{"id":106971,"date":"2020-01-15T12:42:38","date_gmt":"2020-01-15T11:42:38","guid":{"rendered":"https:\/\/www.iemj.org\/giacomo-meyerbeer\/"},"modified":"2024-01-03T15:04:28","modified_gmt":"2024-01-03T14:04:28","slug":"giacomo-meyerbeer","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/giacomo-meyerbeer\/","title":{"rendered":"Giacomo Meyerbeer"},"content":{"rendered":"

Bleu nuit \u00e9diteur, avril 2017, 176 p.<\/p>\n

<\/p>\n

Nato a Berlino da una ricca famiglia ebrea, Giacomo Meyerbeer (1791-1864)<\/a> d\u00e0 i suoi primi concerti pubblici all’et\u00e0 di soli dieci anni. Impara a comporre con Zeller e ha come compagno di studi Carl-Maria von Weber. Quando si reca in Italia per perfezionarsi, italianizza il suo nome di battesimo e ottiene il suo primo successo alla Fenice di Venezia nel 1824 con Il Crociato in Egitto<\/em>.<\/p>\n

Una volta stabilitosi a Parigi, crea Robert le Diable<\/em> (1824) che, sulla scia di Fernand Cortez (1774-1851) di Spontini, getta le basi del Grand Op\u00e9ra francese, di cui il compositore sar\u00e0 il miglior ambasciatore nel mondo. Il successo venne confermato quattro anni dopo con lo stesso librettista, Eug\u00e8ne Scribe, in Les Huguenots<\/em>.<\/p>\n

Nominato direttore musicale della corte prussiana a Berlino, Meyerbeer non sar\u00e0 mai riconosciuto dai suoi colleghi tedeschi. Tornato per presentare Le Proph\u00e8te<\/em> (1849), muore a Parigi prima della prima della sua ultima opera, L’Africaine<\/em>.<\/p>\n

L’Autrice<\/strong>
\nViolaine Anger \u00e8 professore all’Universit\u00e0 di Evry Val-d’Essonne e professore associato all’Ecole Polytechnique. \u00c8 ex insegnante di Storia della musica al Conservatorio Nazionale Superiore di Musica (CNSM) di Parigi.
\nLe sue ricerche si concentrano sul rapporto tra lingua, linguaggio e musica. \u00c8 autrice di Sens de la musique (Presses de la rue d’Ulm, Parigi, 2006) e di numerosi articoli.<\/p>\n

Ordinare il libro<\/a>
\nLeggere la biografia di Meyerbeer e le sue composizioni di ispirazione ebraica<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Bleu nuit \u00e9diteur, avril 2017, 176 p.<\/p>\n","protected":false},"author":1045,"featured_media":106972,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1576,1564],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1901],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-106971","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-libri-articoli-it","category-ultimi-acquisti-it","genre-musica-classica-it"],"acf":[],"yoast_head":"\nGiacomo Meyerbeer - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/it\/giacomo-meyerbeer\/\" \/>\n<meta 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