{"id":92305,"date":"2019-02-12T18:21:32","date_gmt":"2019-02-12T17:21:32","guid":{"rendered":"https:\/\/www.iemj.org\/sutzkever-project-2\/"},"modified":"2025-09-17T10:31:06","modified_gmt":"2025-09-17T08:31:06","slug":"sutzkever-project-2","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/sutzkever-project-2\/","title":{"rendered":"Sutzkever Project"},"content":{"rendered":"

En 2010, el disco Sutzkever Project<\/em> fue el resultado de la asociaci\u00f3n entre el compositor Olivier Milhaud, el sobrino-nieto de Darius Milhaud, y la profesora y traductora de yiddish Batia Baum. En este encuentro, Batia Baum habl\u00f3 de la peronalidad y la obra fascinante del poeta Avrom Sutzkever. Una obra desfasada en la que el poeta ve\u00a0 estrellas aparecer en la cloaca del gueto de Vilno y alucina, viendo una puesta del sol en su propria sangre mezclada con cal. La poes\u00eda yiddish de Sutzkever frustra la atrocidad al recrear el mundo por una orden de vida y belleza\u2026<\/p>\n

Seducido por los textos de ese gran poeta, Olivier Milhaud sinti\u00f3 la necesidad de musicalizarlos. Fue gracias a este encuentro, en 2015, con la cantante M\u00e9lanie Gardyn y en 2016 con la pianista Natacha Medvedeva que iba a nacer Sutzkever Project, que gan\u00f3 en 2017 el 1er premio del Festival Internacional de M\u00fasicas Jud\u00edas de Amsterdam<\/em> y el<\/em> Premio<\/em> Mira Rafalowicz<\/em> por<\/em> la mejor interpretaci\u00f3n en yiddish.<\/p>\n

\"cd_1140_couv4_-_redim.jpg\"<\/p>\n

El disco Sutzkever Project<\/em>, publicado en 2018, nos propone 12 poemas de Avrom Sutzkever evocando temas y universos muy distintos : la naturaleza siberiana relacionada con la muerte del padre (Sibir<\/em>), la naturaleza encarnada en dos \u00e1rboles enamorados, fusionales (tsvey beymer<\/em>), un nido desierto (Di farloyrene nest<\/em>), la oraci\u00f3n y el recuerdo del abuelo (Tikn os<\/em>), el G\u00e9nesis y la ca\u00edda del para\u00edso (Der boym fun lebn, Der boym fun visn<\/em>), el horror transfigurado en una especie de pintura-poema, de visi\u00f3n (Farfroyrene yidn, ikh lig in an orn<\/em>), el horror en una melod\u00eda c\u00ednica (A vogn shikh<\/em>), alucinaci\u00f3n de una puesta del sol en la cal como versos de poemas (Di sturmisten<\/em>) o tambi\u00e9n el desencanto de una \u00e9poca (Penemer in zumpn<\/em>), una interrogaci\u00f3n m\u00edstica (Tsou vemen geher ikh ?<\/em>),\u00a0 palabras que se encarnan \u2013 la rosa-viol\u00edn (Di fidlroyz<\/em>), \u00bf una aparici\u00f3n o un sue\u00f1o ? \u2013 la bailarina (Di tentserin<\/em>).<\/p>\n

Cada canto se construy\u00f3 alrededor de un significante musical <\/em>(como de una palabra, de un leitmotiv para Sutzkever), es decir de un motivo arm\u00f3nico, mel\u00f3dico y\/o r\u00edtmico en torno al cual se basa el resto.<\/p>\n

La m\u00fasica de Olivier Milhaud, inspirada en la liturgia jud\u00eda, y hermosamente interpretada por M\u00e9lanie Gardyn y Natacha Medvedeva, se inscribe en la l\u00ednea de Bloch, Ravel, Eisler, Shostakovich\u2026<\/p>\n

\u00a1 Un gran \u00e9xito !<\/p>\n

Pedir el CD Sutzkever Project en la tienda del IEMJ<\/a><\/p>\n

Pedir el CD Sutzkever Project en la tienda del IEMJ<\/a><\/h2>\n\n\n

<\/h2>\n\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n
01 Petit soleil EX<\/a><\/div>\n\n\n\n
02 Juifs gel\u00e9s EX<\/a><\/div>\n\n\n\n
03 A qui j appartiens EX<\/a><\/div>\n\n\n\n
04 Un visage dans les mar\u00e9cages EX<\/a><\/div>\n\n\n\n
05 Deux arbres EX<\/a><\/div>\n\n\n\n
06 Un wagon de chaussures EX<\/a><\/div>\n\n\n\n
07 Au bord du lac Narotch EX<\/a><\/div>\n\n\n\n
08 Je gis dans un cercueil EX<\/a><\/div>\n\n\n\n
09 Nid perdu EX<\/a><\/div>\n\n\n\n
10 Qui restera EX<\/a><\/div>\n\n\n\n
11 Chant de r\u00e9paration EX<\/a><\/div>\n\n\n\n
12 A travers les nuits ensoleill\u00e9es EX<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

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