{"id":42674,"date":"2020-09-23T14:56:02","date_gmt":"2020-09-23T12:56:02","guid":{"rendered":"https:\/\/www.iemj.org\/les-selihot-dans-le-rite-turc\/"},"modified":"2024-02-16T16:58:20","modified_gmt":"2024-02-16T15:58:20","slug":"les-selihot-dans-le-rite-turc","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/les-selihot-dans-le-rite-turc\/","title":{"rendered":"Le selihot nel rito turco"},"content":{"rendered":"<p><strong>Una selezione di <em>selihot<\/em> eseguite da Isaac Algazi, Haim Effendi, Izzet Bana e Hadass Pal-Yarden<\/strong><\/p>\n<p><!--more-->Le selihot sono preghiere di pentimento durante le quali il fedele implora il perdono di Dio per i peccati commessi. Questa usanza si basa sui\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/Thirteen_Attributes_of_Mercy\" target=\"_blank\" rel=\"noopener\">tredici attributi della misericordia<\/a>\u00a0che, secondo la tradizione, sarebbero stati trasmessi da Dio a Mos\u00e8 (Esodo 34, 6-7).<\/p>\n<p>In origine, le\u00a0<em>selihot<\/em>\u00a0venivano lette durante Yom Kippur ed i digiuni. Questa usanza si estese in seguito ai 10 giorni (<em>yamim nora\u00efm<\/em>) tra Rosh Hashanah e Kippur. Le comunit\u00e0 Ashkenazite e Hassidiche recitano le\u00a0<em>selihot<\/em>\u00a0dal sabato sera che precede (di almeno quattro giorni) la festa di Rosh Hashanah. Le comunit\u00e0 sefardite le leggono all\u2019alba prima delle preghiere mattutine per quaranta giorni, a partire dal 1\u00b0 di Elul.<\/p>\n<p>La seguente playlist presenta una selezione di <em>selihot<\/em> dell&#8217;Impero Ottomano, cantate in particolare da artisti mitici, come Ha\u00efm Effendi (1853-1938) e Isaac Algazi (1889-1950).<\/p>\n<p><a href=\"https:\/\/www.jewish-music.huji.ac.il\/content\/haim-effendi\">Ha\u00efm Effendi<\/a> \u00e8 nato nel 1853 a Edirne (ex Adrianopoli), uno dei pi\u00f9 importanti centri di musica religiosa sefardita dell&#8217;impero ottomano. La nascente industria discografica all&#8217;inizio del XX secolo ha conservato le tracce della sua voce incomparabile.<\/p>\n<p>Figlio del cantore Salomon Algazi, <a href=\"https:\/\/www.sephardicmusic.org\/artists\/Algazi,Isaac\/Algazi,Isaac.htm\">Isaac Algazi<\/a>\u00a0\u00e8 nato a Izmir il 24 aprile 1889. Dopo studi musicali profani e sacri, diventa cantore della sinagoga di Beit Israel nel 1908. Si trasferisce a Istanbul nel 1923 dove \u00e8 nominato cantore e insegnante nella sinagoga &#8220;italiana&#8221; sefardita di Galata (Istanbul) nel 1929. Tra il 1909 e il 1929 Isaac Algazi incide numerose arie sefardite per le pi\u00f9 grandi etichette (Columbia, Favorite, Gramophone, Odeon e Path\u00e9). Nel 1933 si trasferisce a Parigi, dove \u00e8 al servizio della Grande Sinagoga della Vittoria. Nel 1935 emigra a Montevideo, in Uruguay, dove risiede fino alla sua morte nel 1950.<\/p>\n<p>Oltre a questi due rinomati artisti dell&#8217;arte cantoriale ottomana, questa playlist include registrazioni dal vivo realizzate dai musicologi <a href=\"https:\/\/www.jewish-music.huji.ac.il\/content\/edith-esther-gerson-kiwi\">Edith Gerson-Kiwi<\/a> e <a href=\"https:\/\/www.iemj.org\/it\/sillamy-jean-claude-1932-2016\/\" target=\"_blank\" rel=\"noopener\">Jean-Claude Sillamy<\/a>. Infine troviamo versioni pi\u00f9 moderne di selihot su cassetta o CD di <a href=\"https:\/\/sephardiccenter.wordpress.com\/music-2\/izzet-bana-estreyikas-destambol\/\">Izzet Bana<\/a> nato a Istanbul nel 1950 od ancora della cantante <a href=\"https:\/\/www.facebook.com\/hadass.p.yarden\">Hadass Pal-Yarden<\/a>.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.iemj.org\/it\/les-selihot-%d7%a1%d7%9c%d7%99%d7%97%d7%95%d7%aa\/\" target=\"_blank\" rel=\"noopener\">Leggere l\u2019articolo di fondo sulle selihot<\/a><\/li>\n<\/ul>\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"146\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_IT2-1024x146.jpg\" alt=\"\" class=\"wp-image-93106\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_IT2-1024x146.jpg 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_IT2-300x43.jpg 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_IT2-768x110.jpg 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_IT2-1536x220.jpg 1536w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_IT2-600x86.jpg 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2023\/01\/Bandeau-Playlist_IT2.jpg 1608w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-12b9e008-49fd-4a66-840f-5953f566384a\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/1_yetzav_ha-el_isaac_algazi_cd_408_11.mp3\">Yetzav ha-el &#8211; Isaac Algazi<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-4f51f980-6c6f-4c25-8836-79ea210908b0\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/2_anna_keav_zedoni_isaac_algazi_cd_408_02.mp3\">Anna ke&#8217;av zedoni &#8211; Isaac Algazi<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-a9fd0c6c-5cb9-4c87-9725-a9cab0717198\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/3_et_shaare_razon_de_rosh_hashana_sur_le_mode_maquam_turc_oshaq_enrgtt_jc_sillamy_d33-30_2262_06.mp3\">Et shaare razon de Rosh Hashana sur le mode maquam turc Oshaq &#8211; recording JC Sillamy<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-71e9674d-6d69-4113-8cf3-8784e18d15a2\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/4_rahum_ve-hanun_haim_effendi_cd_285a_10.mp3\">Rahum ve hanun &#8211; Haim Effendi<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-44309a4d-bc69-40f9-85b0-832cefb83ad3\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/5_adon_haselihot_collectage_edith_gerson-kiwi_d33-30_1924_36.mp3\">Adon Haselihot &#8211; Collectage Edith Gerson Kiwi<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-9afbe63d-762b-472c-aac0-4ad977937fa2\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/6_adon_haselihot_hadass_pal-yarden_cd_1423_03.mp3\">Adon haselihot &#8211; Hadass Pal Yarden<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a id=\"wp-block-file--media-2deaf16a-84b3-41ba-91c9-6508cb331e53\" href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2020\/09\/7_adon_haselihot_izzet_bananin_arsivinden_k7_238_18.mp3\">Adon Haselihot &#8211; Izzet Bana<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Una selezione di selihot eseguite da Isaac Algazi, Haim Effendi, Izzet Bana e Hadass Pal-Yarden<\/p>\n","protected":false},"author":1045,"featured_media":42675,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1536],"tags":[],"technique":[],"squelettes":[],"sujet":[2132],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-42674","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlist-it","sujet-turchia-it"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le selihot nel rito turco - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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