{"id":42592,"date":"2020-09-09T15:06:46","date_gmt":"2020-09-09T13:06:46","guid":{"rendered":"https:\/\/www.iemj.org\/les-selihot-dans-le-rite-hispano-portugais\/"},"modified":"2024-02-16T17:33:13","modified_gmt":"2024-02-16T16:33:13","slug":"les-selihot-dans-le-rite-hispano-portugais","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-hispano-portugais\/","title":{"rendered":"Le selihot nel rito ispano-portoghese"},"content":{"rendered":"

Una selezione di selihot<\/em> eseguite da Abraham Lopes Cardozo, Daniel Halfon, Gilbert L\u00e9on, Guy Herrera e Roland Moss\u00e9<\/strong><\/p>\n

Le selihot<\/em> sono preghiere di pentimento durante le quali il fedele implora il perdono di Dio per i peccati commessi. Questa usanza si basa sui tredici attributi della misericordia<\/a> che, secondo la tradizione, sarebbero stati trasmessi da Dio a Mos\u00e8 (Esodo 34, 6-7).<\/p>\n

In origine, le selihot venivano lette durante Yom Kippur ed i digiuni. Questa usanza si estese in seguito ai 10 giorni (yamim nora\u00efm) tra Rosh Hashanah e Kippur. Le comunit\u00e0 Ashkenazi e Hassidiche recitano le selihot dal sabato sera che precede (di almeno quattro giorni) la festa di Rosh Hashanah. Le comunit\u00e0 sefardite le leggono all’alba prima delle preghiere mattutine per quaranta giorni, a partire dal 1 \u00b0 Elul.<\/p>\n

La seguente playlist presenta una selezione di selihot<\/em> cantate nelle comunit\u00e0 di rito portoghese di Bordeaux (Gilbert L\u00e9on<\/a>), Bayonne (Guy Herrera), Parigi (Roland Moss\u00e9<\/u><\/a>), Londra (Abraham Lopes Cardozo<\/u><\/a>), Amsterdam e New York (Daniel Halfon<\/u><\/a>) . Vi sono sia registrazioni dal vivo, che lezioni liturgiche o concerti. In quest’ultima categoria, i cantanti beneficiano di un accompagnamento strumentale generalmente assente nelle cerimonie religiose delle sinagoghe ortodosse.<\/p>\n

