{"id":117240,"date":"2025-01-25T18:37:06","date_gmt":"2025-01-25T17:37:06","guid":{"rendered":"https:\/\/www.iemj.org\/piano-music-by-jewish-composers\/"},"modified":"2025-01-27T16:14:59","modified_gmt":"2025-01-27T15:14:59","slug":"piano-music-by-jewish-composers","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/piano-music-by-jewish-composers\/","title":{"rendered":"Piano Music by Jewish Composers"},"content":{"rendered":"<p>Nel XIX secolo si sviluppa in Europa occidentale un ebraismo liberale che sostiene l&#8217;adozione della musica occidentale nel culto sinagogale, sostituendo il canto tradizionale dell&#8217;hazzan e dei suoi assistenti, i meshorerim <span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_117240_1('footnote_plugin_reference_117240_1_1');\" onkeypress=\"footnote_moveToReference_117240_1('footnote_plugin_reference_117240_1_1');\" ><sup id=\"footnote_plugin_tooltip_117240_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_117240_1_1\" class=\"footnote_tooltip\">assistenti che sostengono il canto dell&#8217;<em>hazzan<\/em> con vari espedienti melodici (voci alternate, bordone, improvvisazione, ecc.)<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_117240_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_117240_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>. Tra i cantori, arrangiatori e compositori di questo nuovo servizio sinagogale vi sono Salomon Sulzer a Vienna (dal 1826), Hirsch Weintraub a Koenigsberg (1838), Louis Lewandowski a Berlino (1840) e Samuel Naumbourg a Parigi (1845). Questi diversi cantori compongono melodie di preghiera in stile tonale, senza rifiutare i vecchi canti sinagogali, che si sforzano di armonizzare per solista e coro, spesso accompagnati dall&#8217;organo.<\/p>\n<p>Mentre abbiamo una certa familiarit\u00e0 con le opere liturgiche di questi riformatori, a volte non sappiamo che essi hanno anche scritto brani per pianoforte od altri strumenti. \u00c8 il caso dei compositori di questa raccolta di spartiti compilata da un eccellente duo di musicisti: la pianista Bella <img fetchpriority=\"high\" decoding=\"async\" class=\" wp-image-117224 alignright\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/FH_3640_NS2_klein_1-p-de-la-partition-221x300.jpg\" alt=\"\" width=\"265\" height=\"360\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/FH_3640_NS2_klein_1-p-de-la-partition-221x300.jpg 221w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/FH_3640_NS2_klein_1-p-de-la-partition.jpg 600w\" sizes=\"(max-width: 265px) 100vw, 265px\" \/>Kalinowsky e suo marito, il violista Semjon Kalinowsky.<\/p>\n<p>Questo spartito comprende la <em>Rhapsodie h\u00e9bra\u00efque<\/em>, op. 34, di Louis Lewandowski (1821-1894), il <em>Kol Nidrei<\/em> di Joseph Sulzer (1850-1926)<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_117240_1('footnote_plugin_reference_117240_1_2');\" onkeypress=\"footnote_moveToReference_117240_1('footnote_plugin_reference_117240_1_2');\" ><sup id=\"footnote_plugin_tooltip_117240_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_117240_1_2\" class=\"footnote_tooltip\">Joseph Sulzer era figlio di Salomon Sulzer. <\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_117240_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_117240_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>, il <em>Kol Nidrei<\/em> di Salomon Jadassohn (1831-1902) e gli <em>J\u00fcdische Volkslieder<\/em> di Joel Engel (1868-1922), pubblicati postumi a Mosca nel 1930, che contengono dieci arrangiamenti di canzoni e brani di danza yiddish.<\/p>\n<p>Queste opere per pianoforte possono essere suonate sia da professionisti che da dilettanti esperti. Non perdetevi quindi questo emozionante repertorio!<\/p>\n<p><a href=\"https:\/\/www.laflutedepan.com\/partition\/20452293\/-piano-music-by-jewish-composers-klavier.html\" target=\"_blank\" rel=\"noopener\">Ordinare lo spartito<\/a><\/p>\n<p><a href=\"https:\/\/www.viola-raritaeten.de\/?&amp;set_lang=en\" target=\"_blank\" rel=\"noopener\">Per saperne di pi\u00f9 sul duo Kalinowsky<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/it\/?s=Kalinowsky\" target=\"_blank\" rel=\"noopener\">Consultare altri spartiti o CD del duo Kalinowsky sul sito web IEMJ<\/a><\/p>\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Joel Engel: Jewish Folksongs Volume III performed by Thomas Kotcheff (c. 1920)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/rMjf5fLb_j0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe> \n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Rhapsodie h\u00e9bra\u00efque pour le Piano, Op.34 (Louis Lewandowski) S&amp;P C4063V\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/6A-W5VSapZI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe> \n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_117240_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_117240_1();\">[<a id=\"footnote_reference_container_collapse_button_117240_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_117240_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_117240_1('footnote_plugin_tooltip_117240_1_1');\"><a id=\"footnote_plugin_reference_117240_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\">assistenti che sostengono il canto dell&#8217;<em>hazzan<\/em> con vari espedienti melodici (voci alternate, bordone, improvvisazione, ecc.)