{"id":92237,"date":"2019-05-14T17:45:03","date_gmt":"2019-05-14T15:45:03","guid":{"rendered":"https:\/\/www.iemj.org\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/"},"modified":"2025-09-09T17:41:10","modified_gmt":"2025-09-09T15:41:10","slug":"the-yiddish-cabaret-korngold-schulhoff-desyatnikov","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/the-yiddish-cabaret-korngold-schulhoff-desyatnikov\/","title":{"rendered":"The yiddish cabaret – Korngold \/ Schulhoff \/ Desyatnikov"},"content":{"rendered":"

Harmonia Mundi, 2019<\/p>\n

<\/p>\n

El programa de este disco resulta de un trabajo del Cuarteto de Jerusal\u00e9n sobre la m\u00fasica de los cabarets yiddish en Polonia durante el per\u00edodo de entreguerras. Durante casi dos a\u00f1os, los cuatro m\u00fasicos, asistidos por la music\u00f3loga Gila Flam, han realizado investigaciones en los archivos de la Biblioteca Nacional de Jerusal\u00e9n. Tras una larga labor, seleccionaron cinco canciones yiddish que se interpretaban en los cabarets jud\u00edos de Varsovia y de Lodz entre 1919 y 1939. La primera es una canci\u00f3n nost\u00e1lgica sobre la ciudad de Varsovia (Varshe<\/em>), la segunda, una parodia de una canci\u00f3n estadounidense que cuenta la historia de una prostituta jud\u00eda (In a hoyz vu men veynt un men lakht<\/em>). Las tercera (I<\/em>kh ganve in der nakht<\/em>) y quinta canciones (Ikh vel shoyn mer nit ganvenen<\/em>) vienen del repertorio de los \u00ab cantos de los ladrones \u00bb yiddish de la mafia jud\u00eda. La cuarta canci\u00f3n (Yosl und Sore-Dvoshe<\/em>) es un d\u00fao entre un hombre y una mujer que viven en la pobreza pero sue\u00f1an con tener una gran familia y vivir felices en una gran ciudad.<\/p>\n

Estas cinco canciones sirvieroni de base para una creaci\u00f3n del compositor israel\u00ed Leonid Desyatnikov (1955) que realiz\u00f3 una adaptaci\u00f3n para voces (interpretada aqu\u00ed en yiddish por la soprano israel\u00ed Hila Baggio) y cuarteto de cuerda. Como lo detalla Desyatnikov en el folleto documentado del disco redactado por Gila Flam : \u00ab Mi ciclo es una serie de transcripciones libres de esta m\u00fasica, com\u00fanmente conocida como \u00ab baja gama \u00bb. Es la cultura ecl\u00e9ctica del proletariado y de los extranjeros, la cultura de lo chic barato, y, al mismo tiempo \u2013 bajo sus mejores formas -, una cultura insolente y talentuosa, llena de auto-iron\u00eda y de desesperanza latente. \u00bb Gila Flam a\u00f1ade que \u00ab los m\u00fasicos e int\u00e9rpretes jud\u00edos desempe\u00f1aban un papel fundamental en la m\u00fasica popular en Polonia, contribuyendo as\u00ed a apliar el repertorio de las canciones polacas y yiddish. Al hacerlo, han influenciado toda la m\u00fasica de cabaret europea, la m\u00fasica de las pel\u00edculas de Hollywood y la m\u00fasica de los teatros de Broadway en Estados Unidos. \u00bb<\/p>\n

