{"id":90979,"date":"2022-12-10T19:07:26","date_gmt":"2022-12-10T18:07:26","guid":{"rendered":"https:\/\/www.iemj.org\/les-chants-de-hanouka\/"},"modified":"2025-10-05T18:54:49","modified_gmt":"2025-10-05T16:54:49","slug":"les-chants-de-hanouka","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/les-chants-de-hanouka\/","title":{"rendered":"Los cantos de Januc\u00e1"},"content":{"rendered":"<p><strong>Januc\u00e1 &#8211;<\/strong> \u05d7\u05e0\u05d5\u05db\u05d4 es la fiesta jud\u00eda que conmemora la reinauguraci\u00f3n del Segundo Templo de Jerusal\u00e9n en el siglo II a.C., tras la victoria de los macabeos sobre los soldados del rey sel\u00e9ucida Ant\u00edoco Ep\u00edfanes IV.<\/p>\n<p>Seg\u00fan la tradici\u00f3n rab\u00ednica, durante esta consagraci\u00f3n se produjo el milagro de la ampolla de aceite, que permiti\u00f3 a los sacerdotes del Templo quemar durante ocho d\u00edas una cantidad de aceite que normalmente apenas bastaba para un d\u00eda. Por eso Januc\u00e1 tambi\u00e9n se llama \u00abFiesta de las Luces\u00bb y dura ocho d\u00edas, del 25 de Kislev al 2 \u00f3 3 de Tevet (entre finales de noviembre y finales de diciembre en el calendario gregoriano).<\/p>\n<p><img decoding=\"async\" class=\"wp-image-90959 alignright\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/Colorful_dreidels-300x200.jpg\" alt=\"\" width=\"244\" height=\"163\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/Colorful_dreidels-300x200.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/Colorful_dreidels.jpg 500w\" sizes=\"(max-width: 244px) 100vw, 244px\" \/>Las costumbres de Januc\u00e1 est\u00e1n estrechamente vinculadas al milagro de la ampolla de aceite, sobre todo en lo que respecta al encendido de velas durante los ocho d\u00edas de la fiesta y al consumo de platos a base de aceite (<a href=\"https:\/\/es.wikipedia.org\/wiki\/Kartoffelpuffer\" target=\"_blank\" rel=\"noopener\">latkes<\/a>,\u00a0<a href=\"https:\/\/es.wikipedia.org\/wiki\/Sufgani%C3%A1\" target=\"_blank\" rel=\"noopener\">soufganiyot<\/a>\u2026). Tambi\u00e9n es costumbre jugar con peonzas, cada una de cuyas caras lleva estampada una letra hebrea, reviviendo as\u00ed un juego de azar que se practicaba en todo Oriente y Europa desde la \u00e9poca de los antiguos romanos.<\/p>\n<h2><strong>Ceremonia de encendido de las velas<\/strong><\/h2>\n<p>Varios cantos son espec\u00edficos de la ceremonia del encendido de las velas, como por ejemplo:<\/p>\n<p><strong>Hadlakat Hanerot &#8211; Bendici\u00f3n antes de encender las velas<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90979-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/01-Hadlakat-Hanerot.mp3?_=1\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/01-Hadlakat-Hanerot.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/01-Hadlakat-Hanerot.mp3<\/a><\/audio>\n<p>Hanerot hallalou, que relata el origen de las luces de Januc\u00e1 y su car\u00e1cter sagrado<\/p>\n<p><strong>Hanerot Halalu &#8211; Ensemble Coral<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90979-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/02-Hanerot-Halalu_Ensemble-Choral.mp3?_=2\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/02-Hanerot-Halalu_Ensemble-Choral.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/02-Hanerot-Halalu_Ensemble-Choral.mp3<\/a><\/audio>\n<p>Hanoukat habayit (Salmo 30), que recuerda la inauguraci\u00f3n del Templo<\/p>\n<p><strong>Psaume 30 &#8211; Albert Bouhadana (Extra\u00eddo)<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90979-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/03-Psaume-30_Albert-Bouhadana-Extrait.mp3?_=3\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/03-Psaume-30_Albert-Bouhadana-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/03-Psaume-30_Albert-Bouhadana-Extrait.mp3<\/a><\/audio>\n<p>Maoz tsour, que recuerda las muchas veces que Dios salv\u00f3 a su pueblo.<\/p>\n<p><strong>Maoz tsour &#8211; Marcel Papier<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90979-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/04-Maoz-tsour_Marcel-Papier.mp3?_=4\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/04-Maoz-tsour_Marcel-Papier.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/04-Maoz-tsour_Marcel-Papier.mp3<\/a><\/audio>\n<p>Adem\u00e1s, hay muchas canciones en yiddish, judeoespa\u00f1ol, hebreo, etc., generalmente interpretadas a ritmos animados, como Dreidel, Dreidel, Dreidel; Oy Hanikke; El festin de Hanuka; Ochos kandelicas; Sevivon, sov sov sov&#8230; o incluso melod\u00edas jas\u00eddicas.