{"id":100991,"date":"2017-02-14T15:30:58","date_gmt":"2017-02-14T14:30:58","guid":{"rendered":"https:\/\/www.iemj.org\/sauvee-des-cendres\/"},"modified":"2025-11-02T19:57:17","modified_gmt":"2025-11-02T18:57:17","slug":"sauvee-des-cendres","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/sauvee-des-cendres\/","title":{"rendered":"Sauv\u00e9e des cendres"},"content":{"rendered":"<p>Il musicista <a href=\"https:\/\/www.youtube.com\/@heliosazoulay8884\" target=\"_blank\" rel=\"noopener\">H\u00e9lios Azoulay<\/a>, specialista ed interprete noto della musica dei campi di concentrazione, ha appena pubblicato un CD intitolato Sauv\u00e9e des cendres (Salvato dalle ceneri), in riferimento ad un&#8217;opera incompiuta di Viktor Ullmann (1898-1944). Il 17 ottobre 1944, il compositore austriaco viene assassinato ad Auschwitz. Aveva appena terminato il libretto di un&#8217;opera dedicata a Giovanna d&#8217;Arco: <em>Il 30 maggio 1431<\/em>. Scritta nell&#8217;orrore del ghetto di Terez\u00edn, l&#8217;opera di Ullmann descrive i momenti pi\u00f9 famosi della vita di Giovanna fino alla sua morte sul rogo. Questo testo completamente inedito \u00e8 stato ritrovato, tradotto e pubblicato per la prima volta dal compositore H\u00e9lios Azoulay nel suo libro <em><a href=\"https:\/\/www.iemj.org\/it\/lenfer-aussi-a-son-orchestre\/\">L&#8217;enfer aussi a son orchestre<\/a><\/em>.<\/p>\n<p>Il libretto di Ullmann, pur essendo un puro capolavoro di poesia, \u00e8 privo di musica: purtroppo il compositore \u00e8 riuscito a scarabocchiare solo due modeste pagine per pianoforte, incluse in uno spartito diverso: <em>Don Chisciotte tanzt Fandango<\/em> (1944). H\u00e9lios Azoulay si \u00e8 quindi cimentato nella folle sfida di completare quest&#8217;opera dedicata a Giovanna d&#8217;Arco, spesso paragonata alla profetessa D\u00e9borah, messa al rogo per aver cercato di salvare il suo popolo. Ma non si tratta di comporre &#8220;alla maniera di&#8221; Viktor Ullmann. Azoulay impiega, diffrange e metamorfosa le poche e preziose misure di questo spartito, sotto forma di ostinati melodici che sostengono il testo. Dopo tutto, non si tratta di comporre un&#8217;opera. Soprattutto il testo deve essere ascoltato! Ecco perch\u00e9 la creazione di H\u00e9lios Azoulay \u00e8 scritta per narratore, voce femminile, quartetto d&#8217;archi e pianoforte.<\/p>\n<p>Il risultato sonoro \u00e8 ammaliante. La musica eseguita dall&#8217;Ensemble de musique Incidentale sembra pendere dalle labbra della cantante-narratrice Marielle Rubens. I musicisti che la circondano (Elios Azoulay, Teona Kharadze, Dimitri Maslennikov, Pablo Schatzman e Baptiste Vay) la avviluppano in uno strato di suono che sottolinea la potenza e la bellezza del testo di Ullmann.<\/p>\n<p>Questo CD include altri quattro brani musicali:<\/p>\n<ul>\n<li><em>Shtiler Shtiler<\/em> \u00e8 stata composta da Aleksander Volkoviski nel ghetto di Vilna nel 1943. Il ragazzo, un pianista straordinario all&#8217;et\u00e0 di 11 anni, vince un concorso musicale organizzato dal Consiglio ebraico del ghetto di Vilna scrivendo questa ninna nanna, che diventa rapidamente una delle canzoni preferite del ghetto&#8230; prima che venga liquidato nel 1943.