{"id":101763,"date":"2016-05-04T10:57:51","date_gmt":"2016-05-04T08:57:51","guid":{"rendered":"https:\/\/www.iemj.org\/melodies-prescience-conscience\/"},"modified":"2025-10-20T17:49:37","modified_gmt":"2025-10-20T15:49:37","slug":"melodies-prescience-conscience","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/melodies-prescience-conscience\/","title":{"rendered":"M\u00e9lodies – Prescience, Conscience"},"content":{"rendered":"

In questo quarto CD della serie Les musiciens et la Grande Guerre, il baritono Marc Maurillon, accompagnato da Anne Le Bozec al pianoforte Bechstein, esegue opere di Halphen, Hahn, Debussy, F\u00e9vrier, J\u00fcrgens…<\/p>\n

Erano giovani ed il loro futuro appariva brillante. Erano belgi (Devaere), tedeschi (Stephan, J\u00fcrgens), inglesi (Butterworth, Farrar), australiani (Kelly) o francesi (Debussy, Hahn, Halphen). Alla vigilia del conflitto, essi hanno espresso nelle loro melodie, con un impressionante senso di premonizione, allo stesso tempo la nostalgia di un tempo felice passato, il confronto con gli eterni temi dell’oblio e della morte, e la desolazione delle loro vite che stavano per essere devastate. I sopravvissuti, cercando di superare l’amarezza e la tristezza, trovano la forza di cantare la speranza o la pace che pensavano di aver trovato.<\/p>\n

