucionarios. As\u00ed permiti\u00f3 reactivar elementos hist\u00f3ricos y musicol\u00f3gicos contempor\u00e1neos de la transformaci\u00f3n profunda de las comunidades jud\u00edas parisinas de los dos primeros tercios del siglo XIX, elementos que hab\u00edan quedado m\u00e1s o menos olvidados, abandonados, o incluso transmitidos con inexactitudes que se hab\u00edan vuelto usuales.<\/p>\n<h3>El plan establecido<\/h3>\n<figure id=\"attachment_89712\" aria-describedby=\"caption-attachment-89712\" style=\"width: 339px\" class=\"wp-caption alignright\"><img decoding=\"async\" class=\"wp-image-89712\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/p-157_Recueil-de-Chants-Religieux-de-Samuel-Naumbourg-Cinquieme-recueil-1874-202x300.jpg\" alt=\"\" width=\"339\" height=\"503\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/p-157_Recueil-de-Chants-Religieux-de-Samuel-Naumbourg-Cinquieme-recueil-1874-202x300.jpg 202w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/p-157_Recueil-de-Chants-Religieux-de-Samuel-Naumbourg-Cinquieme-recueil-1874.jpg 336w\" sizes=\"(max-width: 339px) 100vw, 339px\" \/><figcaption id=\"caption-attachment-89712\" class=\"wp-caption-text\"><strong>Colecci\u00f3n de canciones religiosas, por Samuel Naumbourg (quinta colecci\u00f3n [1874])<\/strong><br><strong>(ejemplar de la biblioteca del autor)<\/strong><\/figcaption><\/figure>\n<p>Este trabajo se articul\u00f3 en torno a cuatro cap\u00edtulos.<\/p>\n<p>El <em>cap\u00edtulo<\/em><em> 1<\/em> record\u00f3 las evoluciones de los juda\u00edsmos franceses y parisinos, de la Restauraci\u00f3n a inicios de la III<sup>era<\/sup> Rep\u00fablica. El <em>cap\u00edtulo<\/em><em> 2<\/em> describi\u00f3 el establecimiento de una m\u00fasica sinagogal, convertida en parisina en el seno de la primera sinagoga consistorial. El <em>cap\u00edtulo<\/em><em> 3<\/em> detall\u00f3 m\u00e1s precisamente las acciones de los cantores Isra\u00ebl Lovy y Samuel Naumbourg, y las de algunos promotores culturales, jud\u00edos o no. El <em>cap\u00edtulo<\/em><em> 4<\/em> present\u00f3 y analiz\u00f3 la publicaci\u00f3n cronol\u00f3gica de las ediciones de recopilaciones de m\u00fasica sinagogal. Tambi\u00e9n permiti\u00f3 examinar las partituras manuscritas o impresas de este per\u00edodo, y los testimonios musicol\u00f3gicos publicados.<\/p>\n<p>Por \u00faltimo, siete anexos completaron la obra, para facilitar la consulta del lector, seguidos de una bibliograf\u00eda anotada muy importante, estructurada en cuatro partes (fuentes manuscritas; fuentes impresas; obras de referencia; bibliograf\u00eda ilustrativa) y de un <em>index nominum<\/em>.<\/p>\n<h3>El contenido ofrecido<\/h3>\n<p>Definido y reconocido como subgrupo nacional por los efectos de las dos emancipaciones sucesivas \u2013 revolucionaria y napole\u00f3nica \u2013, el juda\u00edsmo franc\u00e9s pudo emprender su modernizaci\u00f3n con la voluntad fuerte de ofrecer a sus contempor\u00e1neos un culto \u00abrenovado\u00bb, capaz de ser comparado favorablemente con los cultos cristianos ya instalados.<\/p>\n<p>A partir de un procedimiento inicial evidente centrado en los dos cantores Lovy y Naumbourg, las primeras prospecciones permitieron afirmar que, contrariamente a muchas fuentes, el verdadero reformador-promotor de la m\u00fasica jud\u00eda parisina fue Isra\u00ebl Lovy y no Samuel Naumbourg, con todo tradicionalmente descrito como tal, pero finalmente simple continuador de esta reforma veinte a\u00f1os m\u00e1s tarde.<\/p>\n<p>Estas conclusiones iniciales llevaron a profundizar el per\u00edodo 1822-1874, medio siglo en el que la primera sinagoga consistorial parisina se qued\u00f3 como \u00fanica sinagoga oficial de la capital, instituci\u00f3n con la que el mundo musical y art\u00edstico contempor\u00e1neo estableci\u00f3 v\u00ednculos estrechos. La mirada as\u00ed empez\u00f3 una introducci\u00f3n hist\u00f3rica indispensable hacia el inter\u00e9s perseguido de construir una sinagoga as\u00ed y establecer una tradici\u00f3n musical nueva, y luego hacia el estudio de los promotores de \u00e9sta y, por fin, hacia su descripci\u00f3n t\u00e9cnica.<\/p>\n<p><a href=\"https:\/\/www.iemj.org\/es\/lovy-israel-1773-1832\/\" target=\"_blank\" rel=\"noopener\">Leer la biograf\u00eda de Israel Lovy<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/es\/naumbourg-samuel-1817-1880\/\" target=\"_blank\" rel=\"noopener\">Leer la biograf\u00eda de Samuel Naumbourg<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/THESE-Gerard-Ganvert-1984_Version-numerique-2021.pdf\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"wp-image-89690 alignleft\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/Logo-these-300x300.jpg\" alt=\"\" width=\"66\" height=\"66\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/Logo-these-300x300.