{"id":120067,"date":"2025-05-06T14:34:39","date_gmt":"2025-05-06T12:34:39","guid":{"rendered":"https:\/\/www.iemj.org\/la-circoncision-brit-mila\/"},"modified":"2025-05-08T13:31:41","modified_gmt":"2025-05-08T11:31:41","slug":"la-circoncision-brit-mila","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/la-circoncision-brit-mila\/","title":{"rendered":"Circoncisione (Brit-Mila)"},"content":{"rendered":"<p><!--more--><\/p>\n<p><strong>Di Ephraim Kahn<\/strong><\/p>\n<p>La circoncisione, nota anche come <em>Brit-Mila<\/em> (\u05d1\u05b0\u05e8\u05b4\u05d9\u05ea \u05de\u05b4\u05d9\u05dc\u05b8\u05d4), segna l&#8217;ingresso del neonato maschio nell&#8217;Alleanza abramitica e nell&#8217;ovile del popolo ebraico.<\/p>\n<h3><strong>La cerimonia<\/strong><\/h3>\n<p>Come ogni fase della vita ebraica, la cerimonia della circoncisione segue un rito codificato. Come potrebbe essere altrimenti? &#8211; con un pasto festivo.<\/p>\n<p>All&#8217;ottavo giorno di vita, il bambino &#8211; se sano &#8211; viene portato nella stanza dove sono riuniti parenti ed amici. Quando la cerimonia si svolge in sinagoga, \u00e8 spesso un evento comunitario.<\/p>\n<p>I mobili sono disposti in modo preciso: al centro c&#8217;\u00e8 un trono conosciuto come la <em>sedia del profeta Elia<\/em>. \u00c8 qui che il bambino viene posto, a volte sulle ginocchia del <em>Sandak<\/em><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_120067_1('footnote_plugin_reference_120067_1_1');\" onkeypress=\"footnote_moveToReference_120067_1('footnote_plugin_reference_120067_1_1');\" ><sup id=\"footnote_plugin_tooltip_120067_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_120067_1_1\" class=\"footnote_tooltip\">Il Sandak \u00e8 la persona che tiene il bambino maschio sulle cosce o sulle ginocchia durante la circoncisione. A seconda della tradizione, questa posizione pu\u00f2 essere occupata dal nonno o dal padre&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_120067_1('footnote_plugin_reference_120067_1_1');\">Lire la suite<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_120067_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_120067_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>. Un tavolo al lato della strada contiene gli effetti personali del <em>Mohel<\/em>, il circoncisore.<\/p>\n<p>Il bambino viene spesso accolto con un canto di benvenuto: \u201c<em>Benedetto sei tu, fedele congregazione<\/em>\u201d (<em>Berukhim Atem<\/em>). Dopo la lettura di vari versetti, che variano da comunit\u00e0 a comunit\u00e0, si recita la benedizione e si esegue la circoncisione.<\/p>\n<p><strong><em>Berukhim Atem (Djerba &#8211; Tunisia)<\/em><\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120067-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/1.Beroukhim-atem-Djerba.mp3?_=1\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/1.Beroukhim-atem-Djerba.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/1.Beroukhim-atem-Djerba.mp3<\/a><\/audio>\n<p><!--more--><\/p>\n<figure id=\"attachment_120029\" aria-describedby=\"caption-attachment-120029\" style=\"width: 360px\" class=\"wp-caption alignright\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-120029\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Herve-Roten-Circoncision-dans-le-Grand-Quartier-Sept.-1994_redim.jpg\" alt=\"\" width=\"360\" height=\"245\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Herve-Roten-Circoncision-dans-le-Grand-Quartier-Sept.-1994_redim.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Herve-Roten-Circoncision-dans-le-Grand-Quartier-Sept.