{"id":100022,"date":"2017-11-28T11:01:01","date_gmt":"2017-11-28T10:01:01","guid":{"rendered":"https:\/\/www.iemj.org\/confluences\/"},"modified":"2025-09-20T13:51:55","modified_gmt":"2025-09-20T11:51:55","slug":"confluences","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/confluences\/","title":{"rendered":"Confluence(s)"},"content":{"rendered":"

“Due fili rossi attraversano questa registrazione. Due fili intrecciati. Uno proveniente dalla Francia, intrecciato con l’altro, ebraico, per tessere una nuova realt\u00e0, il capitolo scintillante e multicolore di un secolo la cui musica pensavamo di aver ascoltato tutta”.<\/p>\n

Il tenore Benjamin Alunn<\/strong>i, accompagnato dalla pianista Marine Thoreau La Salle<\/strong> e dalla violoncellista del Quatuor Voce Lydia Shelley<\/strong>, pubblica il suo primo album per Klarthe Records.<\/p>\n

Il programma di questo CD \u00e8 il frutto di una ricerca su un repertorio poco conosciuto od inedito, che combina melodie popolari e tradizionali con opere del repertorio classico e della musica contemporanea.<\/p>\n

Molti compositori, ebrei e non ebrei, si sono ispirati all’ebraismo ed alla sua cultura. Per alcuni, la musica \u00e8 un’espressione naturale della loro identit\u00e0 ebraica; per altri, le culture ebraiche sono una fonte di ispirazione. Cantate in francese, ebraico, aramaico o yiddish, queste melodie sono composte sia da compositori famosi che da autori, donne e uomini, spesso sconosciuti e talvolta dimenticati.<\/p>\n

Dal 1914 al 2009. Dal Kaddish di Maurice Ravel<\/strong> a quello di Graciane Finzi<\/strong>, passando per Milhaud<\/strong>, Honegger<\/strong>, Barraine<\/strong>, Martineau<\/strong> ed altri, questo programma \u00e8 un itinerario scelto attraverso il 20\u00b0 secolo fino ai giorni nostri. Un viaggio originale, tra tradizione e modernit\u00e0, francofonia ed ebraismo, queste melodie non sinagogali, destinate al concerto, rivelano un po’ della nostra storia.<\/p>\n

Con il sostegno di Arcal, dell’Institut Alain de Rothschild e della Fondation pour la M\u00e9moire de la Shoah.<\/em><\/p>\n

Per saperne di pi\u00f9 e ordinare il CD<\/a>
Ascoltare il programma radiofonico di Juda\u00efques FM dedicato al CD Confluences<\/a><\/p>\n

\u00a0<\/p>\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n
Kaddish pour t\u00e9nor, violoncelle et piano, Finzi (extrait)<\/a><\/div>\n\n\n\n
La Chanson du gardien de la vigne, Barraine (extrait)<\/a><\/div>\n\n\n\n
Chant d’amour, Milhaud (extrait)<\/a><\/div>\n\n\n\n
Po\u00e8me h\u00e9bra\u00efque, Schlonski (extrait)<\/a><\/div>\n\n\n\n
Efent, Rebetsin !, Algazi (extrait)<\/a><\/div>\n\n\n\n
Die alte kasche, Martineau (extrait)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

