{"id":92395,"date":"2018-07-17T17:33:47","date_gmt":"2018-07-17T15:33:47","guid":{"rendered":"https:\/\/www.iemj.org\/en-chemin\/"},"modified":"2025-10-20T11:50:28","modified_gmt":"2025-10-20T09:50:28","slug":"en-chemin","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/es\/en-chemin\/","title":{"rendered":"En Chemin"},"content":{"rendered":"<p>El <strong>Ch\u0153ur de Chambre des Deux-S\u00e8vres<\/strong> siempre dese\u00f3 abrirse a m\u00fasicas de otras culturas y promoverlas. El encuentro con <strong>Jean Golgevit<\/strong>, y el descubrimiento de ses armon\u00edas de cantos populares yiddish llevaron el Ch\u0153ur de Chambre a apropiarse de este nuevo repertorio. Para cumplir con las especificidades de las distintas armon\u00edas (voces mixtas, para coro de mujeres y para coro de hombres). Las<strong> Dames de Ch\u0153ur<\/strong> y el coro de hombres <strong>Les Entonneurs<\/strong> fueron invitados a compartir la aventura.<\/p>\n<p><strong>Jean Golgevit<\/strong><\/p>\n<p><span lang=\"ES\" style=\"color: #171717;\">Violiniste, compositor, formador de directores de coro, es \u00e9l mismo director de coro. Cre\u00f3 pedagog\u00edas musicales para adultos, elabor\u00f3 y conceptualiz\u00f3 el Lenguaje Musical, un proceso que brinda las claves para entender una partitura con el canto como instrumento privilegiado. Cre\u00f3 y luego proporcion\u00f3 herramientas de definici\u00f3n y desarrollo del comportamiento del director de coro en el acto musical. Logr\u00f3 crear una nueva forma de expresi\u00f3n polif\u00f3nica, son los grupos llamados \u00ab Ballade \u00bb (grupos vocales sin direcci\u00f3n, gracias a un importante trabajo de escucha), que restaura la libertad de interpretaci\u00f3n individual al cantante dentro del grupo.<\/span><\/p>\n<p><strong>Les Dames de Ch\u0153ur<\/strong><\/p>\n<p>Fundado hace unos veinte a\u00f1os en el Conservatoire du Bocage Bressuirais, este coro a geometr\u00eda variable agrupa a una treintena de mujeres.<br \/>Cantantes aficionadas listas para cualquier descubrimiento, tuvieron la oportunidad de practicar juntas, bajo el liderazgo de profesionales de calidad (artistas, directores de coros, compositores invitados\u2026), las alegr\u00edas y la exigencia de la improvisaci\u00f3n, de la canci\u00f3n tradicional francesa, de las canciones del mundo, de programas rom\u00e1nticos, composiciones contempor\u00e1neas y de repertorios inusuales.<\/p>\n<p><strong>Les Entonneurs<\/strong><\/p>\n<p><span lang=\"ES\" style=\"color: #171717;\">Creado en la primavera de 2008, bajo el impulso del Ch\u0153ur de Chambre des Deux-S\u00e8vres, el coro masculino \u201cLes Entonneurs\u201d consta de una veintena de cantantes. Pueden ofrecer un programa de canciones muy bonitas y repertorios que va desde el rom\u00e1ntico hasta la canci\u00f3n tradicional.<\/span><\/p>\n<p><strong>Las canciones yiddish<\/strong><\/p>\n<p>El repertorio musical se inspira tanto en cantos profanos y bailes populares como en melod\u00edas sencillas y sin letra. Mezclada con influencias eslavas, gitanas, griegas, turcas, y m\u00e1s tarde, con el Jazz, esta m\u00fasica adquiri\u00f3 una diversidad y una sonoridad caracter\u00edsticas.<br \/>Estos cantos son armonizados por Jean Golgevit, aportando una originalidad a todo : en vez de ser acompa\u00f1ados por instrumentos como es tradici\u00f3n, se interpretan a cappella. Dos CD (con el tr\u00edo y el quinteto Isajoan) y una recopilaci\u00f3n de partituras fueron editados con el apoyo de la Fondation pour la M\u00e9moire de la Shoah.<\/p>\n<h2><a href=\"https:\/\/www.iemj.org\/es\/produit\/en-chemin-yiddish-folk-songs\/\">Comprar el CD en la tienda IEMJ<\/a><\/h2>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" aligncenter size-full wp-image-20609\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/en_chemin_-_couv4_500px.jpg\" alt=\"en_chemin_-_couv4_500px.jpg\" width=\"500\" height=\"452\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/en_chemin_-_couv4_500px.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/en_chemin_-_couv4_500px-300x271.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110610\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-a5d69b88-a650-4283-91fc-0251c383f8c1\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/dem_milners_trern.mp3\">Dem milners trern &#8211; EXTRAIT<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-256c2504-7520-4d11-8036-c46d2915067e\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/gloyb_mamenyu.mp3\">Gloyb mamenyu &#8211; EXTRAIT<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-7f25369d-98a8-4cab-a115-727b1855c8af\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/shtiler_ovnt.mp3\">Shtiler ovnt &#8211; EXTRAIT<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-1f193fc0-f6d9-4c86-86d6-80ae80037c12\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/07\/ze_dos_kleydl_tateshi.mp3\">Ze dos kleydl, tateshi &#8211; EXTRAIT<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>El Ch\u0153ur de Chambre des Deux-S\u00e8vres siempre dese\u00f3 abrirse a m\u00fasicas de otras culturas y promoverlas. El encuentro con Jean Golgevit, y el descubrimiento de ses armon\u00edas de cantos populares<\/p>\n","protected":false},"author":5,"featured_media":37167,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1568,1565],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1863],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-92395","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-es","category-ultimas-adquisiciones-es","genre-yiddish-es"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>En Chemin - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/es\/en-chemin\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"En Chemin - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"El Ch\u0153ur de Chambre des Deux-S\u00e8vres siempre dese\u00f3 abrirse a m\u00fasicas de otras culturas y promoverlas. 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