-1994_redim-300x204.jpg 300w\" sizes=\"(max-width: 360px) 100vw, 360px\" \/><figcaption id=\"caption-attachment-120029\" class=\"wp-caption-text\"><strong>Herve Roten, Circoncisione, Grand Quartier Djerba &#8211; Sett. 1994<\/strong><\/figcaption><\/figure>\n<p data-wp-editing=\"1\"><span style=\"font-size: revert;\">Le parole di <em>Berukhim Atem<\/em> provengono da una poesia molto diffusa, il cui autore \u00e8 sconosciuto. Nel 1994, Herv\u00e9 Roten ne fece una registrazione sul campo durante una missione a Djerba con Israel Adler e Simha Arom. Segnato dalla recitazione guidata dal cantore della comunit\u00e0, racconta l&#8217;esperienza nel suo libro <\/span><a href=\"https:\/\/www.iemj.org\/it\/musiques-liturgiques-juives\/\" target=\"_blank\" rel=\"noopener\"><em style=\"font-size: revert;\">Musiques liturgiques juives, Parcours et escales<\/em><\/a><span style=\"font-size: revert;\"> :<\/span><\/p>\n<p>\u00ab <em>Ya&#8217;aqov B&#8217;shiri \u00e8 seduto su una sedia. Rughe profonde gli segnano la fronte come le corde del suo \u00fbd. Con voce consumata dall&#8217;et\u00e0, intona una <\/em>piyyut <em>che gli uomini ripetono a squarciagola. Otto giorni fa \u00e8 nato un bambino nella famiglia Zaken. Questo giorno di circoncisione segna il suo ingresso nella comunit\u00e0 degli ebrei di Djerba, ed i canti che lo accolgono lo seguiranno per tutta la vita<\/em>\u00a0\u00bb<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_120067_1('footnote_plugin_reference_120067_1_2');\" onkeypress=\"footnote_moveToReference_120067_1('footnote_plugin_reference_120067_1_2');\" ><sup id=\"footnote_plugin_tooltip_120067_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_120067_1_2\" class=\"footnote_tooltip\"><em>Musiques liturgiques juives, Parcours et escales<\/em>, Ed. Cit\u00e9 de la musique \/ Actes Sud, 1998, p. 95<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_120067_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_120067_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script><\/p>\n<p><!--more--><\/p>\n<figure id=\"attachment_120036\" aria-describedby=\"caption-attachment-120036\" style=\"width: 371px\" class=\"wp-caption alignleft\"><img decoding=\"async\" class=\" wp-image-120036\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Beroukhim-atem-Djerba_Transcription-by-Robert-Lachmann-ca.-1929.jpg\" alt=\"\" width=\"371\" height=\"206\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Beroukhim-atem-Djerba_Transcription-by-Robert-Lachmann-ca.-1929.jpg 576w, https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Beroukhim-atem-Djerba_Transcription-by-Robert-Lachmann-ca.-1929-300x167.jpg 300w\" sizes=\"(max-width: 371px) 100vw, 371px\" \/><figcaption id=\"caption-attachment-120036\" class=\"wp-caption-text\"><strong>Berukhim atem (Djerba) &#8211; Transcription by Robert Lachmann ca. 1929<\/strong><\/figcaption><\/figure>\n<p>Non appena il bambino viene accolto ed anche prima, il pubblico spesso intona un canto alla gloria del profeta Elia. Due figure bibliche sono associate a questa cerimonia: il patriarca Abramo ed il profeta Elia. Il primo ricevette l&#8217;ordine divino di entrare nell&#8217;Alleanza circoncidendo se stesso ed i suoi discendenti maschi. Il secondo, in accordo con un insegnamento degli antichi Saggi, visita le assemblee di circoncisione di tutte le generazioni, testimoniando la fedelt\u00e0 del suo popolo all&#8217;Alleanza.<\/p>\n<p data-wp-editing=\"1\"><!--more--><\/p>\n<p><strong><em>Eliyahou Hanavi &#8211;<\/em>\u00a0Ensemble vocal de la synagogue de Versailles<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120067-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/2.Eliyahou-Hanavi-Ensemble-vocal-de-la-synagogue-de-Versailles.mp3?_=2\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/2.Eliyahou-Hanavi-Ensemble-vocal-de-la-synagogue-de-Versailles.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/2.Eliyahou-Hanavi-Ensemble-vocal-de-la-synagogue-de-Versailles.mp3<\/a><\/audio>\n<p><strong><em>Eli Eliyahou Hanavi<\/em> &#8211; Haim Harboun<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120067-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/3.