<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_117240_1('footnote_plugin_tooltip_117240_1_2');\"><a id=\"footnote_plugin_reference_117240_1_2\" class=\"footnote_backlink\">2<\/a><\/th> <td class=\"footnote_plugin_text\">Joseph Sulzer era figlio di Salomon Sulzer. <\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_117240_1() { jQuery('#footnote_references_container_117240_1').show(); jQuery('#footnote_reference_container_collapse_button_117240_1').text('\u2212'); } function footnote_collapse_reference_container_117240_1() { jQuery('#footnote_references_container_117240_1').hide(); jQuery('#footnote_reference_container_collapse_button_117240_1').text('+'); } function footnote_expand_collapse_reference_container_117240_1() { if (jQuery('#footnote_references_container_117240_1').is(':hidden')) { footnote_expand_reference_container_117240_1(); } else { footnote_collapse_reference_container_117240_1(); } } function footnote_moveToReference_117240_1(p_str_TargetID) { footnote_expand_reference_container_117240_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_117240_1(p_str_TargetID) { footnote_expand_reference_container_117240_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>Nel XIX secolo si sviluppa in Europa occidentale un ebraismo liberale che sostiene l&#8217;adozione della musica occidentale nel culto sinagogale, sostituendo il canto tradizionale dell&#8217;hazzan e dei suoi assistenti, i<\/p>\n","protected":false},"author":5,"featured_media":117232,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1582,1564],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-117240","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spartiti-it","category-ultimi-acquisti-it"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Piano Music by Jewish Composers - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/it\/piano-music-by-jewish-composers\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Piano Music by Jewish Composers - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Nel XIX secolo si sviluppa in Europa occidentale un ebraismo liberale che sostiene l&#8217;adozione della musica occidentale nel culto sinagogale, sostituendo il canto tradizionale dell&#8217;hazzan e dei suoi assistenti, i\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/it\/piano-music-by-jewish-composers\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-01-25T17:37:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-01-27T15:14:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Logo-article.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"439\" \/>\n\t<meta property=\"og:image:height\" content=\"601\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jacqueline ROTEN\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jacqueline ROTEN\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/piano-music-by-jewish-composers\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/piano-music-by-jewish-composers\\\/\"},\"author\":{\"name\":\"Jacqueline ROTEN\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\"},\"headline\":\"Piano Music by Jewish Composers\",\"datePublished\":\"2025-01-25T17:37:06+00:00\",\"dateModified\":\"2025-01-27T15:14:59+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/piano-music-by-jewish-composers\\\/\"},\"wordCount\":280,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/piano-music-by-jewish-composers\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/01\\\/Logo-article.jpg\",\"articleSection\":[\"Spartiti\",\"Ultimi acquisti\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/piano-music-by-jewish-composers\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/piano-music-by-jewish-composers\\\/\",\"name\":\"Piano Music by Jewish Composers - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/piano-music-by-jewish-composers\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/piano-music-by-jewish-composers\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/01\\\/Logo-article.jpg\",\"datePublished\":\"2025-01-25T17:37:06+00:00\",\"dateModified\":\"2025-01-27T15:14:59+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/piano-music-by-jewish-composers\\\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/it\\\/piano-music-by-jewish-composers\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/piano-music-by-jewish-composers\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/01\\\/Logo-article.