{"id":65178,"date":"2018-01-22T16:08:12","date_gmt":"2018-01-22T15:08:12","guid":{"rendered":"https:\/\/www.iemj.org\/la-musique-juive-baroque-1\/"},"modified":"2025-06-19T18:17:37","modified_gmt":"2025-06-19T16:17:37","slug":"la-musique-juive-baroque-1","status":"publish","type":"post","link":"https:\/\/www.iemj.org\/it\/la-musique-juive-baroque-1\/","title":{"rendered":"La musica ebraica barocca 1"},"content":{"rendered":"<p><strong>Ascolta una selezione di musica barocca ebraica con opere di Benedetto, Rossi, Grossi, Lidarti, Saladino e Caceres<\/strong><\/p>\n<p><!--more-->Dalla notte dei tempi le musiche ebraiche si sono trasmesse per via orale. Tranne tre frammenti manoscritti di Ovadia il Proselito nel XII secolo<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_65178_1('footnote_plugin_reference_65178_1_1');\" onkeypress=\"footnote_moveToReference_65178_1('footnote_plugin_reference_65178_1_1');\" ><sup id=\"footnote_plugin_tooltip_65178_1_1\" class=\"footnote_plugin_tooltip_text\">[1]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_65178_1_1\" class=\"footnote_tooltip\">Cf. Israel Adler, &#8220;Les chants synagogaux not\u00e9s au XIIe si\u00e8cle (ca 1102-1150) par Abdias le pros\u00e9lyte normand&#8221;, Revue de Musicologie, 51, 1965, pp. 19-51.<\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_65178_1_1').tooltip({ tip: '#footnote_plugin_tooltip_text_65178_1_1', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script> ed alcune cantillazioni bibliche del XV e XVI secolo<span class=\"footnote_referrer\"><a role=\"button\" tabindex=\"0\" onclick=\"footnote_moveToReference_65178_1('footnote_plugin_reference_65178_1_2');\" onkeypress=\"footnote_moveToReference_65178_1('footnote_plugin_reference_65178_1_2');\" ><sup id=\"footnote_plugin_tooltip_65178_1_2\" class=\"footnote_plugin_tooltip_text\">[2]<\/sup><\/a><span id=\"footnote_plugin_tooltip_text_65178_1_2\" class=\"footnote_tooltip\">Si tratta in particolare di cantillazioni bibliche annotate da degli umanisti cristiani desiderosi di studiare i testi biblici nella loro versione originale. Cf. J. B\u00f6schenstein (Codex hebraicus,&nbsp;&#x2026; <span class=\"footnote_tooltip_continue\"  onclick=\"footnote_moveToReference_65178_1('footnote_plugin_reference_65178_1_2');\">Lire la suite<\/span><\/span><\/span><script type=\"text\/javascript\"> jQuery('#footnote_plugin_tooltip_65178_1_2').tooltip({ tip: '#footnote_plugin_tooltip_text_65178_1_2', tipClass: 'footnote_tooltip', effect: 'fade', predelay: 0, fadeInSpeed: 200, delay: 400, fadeOutSpeed: 200, position: 'top center', relative: true, offset: [-7, 0], });<\/script>.<\/p>\n<p>Si deve attendere il XVII secolo per vedere apparire in Italia, ad Amsterdam e nel Comtat Venaissin, le prime notazioni <span style=\"font-size: inherit;\"><img fetchpriority=\"high\" decoding=\"async\" class=\" alignright size-full wp-image-17964\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/doc_1_baroque.jpg\" alt=\"doc_1_baroque.jpg\" width=\"230\" height=\"332\" align=\"right\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/doc_1_baroque.jpg 230w, https:\/\/www.iemj.org\/wp-content\/uploads\/2018\/01\/doc_1_baroque-208x300.jpg 208w\" sizes=\"(max-width: 230px) 100vw, 230px\" \/><\/span>musicali suonate in un contesto comunitario ebraico. E queste opere sono decisamente moderne poich\u00e9 assumono il linguaggio musicale dell&#8217;epoca: il barocco!