\u00a0Leggere l’articolo di fondo sulle Selihot<\/em><\/a><\/p>\n\n\n

\"\"<\/figure>\n\n\n\n
Atanu – Daniel Halfon (Amsterdam, Londres, New York)<\/a><\/div>\n\n\n\n
El melekh yochev – Roland Moss\u00e9 (Paris) (EXTRAIT)<\/a><\/div>\n\n\n\n
Anenou – Gilbert L\u00e9on (Bordeaux) (EXTRAIT)<\/a><\/div>\n\n\n\n
El melekh yochev – Guy Herrera (Bayonne) (EXTRAIT)<\/a><\/div>\n\n\n\n
Rarhoum Verhanoun – Adon haselihot – Gilbert L\u00e9on (Bordeaux)<\/a><\/div>\n\n\n\n
Ben Adam – Abraham Lopes Cardozo (Londres)<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Una selezione di selihot eseguite da Abraham Lopes Cardozo, Daniel Halfon, Gilbert L\u00e9on, Guy Herrera e Roland Moss\u00e9<\/p>\n","protected":false},"author":1045,"featured_media":42593,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"categories":[1536],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1892],"fonds":[],"tradition":[1974],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-42592","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlist-it","genre-liturgia-it","tradition-rito-giudeo-portoghese-it"],"acf":[],"yoast_head":"\nLe selihot nel rito ispano-portoghese - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-hispano-portugais\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le selihot nel rito ispano-portoghese - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Una selezione di selihot eseguite da Abraham Lopes Cardozo, Daniel Halfon, Gilbert L\u00e9on, Guy Herrera e Roland Moss\u00e9\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-hispano-portugais\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-09-09T13:06:46+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-16T16:33:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4826.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"336\" \/>\n\t<meta property=\"og:image:height\" content=\"336\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Herv\u00e9 Roten\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Herv\u00e9 Roten\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-selihot-dans-le-rite-hispano-portugais\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-selihot-dans-le-rite-hispano-portugais\\\/\"},\"author\":{\"name\":\"Herv\u00e9 Roten\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/person\\\/906134402c29d5c76e7b726261dd4bbd\"},\"headline\":\"Le selihot nel rito ispano-portoghese\",\"datePublished\":\"2020-09-09T13:06:46+00:00\",\"dateModified\":\"2024-02-16T16:33:13+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-selihot-dans-le-rite-hispano-portugais\\\/\"},\"wordCount\":254,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-selihot-dans-le-rite-hispano-portugais\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/arton4826.jpg\",\"articleSection\":[\"Playlist\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-selihot-dans-le-rite-hispano-portugais\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-selihot-dans-le-rite-hispano-portugais\\\/\",\"name\":\"Le selihot nel rito ispano-portoghese - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-selihot-dans-le-rite-hispano-portugais\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-selihot-dans-le-rite-hispano-portugais\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/arton4826.jpg\",\"datePublished\":\"2020-09-09T13:06:46+00:00\",\"dateModified\":\"2024-02-16T16:33:13+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-selihot-dans-le-rite-hispano-portugais\\\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-selihot-dans-le-rite-hispano-portugais\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-selihot-dans-le-rite-hispano-portugais\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/arton4826.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2020\\\/09\\\/arton4826.jpg\",\"width\":336,\"height\":336},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/les-selihot-dans-le-rite-hispano-portugais\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Le selihot nel rito ispano-portoghese\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/person\\\/906134402c29d5c76e7b726261dd4bbd\",\"name\":\"Herv\u00e9 Roten\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g\",\"caption\":\"Herv\u00e9 Roten\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Le selihot nel rito ispano-portoghese - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-hispano-portugais\/","og_locale":"it_IT","og_type":"article","og_title":"Le selihot nel rito ispano-portoghese - Institut Europ\u00e9en des Musiques Juives","og_description":"Una selezione di selihot eseguite da Abraham Lopes Cardozo, Daniel Halfon, Gilbert L\u00e9on, Guy Herrera e Roland Moss\u00e9","og_url":"https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-hispano-portugais\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2020-09-09T13:06:46+00:00","article_modified_time":"2024-02-16T16:33:13+00:00","og_image":[{"width":336,"height":336,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4826.jpg","type":"image\/jpeg"}],"author":"Herv\u00e9 Roten","twitter_card":"summary_large_image","twitter_misc":{"Scritto da":"Herv\u00e9 Roten","Tempo di lettura stimato":"2 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-hispano-portugais\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-hispano-portugais\/"},"author":{"name":"Herv\u00e9 Roten","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/person\/906134402c29d5c76e7b726261dd4bbd"},"headline":"Le selihot nel rito ispano-portoghese","datePublished":"2020-09-09T13:06:46+00:00","dateModified":"2024-02-16T16:33:13+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-hispano-portugais\/"},"wordCount":254,"publisher":{"@id":"https:\/\/www.iemj.org\/it\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-hispano-portugais\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4826.jpg","articleSection":["Playlist"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-hispano-portugais\/","url":"https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-hispano-portugais\/","name":"Le selihot nel rito ispano-portoghese - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/it\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-hispano-portugais\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-hispano-portugais\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4826.jpg","datePublished":"2020-09-09T13:06:46+00:00","dateModified":"2024-02-16T16:33:13+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-hispano-portugais\/#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-hispano-portugais\/"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-hispano-portugais\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4826.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/arton4826.jpg","width":336,"height":336},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-hispano-portugais\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/it\/"},{"@type":"ListItem","position":2,"name":"Le selihot nel rito ispano-portoghese"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/it\/#website","url":"https:\/\/www.iemj.org\/it\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/it\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/it\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/it\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/it\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/person\/906134402c29d5c76e7b726261dd4bbd","name":"Herv\u00e9 Roten","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/f96ad2db538a26481f18384936b5cd0610c92d390c4dc382209216d455f685ff?s=96&d=mm&r=g","caption":"Herv\u00e9 Roten"}}]}},"ticketed":false,"_links":{"self":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts\/42592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/users\/1045"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/comments?post=42592"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts\/42592\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/media\/42593"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/media?parent=42592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/categories?post=42592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tags?post=42592"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/technique?post=42592"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/squelettes?post=42592"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/sujet?post=42592"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/formation?post=42592"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/genre?post=42592"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/fonds?post=42592"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tradition?post=42592"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/type-de-contenu?post=42592"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/interprete-compositeur?post=42592"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/frise?post=42592"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/type-devenement?post=42592"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tableaux-liens-externes?post=42592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}