{"id":131951,"date":"2026-04-26T13:17:08","date_gmt":"2026-04-26T11:17:08","guid":{"rendered":"https:\/\/www.iemj.org\/jewish-baroque-music\/"},"modified":"2026-04-27T13:11:54","modified_gmt":"2026-04-27T11:11:54","slug":"jewish-baroque-music","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/jewish-baroque-music\/","title":{"rendered":"Jewish Baroque Music"},"content":{"rendered":"\n

Concerto classic, 2008 \/ Music.media, 2009<\/strong><\/p>\n\n\n\n\n\n\n\n

Questo CD, registrato nel 2008 dall\u2019Ensemble Salomone Rossi, propone una raccolta di brani emblematici della musica barocca ebraica che si svilupp\u00f2 in Italia a partire dal XVII secolo e prosegu\u00ec ad Amsterdam nel corso del XVIII.<\/p>\n\n\n\n

La musica ebraica barocca: una breve panoramica<\/strong><\/h2>\n\n\n\n

Nell’Italia settentrionale, la corte dei Gonzaga di Mantova accolse nel XVI e XVII secolo numerosi musicisti ebrei. Salamone Rossi (ca 1570 \u2013 ca 1630)<\/a>, sicuramente il pi\u00f9 famoso tra loro, vi lavor\u00f2 fino al 1612 al fianco di Claudio Monteverdi (1567-1643). Nel 1622-23, sotto l\u2019influenza del rabbino riformista Leone da Modena, Salamone Rossi pubblica a Venezia un\u2019importante raccolta \u2013 intitolata Ha-Shirim asher li-Shelomo<\/em> (I cantici secondo Salomone) \u2013 contenente 33 cori da 3 a 8 voci destinato al culto sinagogale e scritto nello stile italiano dell\u2019epoca. Il presente CD riprende tre di questi cori (En Keloh\u00e8nu, Shir hamaalot, Mizmor le Toda<\/em>) intervallati da brani strumentali di Rossi. Sempre in Italia, il compositore non ebreo Carlo Grossi (1634 \u2013 1688) scrive nel 1680 (o 1681) una Cantata ebraica in dialogo<\/em> per una confraternita ebraica di Modena o Venezia.<\/p>\n\n\n\n

Questo processo di assimilazione degli ebrei alla musica colta circostante si svolge anche ad Amsterdam dove, nel XVIII secolo, ricche famiglie ebree portoghesi ospitano nei loro salotti concerti di opere e cantate, generi che penetrano fino alla sinagoga con le opere di Abraham Caceres (in particolare Hiski Hizki<\/em> e la cantata Le-el Elim<\/em> del 1738) e Cristiano Giuseppe Lidarti (1730-apr\u00e8s 1793)<\/a>. Quest\u2019ultimo scrive nel 1774 l\u2019oratorio Ester<\/a>, l\u2019opera pi\u00f9 lunga di tutta la storia della musica ebraica barocca (oltre 2 ore). Il libretto dell\u2019oratorio Ester <\/em>\u00e8 opera del rabbino di Mantova e Venezia, Jacob Raphael Saraval (1707?\u20131782), noto per il suo interesse per la musica. In un documento datato marzo 1757, Saraval chiede alle autorit\u00e0 del ghetto di Mantova, pochi giorni prima di Purim, il permesso affinch\u00e9 gli allievi della sua yeshiva <\/em>presentino \u00abuna sorta di opera basata su una storia biblica\u00bb. Ottiene il permesso a condizione che nessun non ebreo sia ammesso alla rappresentazione, ad eccezione dello strumentista e del costumista. Il libretto di Saraval si basa sul testo della seconda versione dell’oratorio Ester <\/em>di H\u00e4ndel (1732), ma con molte tagli e alcune aggiunte. Questo CD sfarzoso vi fa riferimento proponendo due brani tratti da questo oratorio di H\u00e4ndel.<\/p>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n
<\/div>\n\n\n\n

L\u2019Ensemble Salomone Rossi<\/strong><\/h2>\n\n\n\n

Fondato nel 1991 dalla violinista Lydia Cevidalli, l\u2019Ensemble Salomone Rossi \u00e8 composto in questo CD da Caterina Trogu Roehrich, soprano; Renata Stefani, mezzosoprano; Luigi Pagliarini, tenore; Davide Benetti, basso; Lydia Cevidalli<\/a> ed Elena Marazzi, violini; Fabio Bellofiore ed Eugenio Silvestri, viole; Claudio Frigerio, violoncello e Simonetta Heger, clavicembalo.<\/p>\n\n\n\n

Per saperne di pi\u00f9 sull’Ensemble Salomone Rossi<\/a><\/p>\n\n\n\n

Vedi gli altri CD realizzati dall’Ensemble Salomone Rossi<\/a><\/p>\n\n\n\n

Per saperne di pi\u00f9 su Lydia Cevidalli<\/a><\/p>\n\n\n\n

\n
Leggi altri articoli sulla musica barocca ebraica<\/strong><\/a><\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n
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\"\"<\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"

Concerto classic, 2008 \/ Music.media, 2009<\/p>\n","protected":false},"author":5,"featured_media":131872,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1569,1564],"tags":[2091],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1895],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[3279],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-131951","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cd-it","category-ultimi-acquisti-it","tag-italia-it","genre-musica-barocca-it","interprete-compositeur-salomone-rossi-it"],"acf":[],"yoast_head":"\nJewish Baroque Music - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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