{"id":52672,"date":"2016-06-01T14:39:41","date_gmt":"2016-06-01T12:39:41","guid":{"rendered":"https:\/\/www.iemj.org\/la-musique-klezmer-2\/"},"modified":"2025-05-27T12:00:19","modified_gmt":"2025-05-27T10:00:19","slug":"la-musique-klezmer-2","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/la-musique-klezmer-2\/","title":{"rendered":"La musica klezmer 2"},"content":{"rendered":"

Ascolta questa seconda playlist sulla musica klezmer<\/strong><\/p>\n

<\/p>\n

La parola klezmer deriva dall’associazione delle parole ebraiche kli<\/em> e zemer<\/em>, che significano letteralmente “attrezzi (o strumenti) del canto”. Questo termine designa la musica strumentale degli ebrei dell’Europa centrale ed orientale.<\/p>\n

In origine si tratta di una musica strumentale suonata principalmente durante l’accompagnamento di matrimoni o di gioiose festivit\u00e0 religiose, come la festa del carnevale di Purim, la celebrazione della Torah (Simhat Torah) o l’inaugurazione di una nuova sinagoga.<\/p>\n

I musicisti richiesti per i matrimoni avevano come scopo quello di animare le danze. Il tempo<\/em>, adattandosi alle dinamiche dei ballerini e dei musicisti, era spesso irregolare.<\/p>\n

\"doc_1_klezmer_part_2_500px_50.jpg\"Gli strumenti utilizzati dai musicisti klezmer sono molto var\u00ee, vi sono strumenti a corda, in particolare il violino, strumenti a fiato come il clarinetto od il flauto, oltre ad alcune percussioni come i piatti od il tamburo. Si noti che questo strumentario evolver\u00e0 in modo significativo a partire della fine del XIX secolo.<\/p>\n

Fortemente influenzata dal suo ambiente geografico e culturale, la musica klezmer \u00e8 estremamente composita, composta da musiche popolari rumene, russe, polacche, ucraine, lituane, ungheresi, greche, ottomane (turche o arabe) e soprattutto tzigane. Ha preso dalla corrente chassidica la gioia, il fervore e soprattutto i niggounim<\/em>, quei brani basati sulla ripetizione di onomatopee facili da memorizzare e da ripetere.<\/p>\n

Ascoltare la playlist del Klezmer 1<\/a>
Ascoltare il programma radiofonico : Musica klezmer di ieri e di oggi, presentato da Herv\u00e9 Roten<\/a><\/p>\n

\"doc_2_klezmer_part2_500px.jpg\"<\/p>\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

<\/h2>\n\n\n\n
Honga – The Klezmatics<\/a><\/div>\n\n\n\n
Mazel Tov – Dave TARRAS<\/a><\/div>\n\n\n\n
Nit Bay Motyen – Abe Schwartz Orchestra<\/a><\/div>\n\n\n\n
Old Sher – Zev FELDMAN & ANdy STATMAN<\/a><\/div>\n\n\n\n
Oy Tate s’iz Gut – Naftule BRANDWEIN<\/a><\/div>\n\n\n\n
Route des acacias – Claudine MOVSESSIAN<\/a><\/div>\n\n\n\n
Rozhinkes Mit Mandlen – Giora FEIDMAN<\/a><\/div>\n\n\n\n
The Freilech of the Klezmer – Giora FEIDMAN<\/a><\/div>\n\n\n\n
Tsivele’s – Dave TARRAS<\/a><\/div>\n\n\n\n
Tzum Klezmer – Chassia CULTER<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Ascolta questa seconda playlist sulla musica klezmer<\/p>\n","protected":false},"author":1052,"featured_media":52673,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1536],"tags":[],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1874],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-52672","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlist-it","genre-klezmer-it"],"acf":[],"yoast_head":"\nLa musica klezmer 2 - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/it\/la-musique-klezmer-2\/\" \/>\n<meta property=\"og:locale\" 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