{"id":43203,"date":"2017-01-11T11:51:09","date_gmt":"2017-01-11T10:51:09","guid":{"rendered":"https:\/\/www.iemj.org\/la-musique-juive-baroque\/"},"modified":"2021-12-09T10:54:14","modified_gmt":"2021-12-09T09:54:14","slug":"la-musique-juive-baroque","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/la-musique-juive-baroque\/","title":{"rendered":"La musica ebraica barocca"},"content":{"rendered":"<p>Contrariamente a certe idee preconcette, gli ebrei italiani, provenzali e di Amsterdam avevano una perfetta conoscenza della musica colta del mondo cristiano. I giovani ebrei italiani del XV secolo frequentavano le scuole di musica e di danza.<\/p>\n<p>Nel XVI ed all&#8217;inizio del XVII secolo, la Corte Ducale dei Gonzaga di Mantova accoglie musicisti ebrei, tra i quali <a href=\"https:\/\/www.iemj.org\/it\/rossi-salomone-vers-1570-vers-1630\/\" target=\"_blank\" rel=\"noopener\">Salomone Rossi<\/a> (1570 ca &#8211; 1630 ca) che pubblica nel 1622-23 una prima raccolta di 33 cori in ebraico per la sinagoga di Mantova.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" alignright  wp-image-12679\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_1_baroque_45.jpg\" alt=\"doc_1_baroque_45.jpg\" width=\"180\" height=\"365\" align=\"right\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_1_baroque_45.jpg 192w, https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_1_baroque_45-148x300.jpg 148w\" sizes=\"(max-width: 180px) 100vw, 180px\" \/><\/p>\n<p>Intorno al 1680, Carlo Grossi scrive una cantata per una confraternita ebraica di Modena o di Venezia. Nel 1732, 1733 e 1735 sono eseguite tre cantate nella piccola sinagoga di Casale Monferrato.<\/p>\n<p>Verso la fine del XVII secolo, un importante ebreo del Comtat Venaissin, che sperava fortemente nell&#8217;arrivo di un erede maschio, commissiona al compositore cristiano Louis Saladin la produzione di un &#8220;Divertimento per una circoncisione&#8221; per solisti, coro a quattro voci ed orchestra! A Bordeaux e ad Amsterdam, gli ebrei portoghesi apprezzano e suonano la musica del loro tempo.<\/p>\n<p>Nel XVIII secolo, ad Amsterdam, i sontuosi salotti delle ricche famiglie ebraiche portoghesi ospitano concerti di opere e cantate, generi che entrano pure nella sinagoga con le opere di Abraham Caceres e <a href=\"https:\/\/www.iemj.org\/it\/lidarti-cristiano-giuseppe-1730-apres-1793\/\" target=\"_blank\" rel=\"noopener\">Cristiano Giuseppe Lidarti<\/a>, autore nel 1774 dell&#8217;<a href=\"https:\/\/www.iemj.org\/it\/ester-un-oratorio-de-pourim-du-compositeur-lidarti-1730-ap-1793\/\" target=\"_blank\" rel=\"noopener\">oratorio Ester<\/a>, l\u2019opera la pi\u00f9 lunga (due ore!) nella storia della musica ebraica barocca.<\/p>\n<p><img decoding=\"async\" class=\" aligncenter size-full wp-image-12681\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_3_baroque500px.jpg\" alt=\"doc_3_baroque500px.jpg\" width=\"500\" height=\"445\" align=\"middle\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_3_baroque500px.jpg 500w, https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/doc_3_baroque500px-300x267.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/it\/musiques-juives-baroques\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"wp-image-6881 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2014\/04\/emission_de_radio_55_.jpg\" alt=\"emission_de_radio_55_.jpg\" width=\"50\" height=\"44\" align=\"left\" \/>Ascoltare l&#8217;emissione radiofonica: Musiche ebraiche barocche, presentata da Herv\u00e9 Roten<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/it\/les-faces-cachees-de-la-musique-juive-musiques-juives-baroques\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"wp-image-6881 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2014\/04\/emission_de_radio_55_.jpg\" alt=\"emission_de_radio_55_.jpg\" width=\"50\" height=\"44\" align=\"left\" \/>Ascoltare l&#8217;emissione radiofonica: Le facce nascoste della musica ebraica: Musiche Ebraiche Barocche, presentata da H\u00e9l\u00e8ne Engel<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/it\/la-musique-juive-baroque-1\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2939 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2014\/11\/playlist_30_.jpg\" alt=\"playlist_30_.jpg\" width=\"20\" height=\"43\" align=\"left\" \/>Ascoltare la playlist; Musica ebraica barocca (parte 1)<\/a><\/p>\n<p><a href=\"https:\/\/www.iemj.org\/la-musique-juive-baroque-1\/\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2939 aligncenter\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2014\/11\/playlist_30_.jpg\" alt=\"playlist_30_.jpg\" width=\"21\" height=\"46\" align=\"left\" \/><\/a><a href=\"https:\/\/www.iemj.org\/it\/la-musique-juive-baroque-2eme-partie\/\" target=\"_blank\" rel=\"noopener\">Ascoltare la playlist;\u00a0Musica ebraica barocca (parte 2)<\/a><\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Contrariamente a certe idee preconcette, gli ebrei italiani, provenzali e di Amsterdam avevano una perfetta conoscenza della musica colta del mondo cristiano. I giovani ebrei italiani del XV secolo frequentavano<\/p>\n","protected":false},"author":1052,"featured_media":43204,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1407,1413,1409],"tags":[2091],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1892,1895],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-43203","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articoli-di-fondo-it","category-musica-laica","category-musica-liturgica-it","tag-italia-it","genre-liturgia-it","genre-musica-barocca-it"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La musica ebraica barocca - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/it\/la-musique-juive-baroque\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La musica ebraica barocca - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Contrariamente a certe idee preconcette, gli ebrei italiani, provenzali e di Amsterdam avevano una perfetta conoscenza della musica colta del mondo cristiano. 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