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/Logo-these-150x150.jpg 150w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/Logo-these-100x100.jpg 100w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/Logo-these.jpg 500w\" sizes=\"(max-width: 66px) 100vw, 66px\" \/>Consultar la tesis de G\u00e9rard Ganvert (pdf) <em>La musique synagogale \u00e0 Paris \u00e0 l\u2019\u00e9poque du premier temple consistorial (1822-1874)<\/em><\/a><\/p>\n<p class=\"Standard\" style=\"text-align: justify; text-justify: inter-ideograph; text-autospace: none;\"><span lang=\"ES\">Advertencia: Este texto ha sido facilitado por el autor s\u00f3lo con fines de estudio. En caso de reutilizaci\u00f3n de textos, partituras o ilustraciones de esta tesis, deber\u00e1 citarse al autor. Vea <a href=\"https:\/\/creativecommons.org\/licenses\/by-nc-nd\/2.0\/fr\/deed.es\">c\u00f3mo citar a los autores y mencionar la licencia<\/a><\/span><\/p>\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><\/figure>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_89733_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_89733_1();\">[<a id=\"footnote_reference_container_collapse_button_89733_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_89733_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_89733_1('footnote_plugin_tooltip_89733_1_1');\"><a id=\"footnote_plugin_reference_89733_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\">Doctor en historia de la m\u00fasica y musicolog\u00eda, habilitado para dirigir investigaciones, antiguo profesor asociado de la UFR (Unidad de Formaci\u00f3n e Investigaci\u00f3n) de M\u00fasica y Musicolog\u00eda de la Universidad de la Sorbona (Par\u00eds-IV) y profesor en la Universidad de Versailles-Saint-Quentin (Francia).<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_89733_1() { jQuery('#footnote_references_container_89733_1').show(); jQuery('#footnote_reference_container_collapse_button_89733_1').text('\u2212'); } function footnote_collapse_reference_container_89733_1() { jQuery('#footnote_references_container_89733_1').hide(); jQuery('#footnote_reference_container_collapse_button_89733_1').text('+'); } function footnote_expand_collapse_reference_container_89733_1() { if (jQuery('#footnote_references_container_89733_1').is(':hidden')) { footnote_expand_reference_container_89733_1(); } else { footnote_collapse_reference_container_89733_1(); } } function footnote_moveToReference_89733_1(p_str_TargetID) { footnote_expand_reference_container_89733_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_89733_1(p_str_TargetID) { footnote_expand_reference_container_89733_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>Texto de presentaci\u00f3n y versi\u00f3n digitalizada de la tesis doctoral de G\u00e9rard Ganvert[1]Doctor en historia de la m\u00fasica y musicolog\u00eda, habilitado para dirigir investigaciones, antiguo profesor asociado de la UFR<\/p>\n","protected":false},"author":5,"featured_media":89694,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1577,1565],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1890],"fonds":[],"tradition":[1982],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-89733","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-libros-articulos-es","category-ultimas-adquisiciones-es","genre-liturgia-es","tradition-rito-ashkenazi-es"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La m\u00fasica jud\u00eda en Par\u00eds en la \u00e9poca de la primera sinagoga consistorial (1822-1874) - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/es\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La m\u00fasica jud\u00eda en Par\u00eds en la \u00e9poca de la primera sinagoga consistorial (1822-1874) - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Texto de presentaci\u00f3n y versi\u00f3n digitalizada de la tesis doctoral de G\u00e9rard Ganvert[1]Doctor en historia de la m\u00fasica y musicolog\u00eda, habilitado para dirigir investigaciones, antiguo profesor asociado de la UFR\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/es\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-11-09T15:35:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-11-16T09:45:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/Logo-these.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"500\" \/>\n\t<meta property=\"og:image:height\" content=\"500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jacqueline ROTEN\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jacqueline ROTEN\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\\\/\"},\"author\":{\"name\":\"Jacqueline ROTEN\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\"},\"headline\":\"La m\u00fasica jud\u00eda en Par\u00eds en la \u00e9poca de la primera sinagoga consistorial (1822-1874)\",\"datePublished\":\"2022-11-09T15:35:28+00:00\",\"dateModified\":\"2022-11-16T09:45:53+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\\\/\"},\"wordCount\":817,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/Logo-these.jpg\",\"articleSection\":[\"Libros, art\u00edculos\",\"\u00daltimas adquisiciones\"],\"inLanguage\":\"es\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\\\/\",\"name\":\"La m\u00fasica jud\u00eda en Par\u00eds en la \u00e9poca de la primera sinagoga consistorial (1822-1874) - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/Logo-these.jpg\",\"datePublished\":\"2022-11-09T15:35:28+00:00\",\"dateModified\":\"2022-11-16T09:45:53+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/es\\\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/Logo-these.