{"id":58589,"date":"2020-01-21T15:19:51","date_gmt":"2020-01-21T14:19:51","guid":{"rendered":"https:\/\/www.iemj.org\/commando-musik\/"},"modified":"2021-08-24T12:30:28","modified_gmt":"2021-08-24T10:30:28","slug":"commando-musik","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/commando-musik\/","title":{"rendered":"Commando Musik"},"content":{"rendered":"

\u00c9ditions Buchet-Chastel, ottobre 2019, 413 p.<\/p>\n

<\/p>\n

Comment les nazis ont spoli\u00e9 l\u2019Europe musicale (Come i nazisti hanno depredato l’Europa musicale)<\/strong><\/em><\/p>\n

Nato ad Amsterdam nel 1939, Willem de Vries<\/strong> ha conseguito un dottorato in musicologia. Fu durante la stesura della sua tesi su “Darius Milhaud e il jazz”, tra il 1984 e il 1991, che de Vries scopr\u00ec l’esistenza del commando “musica”, a cui poi dedic\u00f2 le sue ricerche.<\/em><\/p>\n

La spoliazione, da parte dei nazisti, dei patrimon\u00ee appartenenti a degli ebrei, ha colpito propriet\u00e0 immobiliari, attivit\u00e0 commerciali, opere d’arte, libri … La dimensione culturale del saccheggio e delle spoliazioni \u00e8 stata implementata dall’organizzazione Rosenberg (ERR ), creata nel 1940 con l’obiettivo di eliminare la vita culturale ebraica in tutta Europa.<\/p>\n

La dimensione poco conosciuta di queste spoliazioni riguarda la musica<\/strong>: fu infatti creato un commando speciale, il Sonderstab Musik<\/em><\/strong> (commando “musica”), composto da eminenti musicologi tedeschi per localizzare strumenti, spartiti, manoscritti con lo scopo di sottrarli ai loro proprietari.<\/p>\n

Questo \u00e8 l’argomento del libro di Willem de Vries, che ha richiesto pi\u00f9 di dieci anni di ricerche. Esso rivela per la prima volta l’organizzazione di questo commando che, tra il 1940 e il 1944, fece “trasferire” in Germania diverse centinaia di migliaia di libri e diverse decine di migliaia di strumenti e spartiti.<\/p>\n

Il compositore Darius Milhaud, i pianisti Wanda Landowska e Arthur Rubinstein, il critico musicale Arno Pold\u00e8s, il violoncellista Gregor Piatigorsky furono tra le vittime di queste massicce spoliazioni, i cui attori, funzionamento ed importanza vengono finalmente portati alla luce.<\/p>\n

Traduzione di Laurent Slaars
Prefazione di Sonia Wieder-Atherton
“Avant-propos” di Corinne Hershkovitch<\/p>\n

La traduzione francese di quest’opera ha ricevuto il sostegno della Fondation pour la M\u00e9moire de la Shoah.<\/p>\n

Il 31 gennaio 2020, presso Sciences-Po a Parigi (75007), \u00e8 stata organizzata una giornata di studio su “La musique spogliata<\/em>“, ovvero “Come i nazisti saccheggiarono l’Europa musicale<\/em>“<\/a><\/p>\n

Leggi di pi\u00f9<\/a>
Acquista il libro<\/a><\/p>\n

Leggi la recensione di Philippe Velay del libro “Commando Musik” di Willem De Vries<\/a><\/p>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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