{"id":62883,"date":"2018-02-27T11:02:26","date_gmt":"2018-02-27T10:02:26","guid":{"rendered":"https:\/\/www.iemj.org\/fonds-abbina-diena\/"},"modified":"2023-10-17T16:04:27","modified_gmt":"2023-10-17T14:04:27","slug":"fonds-abbina-diena","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/fonds-abbina-diena\/","title":{"rendered":"Fondo Abbina-Diena"},"content":{"rendered":"<p>Desideroso di far conoscere l&#8217;ebraismo italiano e le sue tradizioni musicali, entrambi relativamente sconosciuti, Gianni Diena, di origine torinese, ha affidato all&#8217;Istituto Europeo di Musica Ebraica una serie di documenti: CD, spartiti e libri, che arricchiscono una raccolta d&#8217;archivi musicali ebraici italiani gi\u00e0 esistenti, risalenti in particolare al periodo barocco (Salomone Rossi e Lidarti).<\/p>\n<p>Quest&#8217;insieme di documenti, in parte in italiano, ma anche in inglese ed in ebraico, testimoniano la ricchezza delle tradizioni musicali italiane, intimamente legate alla storia delle comunit\u00e0 ebraiche che vivevano e vivono nella penisola transalpina.<\/p>\n<p><img decoding=\"async\" class=\" alignright  wp-image-18544\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/02\/l_718_couv.jpg\" alt=\"l_718_couv.jpg\" width=\"189\" height=\"264\" align=\"right\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/02\/l_718_couv.jpg 286w, https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/02\/l_718_couv-215x300.jpg 215w\" sizes=\"(max-width: 189px) 100vw, 189px\" \/>Le origini degli ebrei italiani sono molteplici. Secondo Enzo Scotto, \u201cAlcuni ebrei discendono dagli ebrei vissuti in Italia durante l&#8217;Impero Romano, altri sono ebrei ashkenaziti che, soprattutto nel XIV secolo, lasciarono la Germania per l&#8217;Italia. In quello stesso secolo gli ebrei francesi [in particolare dalla Provenza] abbandonarono la Francia, mentre alla fine del XV secolo e durante il XVI secolo ebbe luogo l&#8217;emigrazione sefardita dalla Spagna ed il ritorno al giudaismo dei marrani di origine spagnola.(&#8230;.) Altri ebrei, nella seconda met\u00e0 del XVI secolo provenienti da paesi musulmani, furono attratti dal nuovo porto franco di Livorno, che per due secoli fu la citt\u00e0 dove gli ebrei vivevano meglio che in qualsiasi altro posto&#8221;. (Vedi &#8220;Gli ebrei d&#8217;Italia&#8221; &#8211; Israel Magazine, 14 febbraio 2016)<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\" alignleft  wp-image-18546\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/02\/l_720_couv.jpg\" alt=\"l_720_couv.jpg\" width=\"227\" height=\"325\" align=\"left\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/02\/l_720_couv.jpg 279w, https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/02\/l_720_couv-209x300.jpg 209w\" sizes=\"(max-width: 227px) 100vw, 227px\" \/> <img decoding=\"async\" class=\"wp-image-18548 alignright\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/02\/l_719_couv.jpg\" alt=\"l_719_couv.jpg\" width=\"192\" height=\"326\" align=\"left\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/02\/l_719_couv.jpg 235w, https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/02\/l_719_couv-176x300.jpg 176w\" sizes=\"(max-width: 192px) 100vw, 192px\" \/><\/p>\n<p>Il Fondo Abbina-Diena \u00e8 composto da varie pubblicazioni sulle pratiche musicali ebraiche, sinagogali o profane in Italia, soprattutto nel XIX secolo. Alcuni lavori si concentrano su dei particolarismi regionali, come <em>Musiche della tradizione ebraica in Piemonte &#8211; Le registrazioni di Leo Levi <\/em>(1954) \/ Franco Segre &#8211; 2015, altri su temi specifici, come il misticismo ebraico (<em>Musica e canto nella mistica ebraica<\/em> \/ Enrico Fubini &#8211; 2012).<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<p><em><strong><img loading=\"lazy\" decoding=\"async\" class=\" alignleft  wp-image-18550\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/02\/cd_896_couv-2.jpg\" alt=\"cd_896_couv-2.jpg\" width=\"224\" height=\"218\" align=\"left\" \/><\/strong><\/em><\/p>\n<p>Questo Fondo \u00e8 anche composto da CDs che illustrano la storia e le tradizioni musicali del popolo ebraico in Italia, come il CD <strong><em>Chatan Ve KaIlah &#8211; Il matrimonio ebraico a Roma \/ Coro Ha-Kol<\/em><\/strong>, relativo al matrimonio ebraico in Italia.<\/p>\n<p>Infine, questo Fondo comprende anche delle opere musicali contemporanee, in particolare uno spartito manoscritto di musica da camera per soprano, attori e cinque strumenti, scritta da Gilberto Bosco, &#8220;<a href=\"https:\/\/www.iemj.org\/it\/il-gioco-delle-sorti\/\">Il gioco delle sorti<\/a>&#8220;, su Esther et la festa di Purim (accompagnato da un CD).<\/p>\n<p>Questi archivi sono ormai disponibili per la consultazione nel catalogo delle nostre collezioni (<strong><a href=\"http:\/\/www.rachelnet.net\/F\/?func=find-c&amp;ccl_term=WHOC%3DDiena&amp;local_base=iemcg&amp;x=0&amp;y=0#_blank\" target=\"_blank\" rel=\"noopener\">accedere al fondo Abbina-Diena<\/a><\/strong>) o su appuntamento con l&#8217;Istituto Europeo di Musica Ebraica (<a href=\"mailto:contact@iemj.org\">contact@iemj.org<\/a>).