<\/p>\n<p><strong>The Dreidel Song &#8211; in Yiddish &#8211; Dylan Seders Hoffman, Dani Apple and Lorin Zackular<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90979-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/05-The-Dreidel-Song_in-Yiddish_Dylan-Seders-Hoffman-Dani-Apple-and-Lorin-Zackular.mp3?_=5\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/05-The-Dreidel-Song_in-Yiddish_Dylan-Seders-Hoffman-Dani-Apple-and-Lorin-Zackular.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/05-The-Dreidel-Song_in-Yiddish_Dylan-Seders-Hoffman-Dani-Apple-and-Lorin-Zackular.mp3<\/a><\/audio>\n<p><strong>Oy Chanukah &#8211; The Klezmer Conservatory Band<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90979-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/06-Oy-Chanukah_The-Klezmer-Conservatory-Band.mp3?_=6\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/06-Oy-Chanukah_The-Klezmer-Conservatory-Band.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/06-Oy-Chanukah_The-Klezmer-Conservatory-Band.mp3<\/a><\/audio>\n<p><strong>Ocho Kandelikas &#8211; Flory Jagoda<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90979-7\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/07-Ocho-Kandelikas_Flory-Jagoda.mp3?_=7\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/07-Ocho-Kandelikas_Flory-Jagoda.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/07-Ocho-Kandelikas_Flory-Jagoda.mp3<\/a><\/audio>\n<p><strong>Sevivon Sov Sov Sov<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90979-8\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/08-Sevivon-Sov-Sov-Sov.mp3?_=8\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/08-Sevivon-Sov-Sov-Sov.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/08-Sevivon-Sov-Sov-Sov.mp3<\/a><\/audio>\n<p><strong>Yemei Hanouka<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90979-9\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/09-Yemei-Hanouka.mp3?_=9\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/09-Yemei-Hanouka.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/09-Yemei-Hanouka.mp3<\/a><\/audio>\n<p><strong>Yevanim nikbezu &#8211; Tiferet Yisrael Yeshiva (Extra\u00eddo)<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90979-10\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/10-Yevanim-nikbezu_Tiferet-Yisrael-Yeshiva-Extrait.mp3?_=10\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/10-Yevanim-nikbezu_Tiferet-Yisrael-Yeshiva-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/10-Yevanim-nikbezu_Tiferet-Yisrael-Yeshiva-Extrait.mp3<\/a><\/audio>\n<h2><strong>La liturgia espec\u00edfica de Januc\u00e1<\/strong><\/h2>\n<p>Por la ma\u00f1ana, la austera lectura del Tahanun (\u00abs\u00faplica\u00bb) se sustituye por el Hallel (\u00abalabanza\u00bb) por causa del milagro que tuvo lugar (mishum nissa) en la tierra de Israel. Se recita en su totalidad (del Salmo 113 al Salmo 118) durante los ocho d\u00edas de Januc\u00e1, despu\u00e9s de la Amid\u00e1 matutina.<\/p>\n<p>Cada ma\u00f1ana tambi\u00e9n se lee en la sinagoga una secci\u00f3n especial de la Tor\u00e1 (Zot Hanukah&#8217; Hamizbeah&#8217;).<\/p>\n<p><strong>Lectura de la Tor\u00e1 para el primer d\u00eda de Januc\u00e1 &#8211; Rabino Cantor Yehuda Abittan (Extra\u00eddo)<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90979-11\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/11-Lecture-de-la-Torah-du-premier-jour-de-Hanouka_Rabbin-Cantor-Yehuda-Abittan-Extrait.mp3?_=11\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/11-Lecture-de-la-Torah-du-premier-jour-de-Hanouka_Rabbin-Cantor-Yehuda-Abittan-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/11-Lecture-de-la-Torah-du-premier-jour-de-Hanouka_Rabbin-Cantor-Yehuda-Abittan-Extrait.mp3<\/a><\/audio>\n<p>La bendici\u00f3n Al hanissim se intercala en la Amid\u00e1 durante los servicios de la ma\u00f1ana, la tarde y la noche y durante el Birkat hamazon (bendici\u00f3n de gracia despu\u00e9s de las comidas). Toma su nombre de las palabras iniciales, \u00abAl hanissim\u00bb (\u00abTe damos gracias por los milagros\u00bb) y va seguido de un breve relato de la victoria de Matat\u00edas y sus hijos.<\/p>\n<p><strong>Al hanissim &#8211; Hans Bloemendal<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90979-12\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/12-Al-hanissim_Hans-Bloemendal.mp3?_=12\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/12-Al-hanissim_Hans-Bloemendal.