{"id":92256,"date":"2019-05-21T16:56:36","date_gmt":"2019-05-21T14:56:36","guid":{"rendered":"https:\/\/www.iemj.org\/cantor-haim-ischakis\/"},"modified":"2025-09-17T10:12:46","modified_gmt":"2025-09-17T08:12:46","slug":"cantor-haim-ischakis","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/cantor-haim-ischakis\/","title":{"rendered":"Cantor Haim Ischakis"},"content":{"rendered":"

Publicada en 2018 por el Europ\u00e4ische Zentrum f\u00fcr J\u00fcdische Musik (EZJM)<\/a> de Hannover, esta colecci\u00f3n de 4 CD presenta una visi\u00f3n musical amplia sobre la tradici\u00f3n lit\u00fargica de los jud\u00edos romaniotes de Grecia.<\/p>\n

<\/p>\n

Los Romaniotes (este t\u00e9rmino se refiere a los antiguos habitantes del Imperio Romano de Oriente o Imperio Bizantino) son jud\u00edos helenizados que han vivido alrededor del Mediterr\u00e1neo oriental y del mar Negro durante m\u00e1s de 2 000 a\u00f1os. Algunas tradiciones hacen\u00a0 remontar su presencia al exilio babil\u00f3nico. Estos jud\u00edos helenizados se instalaron en los Estados reales procedentes del Imperio de Alejandro, en particular en Egipto de los Ptolomeos. Se apropiaron la lengua y la cultura griegas pero conservaron su fe, y son el origen de un importante conjunto de literatura judeo-helen\u00edstica, que incluye entre otras las primeras traducciones de la Biblia hebrea (por ejemplo la Septuaginta), los libros deuterocan\u00f3nicos, que no se aceptan en le Tanaj, los libros intertestamentarios, y los primeros intentos de integrar la filosof\u00eda en el juda\u00edsmo, cuyo\u00a0 representante m\u00e1s brillante es Fil\u00f3n de Alejandr\u00eda.<\/p>\n

\"rabbi_moshe_pesach_juif_romaniote_wikipedia_-_redim.jpg\"
Mois\u00e9s-Simeon Pesach, rabino de la comunidad romaniota de Volos, 1939<\/strong><\/figcaption><\/figure>\n

Tras la ca\u00edda del Imperio Bizantino, en 1453, los romaniotes adoptaron la norma otomana. Siguieron practicando su propio rito, su propia lengua (el judeogriego\/yev\u00e1nico) y otras particularidades (se basaron en el Talmud de Jerusal\u00e9n mientras que la mayor parte de los jud\u00edos del mundo se bas\u00f3 en el Talmud de Babilonia), pero, con la llegada de los Jud\u00edos expulsados de la pen\u00ednsula ib\u00e9rica, la cultura romaniota se disolvi\u00f3 gradualmente en la de los Sefard\u00edes.<\/p>\n

La comunidad, asesinada en el Holocausto, se ha reducido a decenas de miles de miembros en Grecia y se ha recontituido en parte en Israel y en los Estados Unidos. A principios del siglo XXI, s\u00f3lo quedaban cuatro comunidades romaniotes peque\u00f1as activas : en Sal\u00f3nica y Io\u00e1nina en Grecia, en Nueva York y Jerusal\u00e9n.<\/span><\/p>\n

Esta compilaci\u00f3n de grabaciones de campo, realizada entre 2016 y 2017 por Sarah Ross<\/strong>, directora del EZJM, y Miranda L. Crowdus<\/strong>, asistente de investigaci\u00f3n, tiene como objetivo hacer accesible este repertorio de los jud\u00edos romaniotes para generaciones futuras. 70 oraciones de los distintos oficios del a\u00f1o fueron grabadas junto al cantor Haim Ischakis, uno de los \u00faltimos expertos de la tradici\u00f3n romaniote.<\/p>\n

Haim Ischakis naci\u00f3 en Atenas en 1959. Sus padres eran de Io\u00e1nina y Calcis, dos ciudades en las que viv\u00eda antes de la guerra una comunidad romaniote pr\u00f3spera. Haim Ischakis estudi\u00f3 en el liceo L\u00e9onin, un centro escolar franco-griego, antes de continuar sus estudios en la Universidad hebrea de Jerusal\u00e9n. Vuelto a Grecia en 1981, se dedic\u00f3 a la perpetuaci\u00f3n de la cultura jud\u00eda romaniote tras la muerte de su padre en 1996, conservando en particular su tradici\u00f3n musical que enriquece a veces con nuevas melod\u00edas.<\/p>\n