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/Logo-these.jpg\",\"width\":500,\"height\":500},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"La m\u00fasica jud\u00eda en Par\u00eds en la \u00e9poca de la primera sinagoga consistorial (1822-1874)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/es\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\",\"name\":\"Jacqueline ROTEN\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"caption\":\"Jacqueline ROTEN\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"La m\u00fasica jud\u00eda en Par\u00eds en la \u00e9poca de la primera sinagoga consistorial (1822-1874) - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/es\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/","og_locale":"es_ES","og_type":"article","og_title":"La m\u00fasica jud\u00eda en Par\u00eds en la \u00e9poca de la primera sinagoga consistorial (1822-1874) - Institut Europ\u00e9en des Musiques Juives","og_description":"Texto de presentaci\u00f3n y versi\u00f3n digitalizada de la tesis doctoral de G\u00e9rard Ganvert[1]Doctor en historia de la m\u00fasica y musicolog\u00eda, habilitado para dirigir investigaciones, antiguo profesor asociado de la UFR","og_url":"https:\/\/www.iemj.org\/es\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2022-11-09T15:35:28+00:00","article_modified_time":"2022-11-16T09:45:53+00:00","og_image":[{"width":500,"height":500,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/Logo-these.jpg","type":"image\/jpeg"}],"author":"Jacqueline ROTEN","twitter_card":"summary_large_image","twitter_misc":{"Escrito por":"Jacqueline ROTEN","Tiempo de lectura":"5 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/es\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/es\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/"},"author":{"name":"Jacqueline ROTEN","@id":"https:\/\/www.iemj.org\/es\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c"},"headline":"La m\u00fasica jud\u00eda en Par\u00eds en la \u00e9poca de la primera sinagoga consistorial (1822-1874)","datePublished":"2022-11-09T15:35:28+00:00","dateModified":"2022-11-16T09:45:53+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/es\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/"},"wordCount":817,"publisher":{"@id":"https:\/\/www.iemj.org\/es\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/es\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/Logo-these.jpg","articleSection":["Libros, art\u00edculos","\u00daltimas adquisiciones"],"inLanguage":"es"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/es\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/","url":"https:\/\/www.iemj.org\/es\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/","name":"La m\u00fasica jud\u00eda en Par\u00eds en la \u00e9poca de la primera sinagoga consistorial (1822-1874) - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/es\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/es\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/es\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/Logo-these.jpg","datePublished":"2022-11-09T15:35:28+00:00","dateModified":"2022-11-16T09:45:53+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/es\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/es\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/www.iemj.org\/es\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/Logo-these.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/11\/Logo-these.jpg","width":500,"height":500},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/es\/la-musique-synagogale-a-parisa-lepoque-du-premier-temple-consistorial-1822-1874\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/es\/"},{"@type":"ListItem","position":2,"name":"La m\u00fasica jud\u00eda en Par\u00eds en la \u00e9poca de la primera sinagoga consistorial (1822-1874)"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/es\/#website","url":"https:\/\/www.iemj.org\/es\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/es\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/es\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/es\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/www.iemj.org\/es\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/es\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/es\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c","name":"Jacqueline ROTEN","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","caption":"Jacqueline ROTEN"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/posts\/89733","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/comments?post=89733"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/posts\/89733\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/media\/89694"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/media?parent=89733"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/categories?post=89733"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/tags?post=89733"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/technique?post=89733"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/squelettes?post=89733"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/sujet?post=89733"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/formation?post=89733"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/genre?post=89733"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/fonds?post=89733"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/tradition?post=89733"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/type-de-contenu?post=89733"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/interprete-compositeur?post=89733"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/frise?post=89733"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/type-devenement?post=89733"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/es\/wp-json\/wp\/v2\/tableaux-liens-externes?post=89733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}