<\/p>","protected":false},"excerpt":{"rendered":"<p>Desideroso di far conoscere l&#8217;ebraismo italiano e le sue tradizioni musicali, entrambi relativamente sconosciuti, Gianni Diena, di origine torinese, ha affidato all&#8217;Istituto Europeo di Musica Ebraica una serie di documenti:<\/p>\n","protected":false},"author":5,"featured_media":83272,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"categories":[1586],"tags":[2091],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-62883","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fondi-principali-it","tag-italia-it"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Fondo Abbina-Diena - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.iemj.org\/it\/fonds-abbina-diena\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fondo Abbina-Diena - Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"og:description\" content=\"Desideroso di far conoscere l&#8217;ebraismo italiano e le sue tradizioni musicali, entrambi relativamente sconosciuti, Gianni Diena, di origine torinese, ha affidato all&#8217;Istituto Europeo di Musica Ebraica una serie di documenti:\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.iemj.org\/it\/fonds-abbina-diena\/\" \/>\n<meta property=\"og:site_name\" content=\"Institut Europ\u00e9en des Musiques Juives\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MusiquesJuives\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-02-27T10:02:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-10-17T14:04:27+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/02\/Fonds-Diena.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"575\" \/>\n\t<meta property=\"og:image:height\" content=\"575\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jacqueline ROTEN\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jacqueline ROTEN\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/fonds-abbina-diena\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/fonds-abbina-diena\\\/\"},\"author\":{\"name\":\"Jacqueline ROTEN\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\"},\"headline\":\"Fondo Abbina-Diena\",\"datePublished\":\"2018-02-27T10:02:26+00:00\",\"dateModified\":\"2023-10-17T14:04:27+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/fonds-abbina-diena\\\/\"},\"wordCount\":393,\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/fonds-abbina-diena\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2018\\\/02\\\/Fonds-Diena.jpg\",\"keywords\":[\"Italia\"],\"articleSection\":[\"Fondi principali\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/fonds-abbina-diena\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/fonds-abbina-diena\\\/\",\"name\":\"Fondo Abbina-Diena - Institut Europ\u00e9en des Musiques Juives\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/fonds-abbina-diena\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/fonds-abbina-diena\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2018\\\/02\\\/Fonds-Diena.jpg\",\"datePublished\":\"2018-02-27T10:02:26+00:00\",\"dateModified\":\"2023-10-17T14:04:27+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/fonds-abbina-diena\\\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.iemj.org\\\/it\\\/fonds-abbina-diena\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/fonds-abbina-diena\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2018\\\/02\\\/Fonds-Diena.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2018\\\/02\\\/Fonds-Diena.jpg\",\"width\":575,\"height\":575},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/fonds-abbina-diena\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Fondo Abbina-Diena\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#website\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"description\":\"Des traditions musicales \u00e0 la port\u00e9e de tous\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#organization\",\"name\":\"Institut Europ\u00e9en des Musiques Juives\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"contentUrl\":\"https:\\\/\\\/www.iemj.org\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Logo-IEMJ-Paypal.jpg\",\"width\":150,\"height\":50,\"caption\":\"Institut Europ\u00e9en des Musiques Juives\"},\"image\":{\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/MusiquesJuives\\\/\",\"https:\\\/\\\/www.instagram.com\\\/musiquesjuives\\\/\",\"https:\\\/\\\/www.youtube.com\\\/user\\\/musiquesjuives\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.iemj.org\\\/it\\\/#\\\/schema\\\/person\\\/358e26c18aca017fcc4cc15437f7279c\",\"name\":\"Jacqueline ROTEN\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g\",\"caption\":\"Jacqueline ROTEN\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Fondo Abbina-Diena - Institut Europ\u00e9en des Musiques Juives","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.iemj.org\/it\/fonds-abbina-diena\/","og_locale":"it_IT","og_type":"article","og_title":"Fondo Abbina-Diena - Institut Europ\u00e9en des Musiques Juives","og_description":"Desideroso di far conoscere l&#8217;ebraismo italiano e le sue tradizioni musicali, entrambi relativamente sconosciuti, Gianni Diena, di origine torinese, ha affidato all&#8217;Istituto Europeo di Musica Ebraica una serie di documenti:","og_url":"https:\/\/www.iemj.org\/it\/fonds-abbina-diena\/","og_site_name":"Institut Europ\u00e9en des Musiques Juives","article_publisher":"https:\/\/www.facebook.com\/MusiquesJuives\/","article_published_time":"2018-02-27T10:02:26+00:00","article_modified_time":"2023-10-17T14:04:27+00:00","og_image":[{"width":575,"height":575,"url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/02\/Fonds-Diena.jpg","type":"image\/jpeg"}],"author":"Jacqueline