“Due fili rossi attraversano questa registrazione. Due fili intrecciati. Uno proveniente dalla Francia, intrecciato con l’altro, ebraico, per tessere una nuova realt\u00e0, il capitolo scintillante e multicolore di un secolo<\/p>\n","protected":false},"author":1048,"featured_media":100023,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"categories":[1569,1564],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1901],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[3130,3249],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-100022","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-it","category-ultimi-acquisti-it","genre-musica-classica-it","interprete-compositeur-darius-milhaud-it","interprete-compositeur-leon-algazi-it"],"acf":[],"yoast_head":"\nConfluence(s) - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/it\/confluences\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Confluence(s) - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"“Due fili rossi attraversano questa registrazione. Due fili intrecciati. Uno proveniente dalla Francia, intrecciato con l’altro, ebraico, per tessere una nuova realt\u00e0, il capitolo scintillante e multicolore di un secolo\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/it\/confluences\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-11-28T10:01:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-20T11:51:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/11\/arton2812-e1619195562413.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"350\" \/>\n\t<meta property=\"og:image:height\" content=\"313\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jean-Gabriel Davis\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jean-Gabriel Davis\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/confluences\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/confluences\\\/\"},\"author\":{\"name\":\"Jean-Gabriel Davis\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\"},\"headline\":\"Confluence(s)\",\"datePublished\":\"2017-11-28T10:01:01+00:00\",\"dateModified\":\"2025-09-20T11:51:55+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/confluences\\\/\"},\"wordCount\":296,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/confluences\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2017\\\/11\\\/arton2812-e1619195562413.jpg\",\"articleSection\":[\"CD\",\"Ultimi acquisti\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/confluences\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/confluences\\\/\",\"name\":\"Confluence(s) - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/confluences\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/confluences\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2017\\\/11\\\/arton2812-e1619195562413.jpg\",\"datePublished\":\"2017-11-28T10:01:01+00:00\",\"dateModified\":\"2025-09-20T11:51:55+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/confluences\\\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/it\\\/confluences\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/confluences\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2017\\\/11\\\/arton2812-e1619195562413.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2017\\\/11\\\/arton2812-e1619195562413.jpg\",\"width\":350,\"height\":313},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/confluences\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Confluence(s)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/person\\\/c9bc1c386a3749579a2d675e72a18666\",\"name\":\"Jean-Gabriel Davis\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g\",\"caption\":\"Jean-Gabriel Davis\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Confluence(s) - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/it\/confluences\/","og_locale":"it_IT","og_type":"article","og_title":"Confluence(s) - Institut Europ\u00e9en des Musiques Juives","og_description":"“Due fili rossi attraversano questa registrazione. Due fili intrecciati. Uno proveniente dalla Francia, intrecciato con l’altro, ebraico, per tessere una nuova realt\u00e0, il capitolo scintillante e multicolore di un secolo","og_url":"https:\/\/www.iemj.org\/it\/confluences\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2017-11-28T10:01:01+00:00","article_modified_time":"2025-09-20T11:51:55+00:00","og_image":[{"width":350,"height":313,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/11\/arton2812-e1619195562413.jpg","type":"image\/jpeg"}],"author":"Jean-Gabriel Davis","twitter_card":"summary_large_image","twitter_misc":{"Scritto da":"Jean-Gabriel Davis","Tempo di lettura stimato":"2 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/it\/confluences\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/it\/confluences\/"},"author":{"name":"Jean-Gabriel Davis","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666"},"headline":"Confluence(s)","datePublished":"2017-11-28T10:01:01+00:00","dateModified":"2025-09-20T11:51:55+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/it\/confluences\/"},"wordCount":296,"publisher":{"@id":"https:\/\/www.iemj.org\/it\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/it\/confluences\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/11\/arton2812-e1619195562413.jpg","articleSection":["CD","Ultimi acquisti"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/it\/confluences\/","url":"https:\/\/www.iemj.org\/it\/confluences\/","name":"Confluence(s) - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/it\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/it\/confluences\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/it\/confluences\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/11\/arton2812-e1619195562413.jpg","datePublished":"2017-11-28T10:01:01+00:00","dateModified":"2025-09-20T11:51:55+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/it\/confluences\/#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/it\/confluences\/"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.iemj.org\/it\/confluences\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/11\/arton2812-e1619195562413.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/11\/arton2812-e1619195562413.jpg","width":350,"height":313},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/it\/confluences\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/it\/"},{"@type":"ListItem","position":2,"name":"Confluence(s)"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/it\/#website","url":"https:\/\/www.iemj.org\/it\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/it\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/it\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/it\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/it\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/person\/c9bc1c386a3749579a2d675e72a18666","name":"Jean-Gabriel Davis","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2b90d67bdf392c9b3a21fab87c0fa7edaf1fb3a058172a1ffd61033fcec7aec1?s=96&d=mm&r=g","caption":"Jean-Gabriel Davis"}}]}},"ticketed":false,"_links":{"self":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts\/100022","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/users\/1048"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/comments?post=100022"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts\/100022\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/media\/100023"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/media?parent=100022"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/categories?post=100022"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tags?post=100022"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/technique?post=100022"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/squelettes?post=100022"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/sujet?post=100022"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/formation?post=100022"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/genre?post=100022"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/fonds?post=100022"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tradition?post=100022"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/type-de-contenu?post=100022"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/interprete-compositeur?post=100022"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/frise?post=100022"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/type-devenement?post=100022"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tableaux-liens-externes?post=100022"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}