{"id":91749,"date":"2020-01-15T12:08:20","date_gmt":"2020-01-15T11:08:20","guid":{"rendered":"https:\/\/www.iemj.org\/simkhat-hanefesh-early-yiddish-music\/"},"modified":"2025-09-16T12:25:01","modified_gmt":"2025-09-16T10:25:01","slug":"simkhat-hanefesh-early-yiddish-music","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/simkhat-hanefesh-early-yiddish-music\/","title":{"rendered":"Simkhat Hanefesh &#8211; Early Yiddish Music"},"content":{"rendered":"<p>El CD <em>Simkhat Hanefesh<\/em><em> nos<\/em> hace descubrir la m\u00fasica popular procedente del mundo jud\u00edo asquenaz\u00ed, del Renacimiento a la \u00e9poca barroca (del siglo XV a mediados del siglo XVII).<\/p>\n<p>El yiddish occidental del Renacimiento y del per\u00edodo barroco no es el mismo que el yiddish oriental moderno, al igual que algunos idiomas europeos antiguos difieren de su versi\u00f3n contempor\u00e1nea. Un hablante de yiddish oriental notar\u00e1 en particular la ausencia de palabras eslaves o otra manera de pronunciar las palabras hebreas.<\/p>\n<p>Este disco re\u00fane 20 temas instrumentales y cantados (principalmente en yiddish occidental, pero tambi\u00e9n en franc\u00e9s y en hebreo) de autores o compositores de la \u00e9poca, como Guglielmo Ebreo de Pesaro, Wolfgang Dachstein, Leyb Kottenheim o Shloyme Singer de Praga.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" alignleft  wp-image-26621\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_1_400px.jpg\" alt=\"cd_1442_1_400px.jpg\" width=\"285\" height=\"347\" align=\"left\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_1_400px.jpg 329w, https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_1_400px-247x300.jpg 247w\" sizes=\"(max-width: 285px) 100vw, 285px\" \/><\/p>\n<p>Impreso en 1726\/1727 en la ciudad de F\u00fcrth en Alemania, <em>Simkhass hanefesh <\/em>(Alegr\u00eda del Alma) es el primer libro famoso en que figuran canciones en yiddish occidental con las melod\u00edas anotadas. Aunque se extendieron por toda Europa, las canciones yiddish se difund\u00edan principalmente en forma de cortos impresos, de baja calidad, incluyendo solamente los textos y una indicaci\u00f3n relativa a las melod\u00edas. As\u00ed que, el autor o el editor a\u00f1ad\u00eda sobre el texto con un tipo de frase \u00ab con la melod\u00eda de \u2026 \u00bb e indicaba las primeras palabras de una canci\u00f3n famosa.<\/p>\n<p class=\"Textbody\" style=\"text-align: justify;\"><span lang=\"ES\">Las canciones en yiddish occidental abordaban casi todos los temas posibles: religioso, moral, educativo, hasta los temas m\u00e1s laicos (eventos hist\u00f3ricos, pol\u00edticos, la guerra y la paz, las parodias y s\u00e1tiras, el amor, las mentiras, la caza, la caballer\u00eda, los ladrones, el tiempo\u2026).<\/span><\/p>\n<p>Muchos autores jud\u00edos escrib\u00edan nuevos textos sobre melod\u00edas populares. Sus motivos cumpl\u00edan los\u00a0 criterios est\u00e9ticos, morales e incluso simplemente mercantiles. Estos poetas han contribuido a la producci\u00f3n de una multitud de <em>contrafactum<\/em>, o sea el uso de una melod\u00eda conocida en la que se a\u00f1ad\u00eda nuevas letras. Fue as\u00ed como melod\u00edas id\u00e9nticas se extendieron por toda Europa, con textos adecuados en funci\u00f3n de los p\u00fablicos (jud\u00edos, protestantes o cat\u00f3licos, o incluso para la corte real).<\/p>\n<p>Sin embargo, las canciones apreciadas por los asquenaz\u00edes, y sus numerosas maneras de ser cantadas, tocadas o bailadas, no eran siempre aprobadas por las autoridades, jud\u00edas o no jud\u00edas. Las fuentes de la \u00e9poca mencionan numerosas quejas con repecto a mujeres cantando en p\u00fablico, a Jud\u00edos y Cristianos bailando juntos, a m\u00fasicos jud\u00edos tocando para cristianos, y viceversa, o a contenidos de canciones demasiado fr\u00edvolas, como los <em>khutspe lider<\/em> (canciones atrevidas o insolentes) que estuvieron de moda a lo largo de muchas generaciones.