<\/li>\n<li><em>Und der Regen rinnt<\/em> \u00e8 una filastrocca di Ilse Weber, la caposala dei bambini del campo di Terezin. Spesso prendeva la chitarra e suonava le sue ninne nanne per i pi\u00f9 piccoli, come una carezza. Ma questa canzone \u00e8 per suo figlio, Hanu\u0161&#8230; Prima che le cose le sfuggissero di mano e si ritrovasse qui in questo terribile ghetto con il marito ed il loro piccolo Tommy, riusc\u00ec a salvare il maggiore mandandolo in Svezia&#8230; \u00e8 molto lontano&#8230; E le mura sono impenetrabili&#8230;<\/li>\n<li><em>La r\u00eaverie de Mengele<\/em> \u00e8 ispirata ad una storia vera. Ad Auschwitz, l&#8217;Hauptsturmf\u00fchrer Mengele, che stava conducendo atroci esperimenti medici che portarono alla morte di migliaia di adulti e bambini, chiede ad Alma Ros\u00e9, che dirige l&#8217;orchestra femminile del campo, di eseguire <em>La r\u00eaverie<\/em> di Robert Schumann. L&#8217;assoluta oscenit\u00e0 di una simile scelta ha ispirato H\u00e9lios Azoulay a creare un brano musicale che contrappone la dolcezza dell&#8217;opera originale di Schumann all&#8217;orrore dei campi di sterminio.<\/li>\n<li><em>Kolysanka dla synka w krematorium<\/em> racconta la storia di Aaron Liebeskind, un giovane orologiaio polacco di Bilgoraj, che assiste impotente all&#8217;uccisione della moglie Edith e del figlio nel campo di sterminio di Treblinka nel 1942. Implora la guardia del crematorio di concedergli la notte libera per vegliare sul figlio. Mentre l&#8217;odore insopportabile dei cadaveri arrostiti aleggia nell&#8217;aria, Aaron culla tra le braccia il figlio di tre anni morto, cantandogli una ninna nanna&#8230;<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.amazon.fr\/H%C3%A9lios-Azoulay-lEnsemble-Musique-Incidentale\/dp\/B01N7P4YPE\/ref=sr_1_4?ie=UTF8&amp;qid=1486736073&amp;sr=8-4&amp;keywords=h%C3%A9lios+azoulay\" target=\"_blank\" rel=\"noopener\">Ordinare il CD<\/a><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110609\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-1279fcb8-6a70-4088-85b9-2fc800d1e970\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/02\/und_der_regen_rinnt_ilse_weber.mp3\">Und der Regen rinnt &#8211; Ilse Weber<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-e3b55940-9a79-403e-aee5-4bfbb34d4e0e\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/02\/le_30_mai_1431_acte_ii_scene_3_viktor_ullmann.mp3\">Le 30 mai 1431 &#8211; Acte II scene 3 &#8211; Viktor Ullmann<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-99654ae5-45a6-4047-a31e-a698edd06b9f\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/02\/shtiler_shtiler_aleksander_volkoviski.mp3\">Shtiler Shtiler &#8211; Aleksander Volkoviski<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-712b29e6-64c2-4157-899e-ba15d074a3bc\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/02\/la_reverie_de_mengele_helios_azoulay.mp3\">La reverie de Mengele &#8211; Helios Azoulay<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-881e2c55-0fcd-42bc-bbc6-fc0a59e881d9\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/02\/kolysanka_dla_synka_w_krematorium_aaron_liebeskind.mp3\">Kolysanka dla synka w krematorium &#8211; Aaron Liebeskind<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Il musicista H\u00e9lios Azoulay, specialista ed interprete noto della musica dei campi di concentrazione, ha appena pubblicato un CD intitolato Sauv\u00e9e des cendres (Salvato dalle ceneri), in riferimento ad un&#8217;opera<\/p>\n","protected":false},"author":1045,"featured_media":100992,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1569,1564],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[3310],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-100991","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-it","category-ultimi-acquisti-it","interprete-compositeur-viktor-ullmann-it"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sauv\u00e9e des cendres - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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