Per saperne di pi\u00f9 ed ordinare il CD<\/a><\/strong><\/p>\n

PROGRAMMA DETTAGLIATO DEL CD<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
HORTUS 704 | CD DDD \u2117 Hortus 2014 | T.T. 69’49<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\nFernand Halphen (1872-1917)<\/td>\n<\/tr>\n
1.<\/td>\nPour Cyth\u00e8re<\/td>\n1’15<\/td>\n<\/tr>\n
\u00a0<\/td>\nHenry F\u00e9vrier (1875-1957)<\/td>\n<\/tr>\n
2.<\/td>\nLa derni\u00e8re chanson<\/td>\n4’57<\/td>\n<\/tr>\n
\u00a0<\/td>\nJ\u00fcrgens (1888-1915)<\/td>\n<\/tr>\n
3.<\/td>\nDas Treue Paar<\/td>\n2’21<\/td>\n<\/tr>\n
4.<\/td>\nDer Geworbene<\/td>\n2’22<\/td>\n<\/tr>\n
5.<\/td>\nDeh Nicht<\/td>\n1’40<\/td>\n<\/tr>\n
6.<\/td>\nFrom<\/td>\n2’46<\/td>\n<\/tr>\n
\u00a0<\/td>\nMaurice Ravel (1875-1937)<\/td>\n<\/tr>\n
\u00a0<\/td>\nTrois chansons<\/td>\n\u00a0<\/td>\n<\/tr>\n
7.<\/td>\nNicolette<\/td>\n2’04<\/td>\n<\/tr>\n
8.<\/td>\nTrois beaux oiseaux du paradis<\/td>\n3’04<\/td>\n<\/tr>\n
\u00a0<\/td>\nGeorge Butterworth (1885-1916)<\/td>\n<\/tr>\n
9.<\/td>\nOn the idle hill of summer<\/td>\n3’26<\/td>\n<\/tr>\n
10.<\/td>\nLoveliest of trees<\/td>\n2’33<\/td>\n<\/tr>\n
\u00a0<\/td>\nFrederick Septimus Kelly (1881-1916)<\/td>\n<\/tr>\n
11.<\/td>\nShall I compare Thee ?<\/td>\n3’02<\/td>\n<\/tr>\n
\u00a0<\/td>\nGabriel Faur\u00e9 (1845-1924)<\/td>\n<\/tr>\n
12.<\/td>\nC’est la paix op.114 op. 114<\/td>\n1’17<\/td>\n<\/tr>\n
\u00a0<\/td>\nErnest Farrar (1885-1918)<\/td>\n<\/tr>\n
\u00a0<\/td>\n3 pi\u00e8ces pour piano op. 23<\/td>\n\u00a0<\/td>\n<\/tr>\n
13.<\/td>\nMenuet<\/td>\n1’11<\/td>\n<\/tr>\n
14.<\/td>\nLullaby<\/td>\n3’13<\/td>\n<\/tr>\n
15.<\/td>\nCaprice<\/td>\n1’24<\/td>\n<\/tr>\n
\u00a0<\/td>\nAndr\u00e9 Devaere (1890-1914)<\/td>\n<\/tr>\n
16.<\/td>\nLa fl\u00fbte am\u00e8re de l’automne op. 1<\/td>\n2’08<\/td>\n<\/tr>\n
\u00a0<\/td>\nRudi Stephan (1887-1915)<\/td>\n<\/tr>\n
17.<\/td>\nPappel im Strahl<\/td>\n1’44<\/td>\n<\/tr>\n
18.<\/td>\nHeimat<\/td>\n3’23<\/td>\n<\/tr>\n
\u00a0<\/td>\nClaude Debussy (1862-1918)<\/td>\n<\/tr>\n
19.<\/td>\nNo\u00ebl des enfants qui n’ont plus de maison<\/td>\n2’32<\/td>\n<\/tr>\n
\u00a0<\/td>\nReynaldo Hahn (1874-1947)<\/td>\n<\/tr>\n
20.<\/td>\nLe plus beau pr\u00e9sent<\/td>\n3’11<\/td>\n<\/tr>\n
\u00a0<\/td>\nErwin Schulhoff (1894-1942)<\/td>\n<\/tr>\n
\u00a0<\/td>\n5 Ges\u00e4nge op. 39<\/td>\n\u00a0<\/td>\n<\/tr>\n
21.<\/td>\nLangsam wandle Ich<\/td>\n4’33<\/td>\n<\/tr>\n
22.<\/td>\nLass Mich<\/td>\n1’03<\/td>\n<\/tr>\n
23.<\/td>\nNun versank der Abend<\/td>\n3’00<\/td>\n<\/tr>\n
\u00a0<\/td>\nAndr\u00e9 Devaere (1890-1914)<\/td>\n<\/tr>\n
24.<\/td>\nGrave et poignant, pour piano<\/td>\n5’37<\/td>\n<\/tr>\n
\u00a0<\/td>\nRudi Stephan (1887-1915)<\/td>\n<\/tr>\n
25.<\/td>\nAbendfrieden<\/td>\n3’40<\/td>\n<\/tr>\n
\u00a0<\/td>\nGeorge Butterworth (1885-1916)<\/td>\n<\/tr>\n
26.<\/td>\nThe lads in their hundreds<\/td>\n2’10<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n
F. Halphen, Pour Cyth\u00e8re<\/a><\/div>\n\n\n\n
F.S. Kelly, Shall I compare thee?<\/a><\/div>\n\n\n\n
E. Farrar, Lullaby<\/a><\/div>\n\n\n\n
R. Hahn, Le plus beau pr\u00e9sent<\/a><\/div>\n\n\n\n
E. Schulhoff, Nun versank der Abend<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

In questo quarto CD della serie Les musiciens et la Grande Guerre, il baritono Marc Maurillon, accompagnato da Anne Le Bozec al pianoforte Bechstein, esegue opere di Halphen, Hahn, Debussy,<\/p>\n","protected":false},"author":1048,"featured_media":101764,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1569,1564],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1901],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-101763","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-it","category-ultimi-acquisti-it","genre-musica-classica-it"],"acf":[],"yoast_head":"\nM\u00e9lodies - Prescience, Conscience - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, 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