<\/p>\n<p><img decoding=\"async\" class=\" alignright  wp-image-26623\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_2_400px.jpg\" alt=\"cd_1442_2_400px.jpg\" width=\"339\" height=\"240\" align=\"right\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_2_400px.jpg 400w, https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_2_400px-300x212.jpg 300w\" sizes=\"(max-width: 339px) 100vw, 339px\" \/><\/p>\n<p>Reunidos en torno a la investigadora, profesora, music\u00f3loga, y cantante soprano Diana Matut, los cinco m\u00fasicos interpretan estos cantos con instrumentos de m\u00fasica de la \u00e9poca, como la nyckelharpa (instrumento de origen sueco formando parte de la familia de las violas de arco), el viol\u00edn barroco, el la\u00fad, la tiorba o la viola de gamba.<\/p>\n<p>Acompa\u00f1ado de un folleto completo de 60 p\u00e1ginas, en ingl\u00e9s y alem\u00e1n, con fotos, conteniendo las traducciones de las canciones, y anotaciones sobre los compositores y sus obras, este CD es una maravilla\u2026 que puede escuchar sin moderaci\u00f3n.<\/p>\n<p><a href=\"http:\/\/www.simkhat-hanefesh.com\/gb\/\" target=\"_blank\" rel=\"noopener\">Visitar el sitio internet del Conjunto Simkhat Hanefesh<\/a><br \/><a href=\"https:\/\/www.amazon.de\/CD-simkhat-hanefesh\/dp\/B079349J2L\" target=\"_blank\" rel=\"noopener\">Comprar el CD Simkhat Hanefesh \u2013 Early Yiddish Music<\/a><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110610\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-1d29154b-ba76-469f-a3e2-703f11d73bf8\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_01.mp3\">Ballo Gelosia &#8211; Guglielmo Ebreo de Pesaro (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-2d1a9274-c5be-449a-820e-a93c94834401\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_03.mp3\">Nun freut euch lieben Christen g&#8217;mein &amp; Mo&#8217;oz tsur &#8211; Martin Luther  (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-683a12b5-8809-412a-ba05-e5f44c925470\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_08.mp3\">A nice bridal song &#8211; Leyb Kottenheim  (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-2b4dc690-0428-4891-bbe9-a58f5cce61b0\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_09.mp3\">Pumay, pumay, you Poles &amp; Pumay, you dear companions &#8211; Anonymous (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-09c8fca8-769a-46a1-887f-2b2581be8d72\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_12.mp3\">A nice song about two martyrs &#8211; Khayim ben Shalom (extrait)<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-fdc01449-77f5-4f46-a1b3-fdaaed88b3c3\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/01\/cd_1442_18.mp3\">Joseph est bien mari\u00e9 &#8211; trad. fran\u00e7ais (extrait)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>El CD Simkhat Hanefesh nos hace descubrir la m\u00fasica popular procedente del mundo jud\u00edo asquenaz\u00ed, del Renacimiento a la \u00e9poca barroca (del siglo XV a mediados del siglo XVII). El<\/p>\n","protected":false},"author":1048,"featured_media":91750,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1568,1565],"tags":[],"technique":[],"squelettes":[],"sujet":[1838,1846],"formation":[],"genre":[1863],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-91749","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-es","category-ultimas-adquisiciones-es","sujet-barroco-es","sujet-renacimiento-es","genre-yiddish-es"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Simkhat Hanefesh - Early Yiddish Music - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/es\/simkhat-hanefesh-early-yiddish-music\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Simkhat Hanefesh - Early Yiddish Music - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"El CD Simkhat Hanefesh nos hace descubrir la m\u00fasica popular procedente del mundo jud\u00edo asquenaz\u00ed, del Renacimiento a la \u00e9poca barroca (del siglo XV a mediados del siglo XVII). 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