Y fue precisamente en Hollywood que el compositor jud\u00edo Erich Wolfgang Korngold (1897-1957) realiz\u00f3 la mayor\u00eda de su carrera. Nacido en Brno en Austria-Hungr\u00eda el 29 de mayo de 1897, ni\u00f1o prodigio, a veces comparado con Mozart, fue uno de los \u00faltimos representantes del romanticismo vien\u00e9s. En 1925, fue el compositor m\u00e1s interpretado despu\u00e9s de Richard Strauss en los pa\u00edses german\u00f3fonos. En 1934, realiz\u00f3 una primera estancia en Estados Unidos, donde compuso principalmente m\u00fasica de pel\u00edcula para la compa\u00f1\u00eda Warner Bros. Tras una breve vuelta a Viena en 1937, emigr\u00f3 de manera definitiva en 1938. En un per\u00edodo de doce a\u00f1os, escribi\u00f3 dieciocho m\u00fasicas de cine, dos de las cuales (Anthony Adverse y Robin des Bois) han sido premiadas con \u00d3scars.
Su Cuarteto de cuerda n\u00b0 2 op. 26<\/em>, de cuatro movimientos, fue compuesto en 1933 y creado en Viena por el cuarteto Rose el 16 de marzo de 1934, justo antes de la mudanza del compositor a Estados Unidos. Seg\u00fan el cuarteto de cuerda de Jerusal\u00e9n, esta obra de Korngold representa su profunda nostalgia de las tradiciones musicales de Europa central.<\/p>\n

La \u00faltima obra de este disco \u2013 un poco ecl\u00e9ctica \u2013 se debe al compositor checo Erwin Schulhoff (1894-1942). Nacido en Praga en 1894 en una familia jud\u00eda, Schulhoff fue descubierto muy temprano e impulsado por Dvo\u0159\u00e1k. Su estilo se caracteriza por una mezcla de atonalidad, surrealismo y repertorios populares. Detenido por los Nazis el 22 de junio de 1941, fue internado en la fortaleza de W\u00fclzburg, en Baviera, donde muri\u00f3 de tuberculosis el 28 de agosto de 1942.
Sus Cinco piezas para cuarteto de cuerda<\/em> (1923), dedicadas a Darius Milhaud, fueron interpretadas por primera vez en Salzburgo el 8 de agosto de 1924. Consisten en un encadenamiento de bailes (vals, tango, tarantela\u2026) que extraen su inspiraci\u00f3n en la m\u00fasica popular de la \u00e9poca.<\/p>\n

M\u00e1s informaci\u00f3n sobre el Jerusalem Quartet<\/a>
Pedir el CD<\/a><\/p>\n\n\n

<\/h2>\n\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n
Korngold – Intermezzo (Quatuor \u00e0 cordes n\u00b0 2) (Extrait)<\/a><\/div>\n\n\n\n
Schulhoff – Alla Tarantella (Cinq pi\u00e8ces pour quatuor \u00e0 cordes) (Extrait)<\/a><\/div>\n\n\n\n
Desyatnikov – Varshe (5 chansons de cabaret yiddish pour voix et quatuor \u00e0 cordes) (Extrait)<\/a><\/div>\n\n\n\n
Desyatnikov – In a hoyz (5 chansons de cabaret yiddish pour voix et quatuor \u00e0 cordes) (Extrait)<\/a><\/div>\n\n\n\n
Desyatnikov – Ikh ganve in der nakht (5 chansons de cabaret yiddish pour voix et quatuor \u00e0 cordes) (Extrait)<\/a><\/div>\n\n\n\n
Desyatnikov – Yosl und Sore, Dvoshe (5 chansons de cabaret yiddish pour voix et quatuor \u00e0 cordes) (Extrait)<\/a><\/div>\n\n\n\n
Desyatnikov – Ikh vel shoyn mer nit ganvenen (5 chansons de cabaret yiddish pour voix et quatuor \u00e0 cordes) (Extrait)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Harmonia Mundi, 2019<\/p>\n","protected":false},"author":1045,"featured_media":92238,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1568,1565],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1899,1863],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-92237","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-es","category-ultimas-adquisiciones-es","genre-musica-clasica-es","genre-yiddish-es"],"acf":[],"yoast_head":"\nThe yiddish cabaret - Korngold \/ Schulhoff \/ Desyatnikov - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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