ROTEN","twitter_card":"summary_large_image","twitter_misc":{"Scritto da":"Jacqueline ROTEN","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.iemj.org\/it\/fonds-abbina-diena\/#article","isPartOf":{"@id":"https:\/\/www.iemj.org\/it\/fonds-abbina-diena\/"},"author":{"name":"Jacqueline ROTEN","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c"},"headline":"Fondo Abbina-Diena","datePublished":"2018-02-27T10:02:26+00:00","dateModified":"2023-10-17T14:04:27+00:00","mainEntityOfPage":{"@id":"https:\/\/www.iemj.org\/it\/fonds-abbina-diena\/"},"wordCount":393,"publisher":{"@id":"https:\/\/www.iemj.org\/it\/#organization"},"image":{"@id":"https:\/\/www.iemj.org\/it\/fonds-abbina-diena\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/02\/Fonds-Diena.jpg","keywords":["Italia"],"articleSection":["Fondi principali"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.iemj.org\/it\/fonds-abbina-diena\/","url":"https:\/\/www.iemj.org\/it\/fonds-abbina-diena\/","name":"Fondo Abbina-Diena - Institut Europ\u00e9en des Musiques Juives","isPartOf":{"@id":"https:\/\/www.iemj.org\/it\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.iemj.org\/it\/fonds-abbina-diena\/#primaryimage"},"image":{"@id":"https:\/\/www.iemj.org\/it\/fonds-abbina-diena\/#primaryimage"},"thumbnailUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/02\/Fonds-Diena.jpg","datePublished":"2018-02-27T10:02:26+00:00","dateModified":"2023-10-17T14:04:27+00:00","breadcrumb":{"@id":"https:\/\/www.iemj.org\/it\/fonds-abbina-diena\/#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.iemj.org\/it\/fonds-abbina-diena\/"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.iemj.org\/it\/fonds-abbina-diena\/#primaryimage","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/02\/Fonds-Diena.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/02\/Fonds-Diena.jpg","width":575,"height":575},{"@type":"BreadcrumbList","@id":"https:\/\/www.iemj.org\/it\/fonds-abbina-diena\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.iemj.org\/it\/"},{"@type":"ListItem","position":2,"name":"Fondo Abbina-Diena"}]},{"@type":"WebSite","@id":"https:\/\/www.iemj.org\/it\/#website","url":"https:\/\/www.iemj.org\/it\/","name":"Institut Europ\u00e9en des Musiques Juives","description":"Des traditions musicales \u00e0 la port\u00e9e de tous","publisher":{"@id":"https:\/\/www.iemj.org\/it\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.iemj.org\/it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.iemj.org\/it\/#organization","name":"Institut Europ\u00e9en des Musiques Juives","url":"https:\/\/www.iemj.org\/it\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/logo\/image\/","url":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","contentUrl":"https:\/\/www.iemj.org\/wp-content\/uploads\/2021\/09\/Logo-IEMJ-Paypal.jpg","width":150,"height":50,"caption":"Institut Europ\u00e9en des Musiques Juives"},"image":{"@id":"https:\/\/www.iemj.org\/it\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MusiquesJuives\/","https:\/\/www.instagram.com\/musiquesjuives\/","https:\/\/www.youtube.com\/user\/musiquesjuives"]},{"@type":"Person","@id":"https:\/\/www.iemj.org\/it\/#\/schema\/person\/358e26c18aca017fcc4cc15437f7279c","name":"Jacqueline ROTEN","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5964256d6c6957de3a3505278957e0fb2a35119ac47ea41827a65301213c810b?s=96&d=mm&r=g","caption":"Jacqueline ROTEN"}}]}},"ticketed":false,"_links":{"self":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts\/62883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/comments?post=62883"}],"version-history":[{"count":0,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/posts\/62883\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/media\/83272"}],"wp:attachment":[{"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/media?parent=62883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/categories?post=62883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tags?post=62883"},{"taxonomy":"technique","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/technique?post=62883"},{"taxonomy":"squelettes","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/squelettes?post=62883"},{"taxonomy":"sujet","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/sujet?post=62883"},{"taxonomy":"formation","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/formation?post=62883"},{"taxonomy":"genre","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/genre?post=62883"},{"taxonomy":"fonds","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/fonds?post=62883"},{"taxonomy":"tradition","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tradition?post=62883"},{"taxonomy":"type-de-contenu","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/type-de-contenu?post=62883"},{"taxonomy":"interprete-compositeur","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/interprete-compositeur?post=62883"},{"taxonomy":"frise","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/frise?post=62883"},{"taxonomy":"type-devenement","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/type-devenement?post=62883"},{"taxonomy":"tableaux-liens-externes","embeddable":true,"href":"https:\/\/www.iemj.org\/it\/wp-json\/wp\/v2\/tableaux-liens-externes?post=62883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}