Fue as\u00ed como, contrariamente a la afirmaci\u00f3n del folleto sobre la existencia de un repertorio original de m\u00fasica jud\u00eda romaniote, una gran parte de las melod\u00edas de esta colecci\u00f3n viene de diversos or\u00edgenes. Aunque la manera de cantar y algunos adornos parecen espec\u00edficos del rito romaniote, podemos observar la presencia de muchas melod\u00edas del rito sefard\u00ed portugu\u00e9s de Francia (ver la lista de reproducci\u00f3n m\u00e1s abajo los n\u00b0 2 [Rau vanim <\/em>debido<\/em> al compositor Emile Jonas<\/a>], 7. [Et Shaarei ratson<\/em> : melod\u00eda com\u00fan a la mayor parte de las tradiciones sefard\u00edes] y 8. [Lemaancha Elokai<\/em>]. Tambi\u00e9n encontramos melod\u00edas asquenaz\u00edes (9. Uvenucho Yomar<\/em> de Louis Lewandowski<\/a>, 10. Maoz Tzur <\/em>[melod\u00eda asquenaz\u00ed cl\u00e1sica] y 11. Echad Mi Yodea<\/em> [canci\u00f3n de Pesach con la melod\u00eda asquenaz\u00ed tradicional]). Finalmente, se observan canciones judeoespa\u00f1olas (4. Befi Yesharim<\/em> con<\/em> la melod\u00eda de \u00dcsk\u00fcdara<\/em><\/a>, 5. Kedusha<\/em> con<\/em> La rosa enflorece<\/em>) y israel\u00ed (3. Nishmat<\/em> con<\/em> la melod\u00eda de Yerushalayim Shel Zahav<\/em><\/a>).<\/p>\n

Como tal, este \u00ab patchwork \u00bb es t\u00edpico de las tradiciones jud\u00edas. No obstante, cabe lamentar que este intento de hacer revivir una tradici\u00f3n moribunda se base en la grabaci\u00f3n de una fuente de sonido \u00fanica, lo que dificulta la identificaci\u00f3n de lo que pertenece a lo individual o a lo colectivo, a la tradici\u00f3n o a la adaptaci\u00f3n.<\/p>\n

Pedir la colecci\u00f3n Cantor Haim Ischakis<\/a>
Consultar el art\u00edculo de Wikipedia sobre los jud\u00edos romaniotes<\/a><\/p>\n\n\n

<\/h2>\n\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n
1) Kaddish de Shabbat (Extrait)<\/a><\/div>\n\n\n\n
2) Rau vanim (Extrait)<\/a><\/div>\n\n\n\n
3) Nishmat kol Chai (Extrait)<\/a><\/div>\n\n\n\n
4) Befi Yesharim Titromam (Extrait)<\/a><\/div>\n\n\n\n
5) Kedusha Nakdishach Venaaritsach (Extrait)<\/a><\/div>\n\n\n\n
6) Achot Ketana (Extrait)<\/a><\/div>\n\n\n\n
7) Et Shaare Ratson (Extrait)<\/a><\/div>\n\n\n\n
8) Lemaancha Elokai (Extrait)<\/a><\/div>\n\n\n\n
9) Uvnucho Yomar (Extrait)<\/a><\/div>\n\n\n\n
10) Maoz Tsur (Extrait)<\/a><\/div>\n\n\n\n
11) Echad Mi Yodea (Extrait)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Publicada en 2018 por el Europ\u00e4ische Zentrum f\u00fcr J\u00fcdische Musik (EZJM) de Hannover, esta colecci\u00f3n de 4 CD presenta una visi\u00f3n musical amplia sobre la tradici\u00f3n lit\u00fargica de los jud\u00edos<\/p>\n","protected":false},"author":1045,"featured_media":92257,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1568,1565],"tags":[4046],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1890],"fonds":[],"tradition":[1969],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-92256","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-es","category-ultimas-adquisiciones-es","tag-grecia-es","genre-liturgia-es","tradition-rito-romantico-es"],"acf":[],"yoast_head":"\nCantor Haim Ischakis - Institut Europ\u00e9en des Musiques 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