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2025\\\/01\\\/Logo-article.jpg\",\"width\":439,\"height\":601},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/piano-music-by-jewish-composers\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Piano Music by Jewish Composers\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\",\"name\":\"Jacqueline ROTEN\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"caption\":\"Jacqueline ROTEN\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Piano Music by Jewish Composers - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/it\/piano-music-by-jewish-composers\/","og_locale":"it_IT","og_type":"article","og_title":"Piano Music by Jewish Composers - Institut Europ\u00e9en des Musiques Juives","og_description":"Nel XIX secolo si sviluppa in Europa occidentale un ebraismo liberale che sostiene l&#8217;adozione della musica occidentale nel culto sinagogale, sostituendo il canto tradizionale dell&#8217;hazzan e dei suoi assistenti, i","og_url":"https:\/\/www.iemj.org\/it\/piano-music-by-jewish-composers\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2025-01-25T17:37:06+00:00","article_modified_time":"2025-01-27T15:14:59+00:00","og_image":[{"width":439,"height":601,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Logo-article.jpg","type":"image\/jpeg"}],"author":"Jacqueline ROTEN","twitter_card":"summary_large_image","twitter_misc":{"Scritto da":"Jacqueline ROTEN","Tempo di lettura stimato":"2 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/it\/piano-music-by-jewish-composers\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/it\/piano-music-by-jewish-composers\/"},"author":{"name":"Jacqueline ROTEN","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c"},"headline":"Piano Music by Jewish Composers","datePublished":"2025-01-25T17:37:06+00:00","dateModified":"2025-01-27T15:14:59+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/it\/piano-music-by-jewish-composers\/"},"wordCount":280,"publisher":{"@id":"https:\/\/www.iemj.org\/it\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/it\/piano-music-by-jewish-composers\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Logo-article.jpg","articleSection":["Spartiti","Ultimi acquisti"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/it\/piano-music-by-jewish-composers\/","url":"https:\/\/www.iemj.org\/it\/piano-music-by-jewish-composers\/","name":"Piano Music by Jewish Composers - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/it\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/it\/piano-music-by-jewish-composers\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/it\/piano-music-by-jewish-composers\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Logo-article.jpg","datePublished":"2025-01-25T17:37:06+00:00","dateModified":"2025-01-27T15:14:59+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/it\/piano-music-by-jewish-composers\/#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/it\/piano-music-by-jewish-composers\/"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.iemj.org\/it\/piano-music-by-jewish-composers\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Logo-article.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/01\/Logo-article.jpg","width":439,"height":601},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/it\/piano-music-by-jewish-composers\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/it\/"},{"@type":"ListItem","position":2,"name":"Piano Music by Jewish Composers"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/it\/#website","url":"https:\/\/www.iemj.org\/it\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/it\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/it\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/it\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/it\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c","name":"Jacqueline ROTEN","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","caption":"Jacqueline ROTEN"}}]}},"_links":{"self":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts\/117240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/comments?post=117240"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts\/117240\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/media\/117232"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/media?parent=117240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/categories?post=117240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tags?post=117240"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/technique?post=117240"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/squelettes?post=117240"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/sujet?post=117240"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/formation?post=117240"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/genre?post=117240"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/fonds?post=117240"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tradition?post=117240"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/type-de-contenu?post=117240"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/interprete-compositeur?post=117240"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/frise?post=117240"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/type-devenement?post=117240"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tableaux-liens-externes?post=117240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}