<\/p>\n<ul>\n<li><a href=\"https:\/\/www.iemj.org\/it\/la-musique-juive-baroque\/\" target=\"_blank\" rel=\"noopener\">Consultare l&#8217;articolo di fondo sulla musica ebraica barocca<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/it\/baroque-jewish-music\/\" target=\"_blank\" rel=\"noopener\">Ascoltare il programma radiofonico : Musiche ebraiche barocche, presentato da Herv\u00e9 Roten<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/it\/the-hidden-sides-of-jewish-music-baroque-jewish-music\/\" target=\"_blank\" rel=\"noopener\">Ascoltare il programma radiofonico : Le facce nascoste della musica ebraica : Musiche Ebraiche Barocche presentato da H\u00e9l\u00e8ne Engel<\/a><\/li>\n<li><a href=\"https:\/\/www.iemj.org\/it\/la-musique-juive-baroque-2eme-partie\/\" target=\"_blank\" rel=\"noopener\">Ascoltare la playlist : Musica ebraica barocca 2\u00b0 parte<\/a><\/li>\n<\/ul>\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"133\" src=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png\" alt=\"\" class=\"wp-image-110609\" srcset=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-1024x133.png 1024w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-300x39.png 300w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-768x100.png 768w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER-600x78.png 600w, https:\/\/www.iemj.org\/wp-content\/uploads\/2024\/03\/AUDIO-PLAYER.png 1210w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/1_estro_poetico_harmonico_marcello_benedetto_extrait_-_ensemble_apollo.mp3\">Estro poetico harmonico (Marcello Benedetto) (EXTRAIT) &#8211; Ensemble Apollo<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/2_psalm_146_haleluyah_rossi_extrait_-_profeti_della_quinta.mp3\">Psalm 146 Haleluyah (Rossi) (EXTRAIT) &#8211; Profeti della quinta<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/3_lemi_ehpots_laasot_yeqar_rossi_-_ensemble_texto.mp3\">Lemi ehpots laasot yeqar (Rossi) &#8211; Ensemble texto<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/4_cantate_guetteur_grossi_extrait_-_ensemble_apollo.mp3\">Cantate guetteur (Grossi) (EXTRAIT) &#8211; Ensemble Apollo<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/5_symphony-overture_in_c_adon_olam_s._h._jarach_extrait_-_synagogal_music_in_the_baroque.mp3\">Symphony-overture in C Adon Olam (S. H. Jarach) (EXTRAIT) &#8211; Synagogal Music in the Baroque<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/6_inauguration_de_la_synagogue_de_sienne_-_gallichi_et_drei_ex.mp3\">Inauguration de la synagogue de Sienne (EXTRAIT) &#8211; Gallichi et Drei<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/7_canticum_hebraicum_saladin_extrait_-_joel_cohen_de_env_11_44_a_fin.mp3\">Canticum hebraicum (Saladin) (EXTRAIT) &#8211; Jo\u00ebl Cohen<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/8_hamessiah_illemim_caceres_extrait_-_avner_itai_cd_30_06.mp3\">Hamessiah illemim (Caceres) (EXTRAIT) &#8211; Avner Ita\u00ef<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/9_kol_haneshama_-_ensemble_texto.mp3\">Kol haneshama &#8211; Ensemble Texto<\/a><\/div>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.iemj.org\/wp-content\/uploads\/2017\/01\/10_beyt_yisrael_sifdu_lidarti_-_ensemble_texto.mp3\">Beyt Yisrael sifdu (Lidarti) &#8211; Ensemble Texto<\/a><\/div>\n<div class=\"speaker-mute footnotes_reference_container\"> <div class=\"footnote_container_prepare\"><p><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_label pointer\" onclick=\"footnote_expand_collapse_reference_container_65178_1();\">&#x202F;<\/span><span role=\"button\" tabindex=\"0\" class=\"footnote_reference_container_collapse_button\" style=\"display: none;\" onclick=\"footnote_expand_collapse_reference_container_65178_1();\">[<a id=\"footnote_reference_container_collapse_button_65178_1\">+<\/a>]<\/span><\/p><\/div> <div id=\"footnote_references_container_65178_1\" style=\"\"><table class=\"footnotes_table footnote-reference-container\"><caption class=\"accessibility\">References<\/caption> <tbody> \r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_65178_1('footnote_plugin_tooltip_65178_1_1');\"><a id=\"footnote_plugin_reference_65178_1_1\" class=\"footnote_backlink\">1<\/a><\/th> <td class=\"footnote_plugin_text\">Cf. Israel Adler, &#8220;Les chants synagogaux not\u00e9s au XIIe si\u00e8cle (ca 1102-1150) par Abdias le pros\u00e9lyte normand&#8221;, Revue de Musicologie, 51, 1965, pp. 19-51.<\/td><\/tr>\r\n\r\n<tr class=\"footnotes_plugin_reference_row\"> <th scope=\"row\" class=\"footnote_plugin_index_combi pointer\"  onclick=\"footnote_moveToAnchor_65178_1('footnote_plugin_tooltip_65178_1_2');\"><a id=\"footnote_plugin_reference_65178_1_2\" class=\"footnote_backlink\">2<\/a><\/th> <td class=\"footnote_plugin_text\">Si tratta in particolare di cantillazioni bibliche annotate da degli umanisti cristiani desiderosi di studiare i testi biblici nella loro versione originale. Cf. J. B\u00f6schenstein (Codex hebraicus, Munich, verso il 1500), Johannes Reuchlin (De accentibus et orthographia linguae hebraicae, Haguenau, 1518), od ancora Sebastian M\u00fcnster (Institutiones grammaticae in hebream linguam, B\u00e2le, 1524).<\/td><\/tr>\r\n\r\n <\/tbody> <\/table> <\/div><\/div><script type=\"text\/javascript\"> function footnote_expand_reference_container_65178_1() { jQuery('#footnote_references_container_65178_1').show(); jQuery('#footnote_reference_container_collapse_button_65178_1').text('\u2212'); } function footnote_collapse_reference_container_65178_1() { jQuery('#footnote_references_container_65178_1').hide(); jQuery('#footnote_reference_container_collapse_button_65178_1').text('+'); } function footnote_expand_collapse_reference_container_65178_1() { if (jQuery('#footnote_references_container_65178_1').is(':hidden')) { footnote_expand_reference_container_65178_1(); } else { footnote_collapse_reference_container_65178_1(); } } function footnote_moveToReference_65178_1(p_str_TargetID) { footnote_expand_reference_container_65178_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } } function footnote_moveToAnchor_65178_1(p_str_TargetID) { footnote_expand_reference_container_65178_1(); var l_obj_Target = jQuery('#' + p_str_TargetID); if (l_obj_Target.length) { jQuery( 'html, body' ).delay( 0 ); jQuery('html, body').animate({ scrollTop: l_obj_Target.offset().top - window.innerHeight * 0.2 }, 380); } }<\/script>","protected":false},"excerpt":{"rendered":"<p>Ascolta una selezione di musica barocca ebraica con opere di Benedetto, Rossi, Grossi, Lidarti, Saladino e Caceres<\/p>\n","protected":false},"author":1052,"featured_media":65179,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1536],"tags":[2091],"technique":[],"squelettes":[],"sujet":[],"formation":[],"genre":[1892,1895],"fonds":[],"tradition":[],"type-de-contenu":[],"interprete-compositeur":[],"frise":[],"type-devenement":[],"tableaux-liens-externes":[],"class_list":["post-65178","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlist-it","tag-italia-it","genre-liturgia-it","genre-musica-barocca-it"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La musica ebraica barocca 1 - Institut Europ\u00e9en des Musiques Juives<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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