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/12-Al-hanissim_Hans-Bloemendal.mp3<\/a><\/audio>\n<p>Por \u00faltimo, existen poemas religiosos propios de cada tradici\u00f3n, como el piyyut alsaciano Schnei zessim [zetim] anotado en 1864 por <a href=\"https:\/\/www.iemj.org\/es\/naumbourg-samuel-1817-1880\/\" target=\"_blank\" rel=\"noopener\">Samuel Naumbourg<\/a><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_90979_1('footnote_plugin_reference_90979_1_1');\" onkeypress=\"footnote_moveToReference_90979_1('footnote_plugin_reference_90979_1_1');\" ><sup id=\"footnote_plugin_tooltip_90979_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_90979_1_1\" class=\"footnote_tooltip\">Samuel Naumbourg, <em>Shirei kodesh, Nouveau recueil de chants religieux \u00e0 l\u2019usage du culte isra\u00e9lite<\/em>, Paris, rue Vend\u00f4me, 1864.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_90979_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_90979_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p>\n<p><strong><span style=\"font-size: revert; background-color: var(--bs-body-bg); color: var(--bs-body-color); font-family: var(--bs-body-font-family); text-align: var(--bs-body-text-align);\">Schnei zetim &#8211; Adolphe Attia (Extra\u00eddo)<\/span><\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-90979-13\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/13-Schnei-zetim_Adolphe-Attia-Extrait.mp3?_=13\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/13-Schnei-zetim_Adolphe-Attia-Extrait.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/13-Schnei-zetim_Adolphe-Attia-Extrait.mp3<\/a><\/audio>\n<ul>\n<li><a href=\"https:\/\/www.iemj.org\/es\/sujet\/januca-es\/\" target=\"_blank\" rel=\"noopener\">M\u00e1s informaci\u00f3n sobre Januc\u00e1<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/es\/hanouka-la-selection-musicale-de-liemj-1ere-partie\/\" target=\"_blank\" rel=\"noopener\">Escuchar la lista de reproducci\u00f3n de Januc\u00e1 1<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/es\/hanouka-la-selection-musicale-de-liemj-2eme-partie\/\" target=\"_blank\" rel=\"noopener\">Escuchar la lista de reproducci\u00f3n de Januc\u00e1 2<\/a><\/li>\n<\/ul>\n\n\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2022\/12\/Extrait-SDV-Hanouka-by-Lea.mp4\"><\/video><figcaption class=\"wp-element-caption\"><strong>Ver un extracto del v\u00eddeo <em>La source de vie de Josy Eisenberg&nbsp;: Hanouccah, la f\u00eate des Lumi\u00e8res<\/em><\/strong> <em>(Januc\u00e1, la fiesta de las luces)<\/em><\/figcaption><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110610\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div><div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_90979_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_90979_1();\">[<a id=\"footnote_reference_container_collapse_button_90979_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_90979_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_90979_1('footnote_plugin_tooltip_90979_1_1');\"><a id=\"footnote_plugin_reference_90979_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\">Samuel Naumbourg, <em>Shirei kodesh, Nouveau recueil de chants religieux \u00e0 l\u2019usage du culte isra\u00e9lite<\/em>, Paris, rue Vend\u00f4me, 1864.<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_90979_1() { jQuery('#footnote_references_container_90979_1').show(); jQuery('#footnote_reference_container_collapse_button_90979_1').text('\u2212'); } function footnote_collapse_reference_container_90979_1() { jQuery('#footnote_references_container_90979_1').hide(); jQuery('#footnote_reference_container_collapse_button_90979_1').text('+'); } function footnote_expand_collapse_reference_container_90979_1() { if (jQuery('#footnote_references_container_90979_1').is(':hidden')) { footnote_expand_reference_container_90979_1(); } else { footnote_collapse_reference_container_90979_1(); } } function footnote_moveToReference_90979_1(p_str_TargetID) { footnote_expand_reference_container_90979_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_90979_1(p_str_TargetID) { footnote_expand_reference_container_90979_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>Januc\u00e1 &#8211; \u05d7\u05e0\u05d5\u05db\u05d4 es la fiesta jud\u00eda que conmemora la reinauguraci\u00f3n del Segundo Templo de Jerusal\u00e9n en el siglo II a.C., tras la victoria de los macabeos sobre los soldados<\/p>\n","protected":false},"author":5,"featured_media":90956,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1408,1411],"tags":[],"technique":[],"squelettes":[],"sujet":[1742],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-90979","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos-de-fondo-es","category-musica-liturgica-es","sujet-januca-es"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Los cantos de Januc\u00e1 - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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