-Eli-Eliyahou-Hanavi-\u2013-Haim-Harboun.mp3?_=3\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/3.-Eli-Eliyahou-Hanavi-\u2013-Haim-Harboun.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/3.-Eli-Eliyahou-Hanavi-\u2013-Haim-Harboun.mp3<\/a><\/audio>\n<p>Per la circoncisione sono stati scritti anche altri poemi liturgici. Due di esse, <em>Efta&#8217;h sefatay berinah<\/em> <span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_120067_1('footnote_plugin_reference_120067_1_3');\" onkeypress=\"footnote_moveToReference_120067_1('footnote_plugin_reference_120067_1_3');\" ><sup id=\"footnote_plugin_tooltip_120067_1_3\" class=\"footnote_plugin_tooltip_text\">[3]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_120067_1_3\" class=\"footnote_tooltip\">versi alternati in ebraico e provenzale<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_120067_1_3').tooltip({ tip: '#footnote_plugin_tooltip_text_120067_1_3', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script> e <em>Messi\u00e8s qu&#8217;entendes<\/em><span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_120067_1('footnote_plugin_reference_120067_1_4');\" onkeypress=\"footnote_moveToReference_120067_1('footnote_plugin_reference_120067_1_4');\" ><sup id=\"footnote_plugin_tooltip_120067_1_4\" class=\"footnote_plugin_tooltip_text\">[4]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_120067_1_4\" class=\"footnote_tooltip\">poesia interamente in provenzale<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_120067_1_4').tooltip({ tip: '#footnote_plugin_tooltip_text_120067_1_4', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>, sono state pubblicate dall&#8217;IEMJ nell&#8217;album <a href=\"https:\/\/www.iemj.org\/it\/musiques-judeo-francaises-des-xviiie-et-xixe-siecles\/\"><em>Musiques Jud\u00e9o-Fran\u00e7aises des XVIIIe et XIXe Si\u00e8cles<\/em><\/a>.<\/p>\n<p><strong><em>Efta&#8217;h sefatay berinah<\/em> &#8211; Adolphe Attia<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120067-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/4.Eftah-sefatay-berinah-Adolphe-Attia.mp3?_=4\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/4.Eftah-sefatay-berinah-Adolphe-Attia.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/4.Eftah-sefatay-berinah-Adolphe-Attia.mp3<\/a><\/audio>\n<p><strong><em>Messi\u00e8s qu&#8217;entendes<\/em> &#8211; Adolphe Attia<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120067-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/5.Messies-quentendes-Adolphe-Attia.mp3?_=5\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/5.Messies-quentendes-Adolphe-Attia.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/5.Messies-quentendes-Adolphe-Attia.mp3<\/a><\/audio>\n<p><!--more--><\/p>\n<h3>\u00a0<\/h3>\n<h3><strong><em>Zeved ha-Bat<\/em><\/strong><strong>, celebrazione della nascita di una figlia<\/strong><\/h3>\n<p data-wp-editing=\"1\"><img decoding=\"async\" class=\"alignright wp-image-120051\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/Presentation-fille-e1746528841281.jpg\" alt=\"\" width=\"312\" height=\"280\" \/>Nella tradizione ebraica non esiste un equivalente femminile della circoncisione. Tuttavia, la celebrazione della nascita di una bambina \u00e8 ormai diffusa. Oltre a dare il nome alla bambina da parte del padre in sinagoga &#8211; durante una salita alla Torah seguita da una preghiera per la salute della madre e della bambina &#8211; si organizza una festa per la famiglia e gli amici.<\/p>\n<p>Il termine <em>Zeved ha-Bat<\/em>, che pu\u00f2 essere tradotto come \u201cregalo di una ragazza\u201d, \u00e8 stato utilizzato oggi per descrivere sia l&#8217;appuntamento che la celebrazione. Nessun canto tradizionale \u00e8 menzionato in modo specifico. Nel XX secolo, il principale poeta dell&#8217;ebraismo marocchino, il rabbino David Bouzaglo, ha scritto il primo <em>piyyut<\/em> (canto poetico liturgico) per l&#8217;occasione: <em>Qiryatenou melea nehora<\/em> (La nostra citt\u00e0 \u00e8 piena di luce), su una melodia di Farid El Atrache, <em>Ya ritni tir<\/em>.<\/p>\n<p>Pi\u00f9 recentemente, il poeta israeliano Almog Behar gli ha dedicato una poesia, nell&#8217;ambito del progetto <em>Bo-ou legani<\/em>, sotto la direzione musicale di Ya\u00efr Harel. Il poema, intitolato <em>Yalda yulda lanu<\/em>, \u00e8 ambientato su una melodia nuziale del ladino, <em>Seniora novia<\/em>.<\/p>\n<p><strong><em>Zeved Habbat<\/em> &#8211; Jo Amar<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120067-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Zeved-Habbat-Jo-Amar.mp3?_=6\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Zeved-Habbat-Jo-Amar.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Zeved-Habbat-Jo-Amar.mp3<\/a><\/audio>\n<p><strong><em>Yalda yulda lanu <\/em>(Seniora novia)<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-120067-7\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Yalda-youlda-lanou-Seniora-novia.mp3?_=7\" \/><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Yalda-youlda-lanou-Seniora-novia.mp3\">https:\/\/www.iemj.org\/wp-content\/uploads\/2025\/05\/6.Yalda-youlda-lanou-Seniora-novia.mp3<\/a><\/audio>\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<h3>\u21d2 <a href=\"http:\/\/www.rachelnet.net\/F\/?func=find-c&amp;ccl_term=WRD+%3D+Circoncision+OU+WRD+%3D+Brit+Mila+OU+WRD+%3D+Brith+Mila+OU+WRD+%3D+Berit+Mila&amp;local_base=iemcg\" target=\"_blank\" rel=\"noopener\">Vedi altri documenti sulla Brit-Mila nelle nostre collezioni<\/a><\/h3>\n<h3>\u21d2 <a href=\"https:\/\/www.iemj.org\/it\/produit\/musiques-judeo-francaises-des-xviiie-et-xixe-siecles\/\" target=\"_blank\" rel=\"noopener\">Ordina l\u2019album <em>Musiques Jud\u00e9o-Fran\u00e7aises des XVIIIe et XIXe Si\u00e8cles<\/em> prodotto dall\u2019IEMJ<\/a><\/h3>\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Chansons de Brit Mila (circoncision) \/ Brit Mila playlist\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/iNtayMbw2-Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_120067_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_120067_1();\">[<a id=\"footnote_reference_container_collapse_button_120067_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_120067_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_120067_1('footnote_plugin_tooltip_120067_1_1');\"><a id=\"footnote_plugin_reference_120067_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\">Il <em>Sandak<\/em> \u00e8 la persona che tiene il bambino maschio sulle cosce o sulle ginocchia durante la circoncisione. A seconda della tradizione, questa posizione pu\u00f2 essere occupata dal nonno o dal padre del bambino, oppure da un leader religioso o da una persona da onorare<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_120067_1('footnote_plugin_tooltip_120067_1_2');\"><a id=\"footnote_plugin_reference_120067_1_2\" class=\"footnote_backlink\">2<\/a><\/th> <td class=\"footnote_plugin_text\"><em>Musiques liturgiques juives, Parcours et escales<\/em>, Ed. Cit\u00e9 de la musique \/ Actes Sud, 1998, p. 95<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_120067_1('footnote_plugin_tooltip_120067_1_3');\"><a id=\"footnote_plugin_reference_120067_1_3\" class=\"footnote_backlink\">3<\/a><\/th> <td class=\"footnote_plugin_text\">versi alternati in ebraico e provenzale<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_120067_1('footnote_plugin_tooltip_120067_1_4');\"><a id=\"footnote_plugin_reference_120067_1_4\" class=\"footnote_backlink\">4<\/a><\/th> <td class=\"footnote_plugin_text\">poesia interamente in provenzale<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_120067_1() { jQuery('#footnote_references_container_120067_1').show(); 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